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Directed by | |||
| Lone Scherfig | |||
Writing credits(in alphabetical order) | ||
| Lynn Barber | memoir | |
| Nick Hornby | screenplay | |
Produced by | |||
| Finola Dwyer | .... | producer | |
| Douglas Hansen | .... | executive producer (as Douglas E. Hansen) | |
| Nick Hornby | .... | executive producer | |
| Wendy Japhet | .... | executive producer | |
| Jamie Laurenson | .... | executive producer | |
| Caroline Levy | .... | line producer | |
| Amanda Posey | .... | producer | |
| James D. Stern | .... | executive producer | |
| David M. Thompson | .... | executive producer | |
Original Music by | |||
| Paul Englishby | |||
Cinematography by | |||
| John de Borman | (director of photography) | ||
Film Editing by | |||
| Barney Pilling | |||
Casting by | |||
| Lucy Bevan | |||
Production Design by | |||
| Andrew McAlpine | |||
Art Direction by | |||
| Ben Smith | |||
Set Decoration by | |||
| Anna Lynch-Robinson | (as Anna Lynch Robinson) | ||
Costume Design by | |||
| Odile Dicks-Mireaux | |||
Makeup Department | |||
| Bella Georgiou | .... | hair stylist: dailies | |
| Bella Georgiou | .... | makeup artist: dailies | |
| Mandy Gold | .... | hair stylist: dailies | |
| Mandy Gold | .... | makeup artist: dailies | |
| Jon Henry Gordon | .... | hair stylist: dailies | |
| Jon Henry Gordon | .... | makeup artist: dailies | |
| Catherine Jabes | .... | hair stylist: France (as Carhy Vidal) | |
| Nicky Knowles | .... | hair stylist (as Nicola Magee) | |
| Nicky Knowles | .... | makeup artist (as Nicola Magee) | |
| Ameneh Mahloudji | .... | hair stylist | |
| Ameneh Mahloudji | .... | makeup artist | |
| Florence Roumieu | .... | makeup artist: France | |
| Andrew Simonin | .... | crowd hairdresser | |
| Elizabeth Yianni-Georgiou | .... | hair designer (as Lizzie Yianni Georgiou) | |
| Elizabeth Yianni-Georgiou | .... | makeup designer (as Lizzie Yianni Georgiou) | |
| Katie Lee | .... | makeup trainee: dalies (uncredited) | |
Second Unit Director or Assistant Director | |||
| Chris Burgess | .... | additional third assistant director | |
| Paul Cathie | .... | third assistant director | |
| Joe Geary | .... | first assistant director | |
| Clare Glass | .... | crowd second assistant director | |
| Christelle Lahaye | .... | third assistant director: France | |
| Tom Mulberge | .... | additional third assistant director | |
| Tom White | .... | second assistant director | |
Art Department | |||
| Gerry Atkinson | .... | dressing propman | |
| Marc Beros | .... | hod painter | |
| Brian Bovingdon | .... | carpenter | |
| Philippa Broadhurst | .... | graphic designer | |
| Chris Brown | .... | carpenter | |
| Lee Bryant | .... | prop storeman | |
| Alfie Burgess | .... | stand-by propman | |
| Clive D'Cruze | .... | stagehand | |
| Gene D'Cruze | .... | construction manager | |
| Billy Edwards | .... | stand-by propman | |
| Richard Grant | .... | painter | |
| James Hendy | .... | property buyer | |
| John Malham | .... | painter | |
| Danny Margetts | .... | hod construction | |
| Ben Munro | .... | stand-by art director | |
| Camise Oldfield | .... | art department trainee: FT2 | |
| Andrew Rickard | .... | carpenter | |
| Michael Rickard | .... | carpenter | |
| Brian Stagg | .... | carpenter | |
| Terry Stinson | .... | dressing propman | |
| Ian Tansey | .... | painter | |
| Anna Thomas | .... | art department assistant | |
| Dave Wells | .... | carpenter | |
| Tom Whitehead | .... | assistant art director | |
| Nigel Woodford | .... | stand-by carpenter | |
| Terry Woods | .... | property master (as Terry Wood) | |
| Dougie Lankston | .... | dressing props (uncredited) | |
| Howard Weaver | .... | scenic artist (uncredited) | |
Sound Department | |||
| Hugo Adams | .... | foley editor | |
| Niv Adiri | .... | sound effects editor | |
| Ben Barker | .... | sound effects editor | |
| Gareth Bull | .... | adr recordist | |
| Gareth Bull | .... | sound re-recording mixer | |
| Gillian Dodders | .... | dialogue editor | |
| Andrew Felton | .... | boom operator | |
| Danny Freemantle | .... | assistant sound editor | |
| Glenn Freemantle | .... | sound supervisor | |
| Elliott Gilhooly | .... | sound assistant: FT2 | |
| Nina Hartstone | .... | dialogue editor | |
| Andrea King | .... | foley artist | |
| Adam Mendez | .... | foley recordist | |
| Adam Mendez | .... | sound re-recording mixer | |
| Tom Sayers | .... | sound effects editor | |
