| Struan Rodger | ... | Himself - Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| John Anderson | ... | Himself | |
| David Brin | ... | Himself | |
| Bill Bruninga | ... | Himself | |
| Ron Chesser | ... | Himself | |
| Ray Coppinger | ... | Himself | |
| Eric Doehne | ... | Himself | |
| Sergey Gashchak | ... | Himself | |
| John Hadidian | ... | Himself | |
| Kevin Harrison | ... | Himself | |
| Gordon Masterton | ... | Himself | |
| Nabil Nasr | ... | Himself | |
| Alex Nickson | ... | Himself | |
| Howard Oliver | ... | Himself (as Dr. Howard Oliver) | |
| Stephen R. Palumbi | ... | Himself (as Steve Palumbi) | |
| Alan W. Pense | ... | Himself | |
| Mary Sackett | ... | Herself | |
| Eric Sanderson | ... | Himself | |
Directed by | |||
| David de Vries | |||
Writing credits(in alphabetical order) | ||
| David de Vries | ||
Produced by | |||
| Douglas Cohen | .... | executive producer | |
| David de Vries | .... | producer | |
| Vincent Lopez | .... | producer | |
| Steffen Schlachtenhaufen | .... | associate producer | |
| Louis Tarantino | .... | executive producer | |
Original Music by | |||
| Eric Amdahl | |||
Cinematography by | |||
| Chris Laine | |||
Film Editing by | |||
| Motoshi Wakabayashi | |||
| Kyle Yaskin | |||
Sound Department | |||
| Jack Crosby | .... | sound effects editor | |
| Nozomu Furuya | .... | sound effects editor (as Nozomu Furuya Hirota) | |
| Michael Phillips Keeley | .... | sound re-recording mixer (as Michael Keeley) | |
| Corey Morgan | .... | sound effects editor | |
| Stephen Parise | .... | sound effects editor | |
| Dave Philips | .... | dialogue editor | |
| Coby Taitano | .... | dialogue editor | |
| Ryan Young | .... | sound effects editor | |
| Ryan Young | .... | sound effects editor | |
Visual Effects by | |||
| Michael Aceves | .... | digital compositor: LOOK! Effects | |
| Michael Aceves | .... | matte painter: LOOK! Effects | |
| Patrick L. Almanza | .... | digital compositor: LOOK! Effects, Inc. | |
| Ulysses Argetta | .... | digital compositor: LOOK! Effects, Inc. | |
| Lloyd Lee Barnett | .... | digital compositor: LOOK! Effects, Inc. | |
| Casey Benn | .... | digital artist | |
| Chad Buehler | .... | digital compositor | |
| Christian Cardona | .... | digital compositor and matte painter: LOOK! Effects, Inc. | |
| Jony Chandra | .... | matte painter | |
| Stephen Chein | .... | 3D artist: LOOK! Effects, Inc. | |
| Vanessa Cheung | .... | matte painter | |
| Teague Chrystie | .... | visual effects artist | |
| Matt Conway | .... | matte painter | |
| Robert Cristino | .... | visual effects artist | |
| Andrea D'Amico | .... | visual effects producer | |
| Rif Dagher | .... | consultant | |
| Clay Dale | .... | visual effects artist: Eden Fx | |
| Matt Drummond | .... | visual effects supervisor | |
| Erik Eulen | .... | 3D artist: LOOK! Effects, Inc. | |
| Michael Heinz | .... | visual effects supervisor | |
| Dark Hoffman | .... | matte painter | |
| Chris Hopkins | .... | 3D artist: LOOK! Effects, Inc. | |
| Anthony 'Max' Ivins | .... | visual effects supervisor: LOOK! Effects, Inc. | |
| Christopher Ivins | .... | compositor: LOOK! Effects | |
| Beau Janzen | .... | 3D artist: LOOK! Effects, Inc. | |
| Sid Jayakar | .... | visual effects compositor | |
| Kelly Rae Kenan Green | .... | visual effects coordinator (as Kelly Rae Kenan) | |
| Danny S. Kim | .... | digital compositor and matte painter: LOOK! Effects, Inc. | |
| Sean Kinnear | .... | visual effects | |
| Mark Kolpack | .... | visual effects consultant | |
| Andrew H. Leung | .... | matte painter | |
| John Lindstein | .... | cg supervisor | |
| Shawn Lipowski | .... | 3D artist: LOOK! Effects, Inc. | |
| James Allan May | .... | digital compositor | |
| James Allan May | .... | visual effects artist | |
| David R. Morton | .... | lead visual effects artist (as Dave Morton) | |
| Migs Rustia | .... | visual effects editor: LOOK! Effects, Inc. | |
| Steffen Schlachtenhaufen | .... | visual effects producer | |
| Paul Stemmer | .... | visual effects editor: LOOK! Effects, Inc. | |
| Andranik Taranyan | .... | compositor | |
| Melinka Thompson-Godoy | .... | visual effects producer: LOOK! Effects, Inc. | |
| Rainy Venne | .... | senior compositor | |
| Leo Vezzali | .... | digital compositor: LOOK! Effects, Inc. | |
| Patrick Krebs | .... | digital artist (uncredited) | |
Camera and Electrical Department | |||
| Dana Lee Anderson | .... | gaffer | |
Editorial Department | |||
| Brendan Burnett | .... | assistant editor | |
| Rod Decker | .... | on-line editor | |
| Irit Lockspeiser | .... | post-production assistant | |
| Lilly Posner | .... | first assistant editor | |
Other crew | |||
| Matthew Bernabei | .... | production assistant | |
| Joel Franklin | .... | production coordinator | |
| Jeff Larsen | .... | production assistant | |
| Valerie Ryan | .... | location manager | |
| Michael Schachtner | .... | production assistant | |
| Michael Scipioni | .... | key production assistant | |
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| Into the Wild | 2012 | Grizzly Man | Identity | Amelia |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
It's very difficult to get one's head around the basic concept, in a way. One imagines that a world without humans is entirely possible, but only after a catastrophic event leaving its mark on the world: nuclear war, viral epidemic or perhaps even collision with a meteor. In any case the assumption is that the world we leave would be burning, infected or crushed.
The beauty of the film - and it is beautiful, despite the repetitious CGI montages necessarily concocted to show the world's great landmarks under water or foliage - is in this unlikely predicate. If we simply weren't here, what would become of the world? Professorial types talk about the likely outcomes in their specialist areas, how wild or urban life readjusts, the rise of plant life, the decay of unmaintained constructions. It's wonderfully uncontroversial. There's no moralising, no wistfulness or pity, just a technical and statistical explanation of the survival algorithm of non-human life.
I think David de Vries is probably right to include a rather melodramatic Day After Tomorrowish score and repeat images of the great monuments of civilisation (cities) crumbling. After all, the drama of the film for us is the unspoken one - that we have gone. I like the non-drama though and, with Struan Rodger's straightforward narration, I found the experience rather wonderful and positive. 6/10