Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.
In this interesting drama, three sequences which could have formed separate stories are linked together, like cars on a train, to give a larger perspective on the nature of reality and film... See full summary »
Do You Like My Basement? tracks how one man's creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration ... See full summary »
Best friends Marie and Alexia decide to spend a quiet weekend at Alexia's parents' secluded farmhouse. But on the night of their arrival, the girls' idyllic getaway turns into an endless night of horror.
We can assume that the film is set in 1983 as one of the songs featured is "One Thing Leads to Another" by The Fixx. See more »
The film is based on a location in Connectict in the 80's, however in the beginning when she calls about the babysitter job she uses a quarter in the payphone. Connecticut did not raise payphone rates from 10 cents to 25 cents until 1997 shortly before Vermont. See more »
I can tell you like it.
Oh, I love it. It's perfect.
Well, great. It's such a neat place. You know, I showed it to another girl this morning, but to be honest I did like her very much. She looked like trouble, and I'm way too old to be dealing with all that nonsense. I go a lot on my gut feelings, and I have a good one about you. You remind me of my daughter.
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The Devil is in the Details, and the Classic Horror
The House of the Devil is a fastidiously detailed, pitch-perfect homage to 80's horror, that adheres to genre conventions while at the same time transcending them. Director Ti West understands what makes horror films work, that the horror is always more exciting when you don't know when to expect it. Jocelin Donahue plays Samantha, typical college-girl hoping to get a place of her own but without the cash to do so. She accepts a babysitting job that promises to pay well, and is then left in a creepy house in the middle of nowhere. Borrowing a page from the Texas Chainsaw Massacre (and others) playbook, the been there, done that story is absolutely the point, complete with opening statistics promising a true story. Horror doesn't need to be complicated, just well executed. West builds dread and terror like a pro, understanding the classic Hitchcock sensibility that people fear what they don't see, and what they don't know (Lovecraft said so as well). In the face of torture porn and slasher flicks, where the only horror is the gore and the murder (and unnecessary soundtrack spikes), it is quite unsettling to be subjected to a thrill ride like this one.
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