| Jack Stew | .... | foley artist | |
| Richard Straker | .... | adr recordist | |
| Richard Straker | .... | sound re-recording mixer | |
| Simon J. Willis | .... | sound recordist (as Simon Willis) | |
| Mark DeSimone | .... | adr mixer: New York (uncredited) | |
| Alex Hudd | .... | sound consultant: Dolby (uncredited) | |
Special Effects by | |||
| David Payne | .... | special effects supervisor (uncredited) | |
Visual Effects by | |||
| Stephen Elson | .... | visual effects producer: Baseblack (uncredited) | |
| Edward Randolph | .... | digital compositor: Baseblack (uncredited) | |
| Edward Randolph | .... | visual effects coordinator: Baseblack (uncredited) | |
Casting Department | |||
| Alice Searby | .... | casting associate | |
| Ruth Key | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Basil Anastasi | .... | costumer: dailies | |
| Martin Chitty | .... | stand-by costumer | |
| Patricia Colin | .... | costume supervisor: France | |
| Ellen Crawshaw | .... | costume trainee: crowd | |
| Rachel Forde | .... | costume trainee: FT2 | |
| Natalie Humphries | .... | costume supervisor | |
| Amanda Keable | .... | costume supervisor | |
| Tess Loe | .... | costume trainee | |
| Kate O'Farrell | .... | costumer: dailies | |
| David Wolfe | .... | costumer: dailies | |
Editorial Department | |||
| Greg Barrett | .... | digital intermediate producer | |
| Ben Bradley | .... | on-line editor | |
| Rebecca Budds | .... | digital intermediate coordinator | |
| Matthew Cannings | .... | assistant editor | |
| John Claude | .... | digital intermediate colorist | |
| Matt Watson | .... | on-line editor | |
| Stephen Bearman | .... | colorist: dailies (uncredited) | |
| Paul Doogan | .... | scan record manager (uncredited) | |
Music Department | |||
| Eleanor Alberga | .... | musician: piano | |
| Tom Bowes | .... | orchestra leader | |
| Chris Dibble | .... | score mixer | |
| Chris Dibble | .... | score recordist | |
| Isobel Griffiths | .... | orchestra contractor | |
| Lewis Jones | .... | assistant engineer | |
| Joanna Lee | .... | assistant to composer | |
| Nyree Pinder | .... | score coordinator | |
| Colin Rae | .... | score preparation | |
| Kle Savidge | .... | music supervisor | |
| Charlotte Trinder | .... | assistant orchestra contractor | |
| Jonathan Williams | .... | musician: cello | |
| Ben Barker | .... | supervising music editor (uncredited) | |
| Christopher Benstead | .... | music editor (uncredited) | |
Transportation Department | |||
| Mickaël Conan | .... | minibus driver: France (as Mickael Conan) | |
| Bertrand Doudet | .... | minibus driver: France | |
| Olivier Fauchier | .... | minibus driver: France | |
| Paul Gatley | .... | unit driver | |
| Charles Heidet | .... | action vehicles coordinator: France | |
| Phil Houghton | .... | driver: camera truck (as Phil Haughton) | |
| Hefin Jones | .... | driver: wardrobe bus (as Hefyn Jones) | |
| Charles Manning | .... | driver: facilities captain & make-up | |
| Geoff McCracken | .... | minibus driver | |
| Chris Palmer | .... | lead driver | |
| Jim Wilkes | .... | driver: grip truck | |
| Ian Wotherspoon | .... | unit driver | |
Other crew | |||
| Sarah Armstrong | .... | stand-in (as Sara Armstrong) | |
| Susan Arnott | .... | representative: Odyssey Entertainment | |
| Geraldine Atlee | .... | business affairs: BBC Films | |
| Aurélie Avram | .... | production coordinator: France (as Aurelie Avram) | |
| Guillaume Babinet | .... | location trainee: France | |
| Craig Barwick | .... | production accountant | |
| Hana Beer | .... | floor runner | |
| Kerry Brown | .... | electronic press kit | |
| Phil Cairns | .... | unit publicist: Premier PR | |
| Tony Carter | .... | location assistant | |
| Lucy Chilton | .... | assistant to director | |
| Libby D'Arcy | .... | representative: Odyssey Entertainment | |
| Sean Desmond | .... | security | |
| Graham Easton | .... | completion guarantor: Film Finances | |
| Glyn Evans | .... | medic | |
| Angus Finlayson | .... | stand-in | |
| Charlotte Fleck | .... | dialect coach: Peter Sarsgaard | |
| Ian Ford | .... | security | |
| Richard George | .... | assistant location manager | |
| Louise Goodsill | .... | representative: Odyssey Entertainment | |
| Pierre Hue | .... | assistant location manager: France | |
| Mick Hurrell | .... | health & safety officer | |
| Jacqueline Hurt | .... | legal services: Olswang | |
| Amy Jackson | .... | post production paperwork | |
| Amy Jackson | .... | producers asssistant | |
