Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise... they're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
A group of high-schoolers invite Mandy Lane, a good girl who became quite hot over the summer, to a weekend party on a secluded ranch. While the festivities rage on, the number of revelers begins to drop quite mysteriously.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Elaine and Jonah and their children come to spend New Year with her sister Chloe and husband Robbie and their young family at their isolated country home. One by one the children ,after apparently being sick,become murderous in their actions,setting out to kill the adults,who have to resort to killing the youngsters to survive. Two adult survivors manage to drive off into the snowy countryside but their ordeal is not over. Written by
don @ minifie-1
Was nominated for the 2009 Fright Meter Award for Best Horror Movie. See more »
When we see Casey smashing at the bedroom door it constantly rattles and shakes madly, but when we switch scenes to the other side of the door, with Elaine leaning on it, the door is not moving at all. See more »
A worthy British Horror film that delivers, despite a low budget. The twist is the use of children both as the perpetrators, and victims, of killing. Largely a cinematic taboo. Director Tom Shankland ekes the maximum value out of a single setting, and small cast, wringing every ounce out of an interesting idea.
Two related smug middle class couples spend the new year in the English Countryside with their children when something makes "good children go bad". The rustling trees and undergrowth are very reminiscent of the Happening. The malevolent children reprising themes from "The Omen", "The Brood" and "Village of the Damned". Shankland creates some genuinely scary scenes as the children turn on their bewildered parents. But insufficient prior characterisation means that the viewer tends to be more irritated by the adults poor decision making, than be sympathetic to their plight. The gratuitous "blonde in underwear" shot shows that Shankland understands the demands of the genre well! A generally pacey 84 minute story has expired as the film draws to its close, but the final shot is still pretty chilling, is a fitting coda, and offers the opportunity of a sequel. The fact that what has happened is not explained is a bonus, rather than a source of frustration, and the blood and gore, particularly as it is delivered by children, stretches the 15 certification to its limits.
Sufficiently off beat, both in terms of location and content, to satisfy the Horror crowd, and potentially a minor Cult classic.
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