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Bronson (2008)

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A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.


(screenplay), (screenplay)
1,671 ( 51)
3 wins & 6 nominations. See more awards »



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Cast overview, first billed only:
Hysterical Screw
Katy Barker ...
Gordon Brown ...
Charlie's Mum
Mark Devenport ...
Nurse 1 (as Mark Davenport)
Paul Donnelly ...
Andrew Forbes ...
Charlie's Dad
Jon House ...
Holly Lucas ...
Young Man
Prison Governor


In 1974, a hot-headed 19 year old named Michael Peterson decided he wanted to make a name for himself and so, with a homemade sawn-off shotgun and a head full of dreams he attempted to rob a post office. Swiftly apprehended and originally sentenced to 7 years in jail, Peterson has subsequently been behind bars for 34 years, 30 of which have been spent in solitary confinement. During that time, Michael Petersen, the boy, faded away and 'Charles Bronson,' his superstar alter ego, took center stage. Inside the mind of Bronson - a scathing indictment of celebrity culture. Written by Anonymous

Plot Summary | Plot Synopsis


The Man. The Myth. The Celebrity. See more »

Motion Picture Rating (MPAA)

Rated R for violent and disturbing content, graphic nudity, sexuality and language | See all certifications »

Parents Guide:





Release Date:

13 March 2009 (UK)  »

Also Known As:

Bronsonas  »


Box Office

Opening Weekend:

£258,360 (United Kingdom), 15 March 2009, Limited Release

Opening Weekend USA:

$10,940, 9 October 2009, Limited Release

Gross USA:

$104,792, 27 December 2009
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs


Sound Mix:

| (uncredited)


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


The line "it was absolute madness at its very best" was written by Charles Bronson himself for the film and told to Nicolas Winding Refn during one of their phone calls. See more »


When Charlie boards the train the outside colours are brown and cream, although those type of carriages where still in use, they were painted blue and cream as British Rail was fully nationalised and all painted in the same colour scheme, brown and cream was dropped in theb1960s. See more »


Charles Bronson: [Bronson getting paid after his first fight] 20 quid? You're having a fucking laugh, ain't cha?
Paul: Oh spare me the Oliver Twist routine, Charlie love. You need to build your audience.
Charles Bronson: I gave you fucking magic in there!
Paul: Magic? You just pissed on a gypsy in the middle of fucking nowhere.
See more »


Referenced in Filmbarátok Podcast: Episode #1.7 (2011) See more »


Crisp & Fry
Written by Eva Abraham and Andy Waterworth
Performed by The Nat Franklin Trio
Published by Hamworth Music
Courtesy of Hamworth Music © 2008
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Frequently Asked Questions

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User Reviews

Director and Leading Man combine in an excellent expression of style.
13 March 2009 | by See all my reviews

Tom Hardy and Nicholas Winding Refn are the stars of the show here, taking the story of 'Britain's most violent prisoner' and twisting it into an explosion of style.

Tom Hardy plays Michael Peterson who was initially incarcerated for 7 years after robbing a Post Office but this sentence turned into a 34 year stretch after numerous cases of violence in prison. Of these 34 years 30 were spent in solitary confinement. In his short period outside he assumed the fighting name of Charles Bronson after the Death Wish star. It is his alter ego which dominates the film.

Hardy is magnificent, prowling around people almost growling, a hulking, brooding, unpredictable beast who almost doesn't care what happens to him, preferring gaol where his is someone to the outside where he is no-one.

Many reviewers have been troubled by the lack of insight into the character of Bronson, however this is unsurprising as the story itself is narrated by Bronson himself, cutting back to a fantasy audience where he parades in varying levels of makeup, the star of his own show.

Refn handles this material with aplomb, filling it with tracks and pans, the occasional slice of slow motion, an interesting and varied colour palate and impeccable taste in music. Kubrick and A Clockwork Orange have been mentioned in almost every review, but there are clear influences of Bertolucci, perhaps mostly The Conformist in its detached style and use of colour.

By the time the film ends we are unsure who to feel sorry for, lost in a world of hard lines and constant violence. A very interesting film that marks out Hardy and Refn as exciting talents in modern cinema.

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