| Photos (See all 11 | slideshow) | Videos (see all 5) |
| Johannes Krisch | ... | Alex | |
| Irina Potapenko | ... | Tamara | |
| Andreas Lust | ... | Robert | |
| Ursula Strauss | ... | Susanne | |
| Johannes Thanheiser | ... | Grandfather Hausner (as Hannes Thanheiser) | |
| Hanno Pöschl | ... | Konecny - Tamara's Boss | |
| Magdalena Kropiunig | ... | Prostitute in Hotel | |
| Toni Slama | ... | Tamara's Customer | |
| Elisabetha Pejcinoska | ... | Cinderella Prostitute #1 | |
| Aniko Bärkanyi | ... | Cinderella Prostitute #2 | |
| Annamaria Haytö | ... | Cinderella Prostitute #3 | |
| Nicoletta Prokes | ... | Cinderella Prostitute #4 | |
| Rainer Gradischnig | ... | Harry - Man Beating Tamara | |
| Haris Bilajbegovic | ... | Man stopping Harry | |
| Aleksander Reljic-Bohigas | ... | Owner of Cinderella | |
| Michael-Joachim Heiss | ... | Day Porter at Hotel | |
| Günther Laha | ... | Night Porter at Hotel | |
| Max Schmiedl | ... | Police Officer #1 | |
| Gerhard Liebmann Holzmann | ... | Police Officer #2 | |
| Johannes Zeiler | ... | Police Officer #3 | |
| Andreas Blauensteiner | ... | Police Officer #4 | |
| Martin Aschauer | ... | Police Officer #5 | |
| Sonja Lehninger | ... | Police Officer #6 | |
| Peter Brunner | ... | Trainer at Shooting Range | |
| Thomas Radleff | ... | Police Detective | |
| Alexander Lhotzky | ... | Bank Branch Manager | |
| Doris Hindinger | ... | Bank Employee #1 | |
| Siegfried Auerböck | ... | Bank Employee #2 | |
| German Benedikt | ... | Bank Employee #3 | |
| Renate Suppan | ... | Bank Customer Service #1 | |
| Johann Wessner | ... | Bank Customer Service #2 | |
| Julia Schranz | ... | Pregnant Wife | |
| Jana McKinnon | ... | Girl at Grill Party | |
| Peter Josch | ... | Robert's Father | |
| Linde Prelog | ... | Robert's Mother |
Directed by | |||
| Götz Spielmann | |||
Writing credits | ||
| Götz Spielmann | (screenplay) | |
Produced by | |||
| Sandra Bohle | .... | producer | |
| Mathias Forberg | .... | producer | |
| Götz Spielmann | .... | producer | |
| Heinz Stussak | .... | producer | |
Cinematography by | |||
| Martin Gschlacht | |||
Film Editing by | |||
| Karina Ressler | |||
Casting by | |||
| Rita Waszilovics | |||
Production Design by | |||
| Maria Gruber | |||
Costume Design by | |||
| Monika Buttinger | |||
Makeup Department | |||
| Susanne Weichesmiller | .... | makeup artist | |
Production Management | |||
| Stephanie Wagner | .... | production manager | |
Art Department | |||
| Sebastian Thanheiser | .... | prop master | |
Sound Department | |||
| Bernhard Bamberger | .... | supervising sound editor | |
| Max Bauer | .... | foley artist | |
| Normann Büttner | .... | foley recordist | |
| Heinz Ebner | .... | sound | |
| Alexander Koller | .... | sound re-recording mixer | |
| Alexandra Löwy | .... | sound editor | |
Editorial Department | |||
| Willi Willinger | .... | colorist | |
Music Department | |||
| Walter W. Cikan | .... | music supervisor | |
Other crew | |||
| Alex Schlacher | .... | production assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Austria section |
Revanche. Written and directed by Götz Spielmann. The look of the film is thoroughly authentic, and the Austrian milieu very convincing. Johannes Krisch is fabulous as Alex, the peasant brute with a broken heart and an uncontrollable sex drive. Andreas Lust is very good as well, as Robert, Alex's police officer nemesis. Caught in the middle is Ursula Strauss, who plays Susanne, Robert's wife.
The story starts out in the squalid world of Viennese prostitution, at a tacky brothel on the periphery. Alex works for the local prostitution boss and he has fallen in love with one of the Eastern European streetwalkers, Tamara, played by Irina Potapenko. When Tamara is recruited for a promotion to call-girl, she decides instead to run away with Alex. Here the story moves to the countryside where Alex's father lives in a miserable cabin on the outskirts of modern Austrian society. But if the surrounding become simpler, the interaction does not, as Alex becomes entangled in the lives of the small town police office and his wife.
The film is satisfying on many levels. It is a veritable ethnographic study of the interface between post-modern Central European human trafficking and pre-industrial Austrian bauern culture. Alex and his father speak to each other in what has been described to me as a rich and authentic peasant dialect rarely represented in film. Not only does it look and sound authentic, but the story makes perfect sense, too. And that's saying a lot for a European "written and directed by" film, where narrative logic doesn't often get more than cursory consideration. The name "revanche" has a double meaning in German, both revenge and a return match or a second chance, and it seems that both of these ideas are being developed throughout the story, as characters juggle their need to get even with their desire to secure their own futures. The tragic consequences of their every action lead them further and further down a path not of their own choosing. We get a taste of this feeling of predestination when the camera stops still at a forested point in the road, a spot that will take on fatal significance later in the story. Yet, if fate controls the characters' destinies, it is the strength of willpower that will decide who survives and who will fade into insignificance.
Revanche did not get nominated in any categories for the EFA awards in 2008, but it is Austria's entry for the Oscar Foreign Language film nomination in 2009.