A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
In the early 1960's, sixteen year old Jenny Mellor lives with her parents in the London suburb of Twickenham. On her father's wishes, everything that Jenny does is in the sole pursuit of being accepted into Oxford, as he wants her to have a better life than he. Jenny is bright, pretty, hard working but also naturally gifted. The only problems her father may perceive in her life is her issue with learning Latin, and her dating a boy named Graham, who is nice but socially awkward. Jenny's life changes after she meets David Goldman, a man over twice her age. David goes out of his way to show Jenny and her family that his interest in her is not improper and that he wants solely to expose her to cultural activities which she enjoys. Jenny quickly gets accustomed to the life to which David and his constant companions, Danny and Helen, have shown her, and Jenny and David's relationship does move into becoming a romantic one. However, Jenny slowly learns more about David, and by association ... Written by
The author of the original account, Lynn Barber stipulated in her contract that she would be allowed to see and comment (but not alter) every draft written by the screenwriter, Nick Hornby. She mentioned that she was happy with most of the changes, but her one regret was that Hornby changed the name of her lover, Simon, to David, which was her real husband's name. She stated that "I wish in retrospect I'd put up a fight". See more »
In the final scene Jenny and her friend can be seen cycling into the Bodleian library courtyard. Bikes are not allowed in the Bodleian and others can be seen chained to the railings outside. There are also 3 steps up to this courtyard which they would not have been able to cycle up. See more »
My 313th Review: A good Chaucerian cautionary tale with a very significant debut by one Carey Mulligan
With excellent acting and excellent visuals this is a good film, as a Chaucerian cautionary tale, or a retake on Congreve, it succeeds in buckets. But more even than the excellent script by Nick Hornsby is a marvellous performance by Carey Mulligan.
It tackles what is an incredibly sensitive subject, more so today than even in its setting, the relationship between a teenager and an older man, with definite aplomb. What could have been either an anachronistic script filled with moral sensibilities that didn't surface in 1961 or a cheap and tawdry sensationalist production is handled with verve, humour, and brings both the wonder of first love and the seductive ability of that love to steer lives in directions we'd rather not go out in ways that work very well indeed.
Carey Mulligan has more than a touch of sensibility about her and is, obviously, the more mature, yet still a naive genué - her performance is to be admired for its ability to not switch characters but rather hold a fast course that is totally believable. I seriously cannot think of any debut in the past 20 years that has this weight. Like Taylor in National Velvet or Johnny Mill's daughter in Whistle Down the Wind you just know you are watching something very special indeed.
All the parts are very well written by Nick Hornsby and what we get is both complex and light, a witty drama with depth that truly evokes the post-Suez and Macmillan era; Britain before the Beatles but a Britain full of a generation who didn't wanted to be reminded of rationing and the Blitz, who were searching to get away from the drudgery of a boring job-for-life that was killing their parents by degrees.
While there are moments of real unease, not surprisingly given the subject matter, there is nothing to not recommend about this: it is thoughtful, funny, intriguing, and marks the start of a significant career for Carey Mulligan who will certainly become one of the leading British actresses of her generation.
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