An animated short set to the tune of Pat Boone's Exodus Song satirizing the history of the land called Israel/Palestine/Canaan/the Levant. "I envisioned This Land Is Mine as the last scene ... See full summary »
Angel is a selfish, abusive, morally bankrupt man who hangs out as his local bar, berating the other patrons. One day, Angel mysteriously wakes up with a pair of wings on his back. The ... See full summary »
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters--an aged song-and-dance team from the days of Fred Astaire--to rescue him.
The movie is about Sita, the Hindu Goddess from the epic "The Ramayana", who accompanies Lord Rama on a 14 year exile in forest. Sita is abducted by Ravana, the ruler of Lanka. This movie tells the story of Rama and Sita, along-with a biographical account of the director's relationship with her husband. Written by
There are two cats in the film - Lexi and Bruno. Lexi is the striped cat that Nina and Dave had in San Francisco. Bruno is the black cat that Nina has in her apartment in New York. According to Nina Paley's Director's Commentary, Bruno does, in fact, sleep in Nina's armpit, as shown at the end of the movie. See more »
The musicians are shown playing with the left and right hands reversed. The clarinet, like all woodwinds, is played with the left hand at the top. The violin is held with the left hand and bowed with the right. But in the movie, the clarinet player has the right hand at the top, and the violin is held with the right and bowed with the left. See more »
Dear brother, Ravana, have you seen Rama's wife Sita...? She is the most beautiful woman in the world. Her skin is fair like the lotus blossom. Her eyes are like lotus pools. Her hands are like... from... lotuses. Her breasts like... BIG... ROUND... FIRM... JUICY... LOTUSES.
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Genetic Engineer - Dr. Michael Purugganan Nanoscale Coordinator - Stefan Zauscher See more »
While I still prefer "Les Triplettes de Belleville" for absolutely off-the-wall animated fun, this film rates high in the same nuttiness-meets-cultural-erudition category. The use of (mainly) Gus Kahn's early standards set against the Ramayana - and, then, just enough to create some counterpoint, the disintegration of a relationship - stretches the viewer's mind out of set categories, and makes for a lot of wit en route. The fact that the Indians discussing the epic make a fair number of factual mistakes (at once corrected) is amusing in itself - kind of like listening to nominal Christians confuse incidents from the New Testament. There's a gentle but clear thread of feminist indignation implied in the satire along the way. And many of the images are simply beautiful. - I do have to wonder, though, how this would (will?) be accepted in India, where, as the credits note, one satirical work on the Ramayana is already banned.
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