Directed by
| Tom Shankland | ||
Writing Credits
| Paul Andrew Williams | ... | (story) |
| Tom Shankland | ... | (written by) |
Cast (in credits order) complete, awaiting verification
| Eva Birthistle | ... | Elaine | |
| Stephen Campbell Moore | ... | Jonah | |
| Jeremy Sheffield | ... | Robbie | |
| Rachel Shelley | ... | Chloe | |
| Hannah Tointon | ... | Casey | |
| Rafiella Brooks | ... | Leah | |
 |
Jake Hathaway | ... | Nicky |
|
|
William Howes | ... | Paulie |
| Eva Sayer | ... | Miranda | |
Produced by
| Mark Brooke | ... | executive producer (uncredited) |
| Celia Duval | ... | line producer (as Célia Duval) |
| Simon Fawcett | ... | executive producer |
| Emma Hartley | ... | associate producer |
| Nick Love | ... | executive producer |
| Rob Morgan | ... | executive producer |
| Allan Niblo | ... | producer |
| Brock Norman Brock | ... | associate producer |
| Rupert Preston | ... | executive producer |
| James Richardson | ... | producer |
| Lee Thomas | ... | executive producer |
| Nigel Williams | ... | executive producer |
Music by
| Stephen Hilton | ||
Cinematography by
| Nanu Segal | ... | director of photography |
Editing by
| Tim Murrell | ||
Casting By
| Gary Davy | ||
| Amanda Tabak | ||
Production Design by
| Suzie Davies | ||
Art Direction by
| Kevin Woodhouse | ||
Costume Design by
| Andrew Cox | ||
Makeup Department
| Stuart Conran | ... | prosthetic technician |
| Jacqueline Fowler | ... | hair designer / makeup designer |
| Vesna Giordano | ... | prosthetics makeup artist |
| Paul Hyett | ... | special makeup effects designer |
| Craig Leong | ... | special effects armature technician |
| Alison Rainey | ... | hair stylist / makeup artist |
Production Management
| Rebekka Garrido | ... | post-production supervisor |
| Louise Killin | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Andy Hodgson | ... | additional third assistant director |
| Ian Hughes | ... | third assistant director |
| Elaine Mackenzie | ... | second assistant director (as Elaine MacKenzie) |
| Tim Murrell | ... | second unit director |
| Jake Rollins | ... | third assistant director |
| Nickie Sault | ... | first assistant director |
Art Department
| Michael Blake | ... | graphic designer |
| Kevin Day | ... | stand-by props |
| Kimberley Fahey | ... | production buyer |
| Helen Jones | ... | art department assistant |
| Ian Newton | ... | props |
| Dorothy Sullivan | ... | assistant buyer |
Sound Department
| Felix Andriessens | ... | ADR supervising / sound editor |
| Anja Bause | ... | foley mixer |
| Christian Conrad | ... | supervising sound editor |
| Tom Deane | ... | adr mixer |
| Alex Ellerington | ... | sound effects editor |
| Tobias Fleig | ... | re-recording mixer |
| Eric Horstmann | ... | re-recording mixer |
| Thomas Kalbér | ... | re-recording assistant mixer |
| Stephen Longstaff | ... | boom operator |
| Günther Röhn | ... | foley artist |
| Dominik Schleier | ... | dialogue editor |
| Lionel Strutt | ... | adr coordinator |
| Roman Volkholz | ... | supervising foley editor |
| Simon Willis | ... | sound mixer (as Simon J. Willis) |
Special Effects by
| Dave Crownshaw | ... | snow effects supervisor |
| David Johns | ... | snow effects technician |
| Martin 'Marty' McLaughlin | ... | snow effects floor supervisor |
Visual Effects by
| Jan Berner | ... | visual effects supervisor: at Elektrofilm Postproduction Facilities GmbH |
| Jan Burda | ... | visual effects supervisor |
| Anna-Lena Carl | ... | visual effects coordinator |
| Britt Dunse | ... | title designer |
| Philipp Großmann | ... | scanning supervisor |
| Sebastian Leutner | ... | visual effects producer |
| Florian Obrecht | ... | visual effects |
| Niels Rinke | ... | head of visual effects: Elektrofilm |
| Ralph Schamberger | ... | junior compositor |
| Kolja Schoon | ... | scanning operator |
| Benjamin Seide | ... | digital compositor |
| Daniel Stübner | ... | digital colorist (as Daniel Stuebner) |
