When the GTX Corporation must cut jobs to improve the company's balance sheet during the 2010 recession, thousands of employees will take the hit, like Bobby Walker (Ben Affleck). Bobby learns the real life consequences of not having a job. Not only does he see a change to his family lifestyle, and the loss of his home, but also his feelings of self-worth. Written by
Douglas Young (the-movie-guy)
The Weinstein Company purchased the film at the 26th Sundance Film Festival for a mid-seven figure sum. See more »
When Bobby pulls in to his driveway just after getting fired, a real estate listing sign is already in the front yard. See more »
I'm confident all these dismissals will stand up under legal scrutiny.
What about ethical scrutiny.
We're not breaking any laws, Gene.
I guess I always assumed were trying for a higher standard than that, Paul.
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Midway through the credits, financial reports from various news sources can be heard for a minute. See more »
My 357th Review: Finally a good honest film about the downturn
Whether we like it or not the last couple of years have been incredibly tough, and TCM though not perfect at least tries to make an honest film about downsizing in corporate America.
We really really got this - we all know someone whose lost their home, their job, or just found that the money isn't there the way it was - and those who reviewed this and said the films doesn't work as the characters have still got it good just don't get the college payments, the mortgage, the fear of losing it all, and the horrendous amount of money it takes to maintain a life in the US now is astronomical - and TCM at least looks at this as no other film has in the past three years.
Solid performances from everyone and Affleck in particular echoing his roles in Man about Town or Jersey Girl does a solid job here as the man who has it all and then has nothing.
It it does try to record something which otherwise seems to be in danger of being swept under the carpet - this is a well-made film that rings true and for our money was actually one of the more memorable and yes, even moving, films of the year - it is accessible and a likable film.
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