| Léora Barbara | ... | Stella | |
| Mélissa Rodriguès | ... | Gladys | |
| Laëtitia Guerard | ... | Geneviève | |
| Karole Rocher | ... | Roselyne, la mère de Stella | |
| Benjamin Biolay | ... | Serge, le père de Stella | |
| Guillaume Depardieu | ... | Alain Bernard | |
| Johan Libéreau | ... | Loïc | |
| Jeannick Gravelines | ... | Bubu | |
| Valérie Stroh | ... | Mme Tillier-Dumas, prof d'histoire-géo | |
| Thierry Neuvic | ... | Yvon | |
| Anne Benoît | ... | Mme Douchewsky, prof d'anglais | |
| Christophe Bourseiller | ... | M. Larpin, prof de français | |
| Nicolas Janny | ... | M. Cotenson | |
| Christel Dewynter | ... | Mme Huchon | |
| Yolaine-Anne Gliott | ... | La directrice du collège | |
| Clémence Lassalas | ... | Laurence Faguay | |
| Laura Martin | ... | Nathalie Corbière | |
| Inès Ferrer | ... | Isabelle Porthéous | |
| Maxence Thorey | ... | Alexandre Bergeron | |
| William Wayolle | ... | Eric | |
| Marceau Gorce | ... | Le garçon au ballon | |
| Alexandre Ducrocq | ... | Garçon du Nord | |
| Axel Torque | ... | Garçon du Nord | |
| Jacky Roure | ... | Jacky (as Jackie Roure) | |
| Farid Djouassi | ... | Farid (as Farid Djouasi) | |
| Karim Canama | ... | Momo | |
| Bruno Guillot | ... | Un habitué du bar | |
| Walter Shnorkell | ... | Riton | |
| Ema Chicotot | ... | La danseuse (as Emma Chicotot) | |
| Dominique Derose | ... | La grand-mère de Stella | |
| Marie Hennerez | ... | La tante de Stella | |
| Miguel Benasayag | ... | Le père de Gladys (as Miguel Benassayag) | |
| Angélique Benassayag | ... | La mère de Gladys | |
| Marc Bodziac | ... | Le père de Geneviève | |
| Thomas Grézaud | ... | Un invité du dîner chez Gladys |
Directed by | |||
| Sylvie Verheyde | |||
Writing credits | ||
| Sylvie Verheyde | (scenario and dialogue) | |
Produced by | |||
| Sarah Benoliel | .... | assistant producer | |
| Bruno Berthemy | .... | producer | |
| Rémi Burah | .... | co-producer | |
Cinematography by | |||
| Nicolas Gaurin | |||
Film Editing by | |||
| Christel Dewynter | |||
Casting by | |||
| François Guignard | |||
Makeup Department | |||
| Ema Chicotot | .... | key makeup artist | |
| Milou Sanner | .... | key hair stylist | |
Production Management | |||
| Roland Berthemy | .... | assistant unit manager | |
| Karim Canama | .... | production manager | |
| Jérôme Petament | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Christelle Lahaye | .... | second assistant director | |
Art Department | |||
| Sheherazade Achour | .... | props | |
Sound Department | |||
| Roland Duboué | .... | sound editor | |
| Olivier Dô Hùu | .... | sound mixer | |
| Nicolas Fioraso | .... | assistant foley artist | |
| Dimitri Haulet | .... | sound | |
| Sylvain Malbrant | .... | sound editor | |
| Benjamin Viau | .... | sound re-recordist | |
Visual Effects by | |||
| Fred Roz | .... | titles | |
| Mikael Tanguy | .... | digital compositor | |
Camera and Electrical Department | |||
| Aurélien Cachoir | .... | first assistant camera | |
| Renaud Garnier | .... | additional electrician | |
| Colas Jourdain | .... | additional electrician | |
| Boris Lévy | .... | assistant camera | |
| Julia Mingo | .... | second assistant camera | |
| Bertrand Trividic | .... | additional electrician | |
Costume and Wardrobe Department | |||
| Agnès Beziers | .... | wardrobe | |
| Florie Vaslin | .... | wardrobe supervisor | |
Editorial Department | |||
| Pascal Massonneau | .... | color timer | |
Other crew | |||
| Stéphanie Combot | .... | administrator | |
| Angélique Mary | .... | script supervisor | |
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| An Education | Persepolis | Blame it on Fidel | The Class | Dazed and Confused |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section |
This French movie reminds me of an Italian movie, "Diari", I have recently reviewed and appreciated so much for its intelligence in portraying the world of the teens. "Stella", set in another context and in a different historical time, being it 1977 Paris and not contemporary Italy, shows that same intelligence, together with intensity. What I noticed and struck me in both movies is the perception that the emotional fragility and the sense of uneasiness proper of the young is always the same in any historical moment, but more striking is the fact that behind that world of uneasiness does always lie a world of confused and still emotionally fragile adults, who have grown old, but not grown up yet, adults by age but not by mind. "Diari" teaches that an encounter between the world of the adults and that of the adolescents is possible through care for others. In "Stella" does this encounter appear more difficult and painful, but in the end, a very moving and emotionally intense end, actually, the comforting idea emerges that children can forgive the mistakes of their parents in such a natural way. What both the young and the adults are looking for is just a single sign of care from others to give back mutually, and when there is love between these two, not so distant worlds, it is always possible to find the right time and space to start everything anew. Growing up has always been a difficult and hard path, but it is always worth setting out. Part of my emotional involvement was also due to the tender scenes of the first dances with a boy (accompanied by the still moving song "Ti amo" by Umberto Tozzi), which reminded me, with a touch of never embarrassing nostalgia, of my adolescent years. In the end, I would underline Guillaume Depardieu's performance as truly moving and intense, and also the actors playing Stella's parents are good and involving. I am happy that this movie, after having been censored to people under 14, has been later been recognized as suitable for all people, I think it's a movie that the teens could really appreciate and learn something from.