Stunts
| Julian Spencer | ... | stunt coordinator |
| Helen Steinway Bailey | ... | stunt performer |
Camera and Electrical Department
| Nick Beeks-Sanders | ... | additional camera operator (as Nick Beeks Sanders) / camera operator: second unit |
| Howard Bourne | ... | camera trainee |
| Mark Davenport | ... | first assistant camera - "b" camera |
| Graeme Dunn | ... | additional camera operator |
| Patrick Duval | ... | additional camera operator |
| David Katznelson | ... | additional camera operator / director of photography: second unit |
| Roland Keane | ... | camera facilities coordinator |
| Sally Low | ... | first assistant camera: "a" camera |
| Joanne McIvor | ... | assistant camera (as Jo McIvor) |
| Matt Nettheim | ... | still photographer |
| Ben Oliver | ... | clapper loader: a camera |
| Luke Stone | ... | trainee grip |
| Robin Stone | ... | grip |
Casting Department
| Daniel Edwards | ... | casting assistant |
Costume and Wardrobe Department
| Beth Lewis | ... | key costume stand-by |
| Lupt Utama | ... | costume supervisor |
| Shirley Wilson | ... | costume assistant |
Editorial Department
| Gwillym Hewetson | ... | first assistant editor |
| George McKenzie | ... | second assistant editor |
Location Management
| Mally Chung | ... | location scout |
| Marisha Mukerjee | ... | location scout |
| Patrick Stuart | ... | location manager |
Music Department
| Matt Dunkley | ... | conductor / orchestrator |
| Lol Hammond | ... | music supervisor |
| Basil Moore | ... | composer: additional music (as Basil Moore-Asfouri) |
| Pati Yang | ... | musician: vocals |
| Warren Zielinski | ... | musician: violin |
| Bruce White | ... | musician: viola (uncredited) |
Script and Continuity Department
| San Davey | ... | script supervisor |
Additional Crew
| Stephen Badham | ... | production liaison manager: Screen West Midlands |
| Mark Birmingham | ... | production accountant |
| Victoria Chapple | ... | production assistant |
| Stephen Hole | ... | head of finance: Vertigo Films |
| David Johnstone | ... | insurance services: Media Insurance Brokers |
| Jane Karen | ... | children's acting coach / dialect coach |
| Christopher Key | ... | cameraman: EPK/making-of documentary |
| Louise Killin | ... | production coordinator |
| George McKenzie | ... | director: EPK/making-of documentary |
| Alyson Pengelly | ... | post production assistant / post production coordinator / production assistant |
| David Pollison | ... | acquisitions for Ghost House Underground |
| Yu-Fai Suen | ... | investors representative |
| Huberta Von Liel | ... | production assistant |
Thanks
| Eva Abraham | ... | the music department would like to thank |
| Samuel Barnham | ... | the production would like to thank |
| Elizabeth Bateman | ... | the makeup and hair department would like to thank: TIGI |
| Lauren Bath | ... | the production would like to thank |
| Matt Bell | ... | the production would like to thank |
| Clive Bradley | ... | the director would like to thank |
| Michaela Brooks | ... | the production would like to thank |
| Alec Burt | ... | the production would like to thank |
| Chee-Lan Chan | ... | special thanks |
| Lily Charters | ... | the production would like to thank |
| Sarah Chilman | ... | the production would like to thank |
| John Collins | ... | the production would like to thank |
| Denise Connell | ... | special thanks |
| Emily Connell | ... | special thanks |
| Linton Connell | ... | special thanks |
| Mathew Connell | ... | special thanks |
| Matthew Connell | ... | the production would like to thank |
| Robert Cowburn | ... | the production would like to thank |
| Phoebe Cox | ... | the production would like to thank |
| Charles Davis | ... | the production would like to thank |
| Josh Suinson Davis | ... | the production would like to thank |
| Katie Davis | ... | the production would like to thank |
| Cathrine Dawson | ... | the production would like to thank |
