| Photos (See all 11 | slideshow) | Videos (see all 5) |
| Johannes Krisch | ... | Alex | |
| Irina Potapenko | ... | Tamara | |
| Andreas Lust | ... | Robert | |
| Ursula Strauss | ... | Susanne | |
| Johannes Thanheiser | ... | Grandfather Hausner (as Hannes Thanheiser) | |
| Hanno Pöschl | ... | Konecny - Tamara's Boss | |
| Magdalena Kropiunig | ... | Prostitute in Hotel | |
| Toni Slama | ... | Tamara's Customer | |
| Elisabetha Pejcinoska | ... | Cinderella Prostitute #1 | |
| Aniko Bärkanyi | ... | Cinderella Prostitute #2 | |
| Annamaria Haytö | ... | Cinderella Prostitute #3 | |
| Nicoletta Prokes | ... | Cinderella Prostitute #4 | |
| Rainer Gradischnig | ... | Harry - Man Beating Tamara | |
| Haris Bilajbegovic | ... | Man stopping Harry | |
| Aleksander Reljic-Bohigas | ... | Owner of Cinderella | |
| Michael-Joachim Heiss | ... | Day Porter at Hotel | |
| Günther Laha | ... | Night Porter at Hotel | |
| Max Schmiedl | ... | Police Officer #1 | |
| Gerhard Liebmann Holzmann | ... | Police Officer #2 | |
| Johannes Zeiler | ... | Police Officer #3 | |
| Andreas Blauensteiner | ... | Police Officer #4 | |
| Martin Aschauer | ... | Police Officer #5 | |
| Sonja Lehninger | ... | Police Officer #6 | |
| Peter Brunner | ... | Trainer at Shooting Range | |
| Thomas Radleff | ... | Police Detective | |
| Alexander Lhotzky | ... | Bank Branch Manager | |
| Doris Hindinger | ... | Bank Employee #1 | |
| Siegfried Auerböck | ... | Bank Employee #2 | |
| German Benedikt | ... | Bank Employee #3 | |
| Renate Suppan | ... | Bank Customer Service #1 | |
| Johann Wessner | ... | Bank Customer Service #2 | |
| Julia Schranz | ... | Pregnant Wife | |
| Jana McKinnon | ... | Girl at Grill Party | |
| Peter Josch | ... | Robert's Father | |
| Linde Prelog | ... | Robert's Mother |
Directed by | |||
| Götz Spielmann | |||
Writing credits | ||
| Götz Spielmann | (screenplay) | |
Produced by | |||
| Sandra Bohle | .... | producer | |
| Mathias Forberg | .... | producer | |
| Götz Spielmann | .... | producer | |
| Heinz Stussak | .... | producer | |
Cinematography by | |||
| Martin Gschlacht | |||
Film Editing by | |||
| Karina Ressler | |||
Casting by | |||
| Rita Waszilovics | |||
Production Design by | |||
| Maria Gruber | |||
Costume Design by | |||
| Monika Buttinger | |||
Makeup Department | |||
| Susanne Weichesmiller | .... | makeup artist | |
Production Management | |||
| Stephanie Wagner | .... | production manager | |
Art Department | |||
| Sebastian Thanheiser | .... | prop master | |
Sound Department | |||
| Bernhard Bamberger | .... | supervising sound editor | |
| Max Bauer | .... | foley artist | |
| Normann Büttner | .... | foley recordist | |
| Heinz Ebner | .... | sound | |
| Alexander Koller | .... | sound re-recording mixer | |
| Alexandra Löwy | .... | sound editor | |
Editorial Department | |||
| Willi Willinger | .... | colorist | |
Music Department | |||
| Walter W. Cikan | .... | music supervisor | |
Other crew | |||
| Alex Schlacher | .... | production assistant | |
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| City of God | 1900 | Before the Devil Knows You're Dead | Bitter Moon | Kings & Queen |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Austria section |
I saw Revanche last night at the Sydney film festival and aside from the out of focus image and at one point the movie reel stopping mid-film it was an amazing experience.
Eastern Europe is captured so beautifully. A seemingly quiet and simple countryside (reminiscent of 'blue velvets' suburbia) is contrasted amazingly to the usual city stereotype of brothels, human trafficking and crime.
The director (Gotz Spielman) lingers on certain images that at first, seem to be just for aesthetic purposes but as the film continues; the alleyways, the park benches etc are all extremely significant to the main character (Johannes Kirsch) journey.
The centerpiece in this film though, is definitely the characters. The main character Alex (Johannes Kirsch) is commanding in the lead. Although he is incredibly unlikeable, you cant look away and eventually begin to sympathize with him. By the end of the film you see an amazing evolution.
The wife, the prostitute and the grandfather all are amazing as well. The wife (andreas lust) has some brilliant dialogue in particular and she is just so interesting. I found her to be very real with flaws and temptations that we can all relate to (even if we wont admit it).
There was some action. There was some comedy. The ending was SENSATIONAL. I didn't know which direction it was being taken and became a little impatient but as the screen went black (intentionally, not reel fault) I was incredibly satisfied.
See this movie. It was great.