| Steve Joberns | .... | auditor: Shipleys | |
| Ralph Kamp | .... | representative: Odyssey Entertainment | |
| Hannah Lamb | .... | location assistant | |
| Charles McDonald | .... | unit publicist: Premier PR | |
| Bennett McGhee | .... | assistant to producers | |
| Simon Mills | .... | production runner | |
| Tariq Mirza | .... | production legal | |
| John Morgan | .... | accountant: Wildgraze Films & Finola Dwyer Productions | |
| Eleanor Nett | .... | production and post-production executive: Endgame Entertainment | |
| Caroline O'Reilly | .... | script supervisor | |
| Kevin O'Shea | .... | insurance: AON/Albert G Ruben | |
| Kevin Proctor | .... | production runner | |
| Valerie Rosewell | .... | assistant accountant (as Val Rosewell) | |
| Romuald Rousseau | .... | location manager: France | |
| Marc Saclier | .... | location trainee: France | |
| Lisbeth Savill | .... | legal services: Olswang | |
| Gregory R. Schenz | .... | business and legal affairs executive: Endgame Entertainment | |
| James Scott | .... | representative: Odyssey Entertainment | |
| Sonic | .... | floor runner (as James 'Sonic' Rainer) | |
| Camilla Stephenson | .... | location manager | |
| Neil Swain | .... | dialect coach: Peter Sarsgaard | |
| Eve Swannell | .... | production coordinator | |
| Anne Teixeira | .... | production executive: Endgame Entertainment | |
| Claire Tovey | .... | location scout | |
| Matthew Vizard | .... | production & delivery coordinator: BBC Films | |
| Cindy Wilkinson Kirven | .... | finance executive: Endgame Entertainment | |
| Michael Wood | .... | production executive: BBC Films | |
| Nic Benns | .... | title designer (uncredited) | |
| Paula Jalfon | .... | commercial manager (uncredited) | |
| Tory Lenosky | .... | production runner (uncredited) | |
| Iain Mackenzie | .... | production runner: dailies (uncredited) | |
| James Mossahebi | .... | office runner (uncredited) | |
Thanks | |||
| Amy Ashworth | .... | special thanks | |
| Jane Barclay | .... | special thanks | |
| Isabel Begg | .... | special thanks | |
| Helen Bones | .... | special thanks | |
| Bernard Butler | .... | special thanks | |
| Duffy | .... | special thanks | |
| Juliette Gréco | .... | special thanks | |
| Camille Holm | .... | in memory of | |
| Mark Hubbard | .... | thanks | |
| Beeban Kidron | .... | special thanks | |
| Paul Ritchie | .... | thanks | |
| Marc Samuelson | .... | special thanks | |
| Tom Stingemore | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
With excellent acting and excellent visuals this is a good film, as a Chaucerian cautionary tale, or a retake on Congreve, it succeeds in buckets. But more even than the excellent script by Nick Hornsby is a marvellous performance by Carey Mulligan.
It tackles what is an incredibly sensitive subject, more so today than even in its setting, the relationship between a teenager and an older man, with definite aplomb. What could have been either an anachronistic script filled with moral sensibilities that didn't surface in 1961 or a cheap and tawdry sensationalist production is handled with verve, humour, and brings both the wonder of first love and the seductive ability of that love to steer lives in directions we'd rather not go out in ways that work very well indeed.
Carey Mulligan has more than a touch of sensibility about her and is, obviously, the more mature, yet still a naive genué - her performance is to be admired for its ability to not switch characters but rather hold a fast course that is totally believable. I seriously cannot think of any debut in the past 20 years that has this weight. Like Taylor in National Velvet or Johnny Mill's daughter in Whistle Down the Wind you just know you are watching something very special indeed.
All the parts are very well written by Nick Hornsby and what we get is both complex and light, a witty drama with depth that truly evokes the post-Suez and Macmillan era; Britain before the Beatles but a Britain full of a generation who didn't wanted to be reminded of rationing and the Blitz, who were searching to get away from the drudgery of a boring job-for-life that was killing their parents by degrees.
While there are moments of real unease, not surprisingly given the subject matter, there is nothing to not recommend about this: it is thoughtful, funny, intriguing, and marks the start of a significant career for Carey Mulligan who will certainly become one of the leading British actresses of her generation.