| Louis Flothmann | ... | the production would like to thank |
| Eve Gorman | ... | the production would like to thank |
| Steven Grant | ... | the production would like to thank |
| Harry Guy | ... | the production would like to thank |
| Jack Guy | ... | the production would like to thank |
| Jane Harris | ... | the director would like to thank |
| Harry Hathaway | ... | the production would like to thank |
| Olivia Hennessy | ... | the production would like to thank |
| Albert Herbert | ... | the production would like to thank |
| Ned Howes | ... | the production would like to thank |
| Tom Howes | ... | the production would like to thank |
| Ellie Isaacs | ... | the production would like to thank |
| Jordan Keen | ... | the production would like to thank |
| Neil Kindness | ... | further thanks |
| Charles Lillwall | ... | the production would like to thank |
| Rebecca Linfoot | ... | the production would like to thank |
| Paulie Miles | ... | the director would like to thank |
| Alex Morgan | ... | the production would like to thank |
| Scott Nash | ... | the production would like to thank |
| Scott Nash | ... | the production would like to thank |
| Annie Newsam | ... | the production would like to thank |
| Tim Norton | ... | the production would like to thank |
| Oscar O'Brien | ... | the production would like to thank |
| George O'Connor | ... | the production would like to thank |
| Emily Owen | ... | the production would like to thank |
| Emily Owen | ... | the production would like to thank |
| Ritesh Patel | ... | the production would like to thank |
| Emma Pearman | ... | the production would like to thank |
| Ross Pelling | ... | the music department would like to thank |
| Nyree Pinder | ... | the music department would like to thank |
| Kezea Pugh | ... | the production would like to thank |
| Rosie Pugh | ... | the production would like to thank |
| Tristram Quiney | ... | the production would like to thank |
| Ella Raybone | ... | the production would like to thank |
| Peter Raybone | ... | the production would like to thank |
| Sam Raybone | ... | the production would like to thank |
| Stuart Reid | ... | the music department would like to thank |
| Kate Richardson | ... | the production would like to thank |
| Kate Richardson | ... | the production would like to thank |
| Lucy Robinson | ... | the production would like to thank |
| Helen Rowland | ... | the production would like to thank |
| Caroline Russell | ... | the music department would like to thank |
| Jenna Sayer | ... | the production would like to thank |
| Megan Sayer | ... | the production would like to thank |
| Jo Scicluna | ... | the makeup and hair department would like to thank: MAC |
| Nik Seabright | ... | the production would like to thank: Harry the Hog |
| Abigail Segall | ... | the makeup and hair department would like to thank: Dermalogica |
| Millie Sephton | ... | the production would like to thank |
| Ben Smith | ... | the production would like to thank |
| Elliot Soards | ... | the production would like to thank |
| Kassia Soards | ... | the production would like to thank |
| Duncan Stahl | ... | the music department would like to thank |
| Luke Stokes | ... | the production would like to thank |
| Luke Stokes | ... | the production would like to thank |
| Lee Stone | ... | the music department would like to thank |
| Lionel Strutt | ... | further thanks |
| Andrew Waterworth | ... | the music department would like to thank (as Andy Waterworth) |
| Jake Watts | ... | the production would like to thank |
| C.P. Whiteley | ... | the production would like to thank (as CP Whiteley) |
| Jacqueline Williams | ... | the production would like to thank: Westmore Business Systems |
| Madaleine Williams | ... | the production would like to thank |
| Rob Williams | ... | the production would like to thank: Westmore Business Systems |
| Susanna Wilson | ... | the production would like to thank |
