| John Curran | ... | Man | |
| Deborah Childs | ... | Woman | |
| Tim Stoltenberg | ... | Mime | |
| Dave Quay | ... | Sniper Mime |
Directed by | |||
| Mike Brune | |||
Writing credits(in alphabetical order) | ||
| Mike Brune | writer | |
Produced by | |||
| Mike Brune | .... | producer | |
| Alex Orr | .... | producer | |
| Jon Swindall | .... | producer | |
Cinematography by | |||
| Adam Pinney | |||
Film Editing by | |||
| Mike Brune | |||
Casting by | |||
| Janella Bersabal | |||
Costume Design by | |||
| Amanda Perkerson | |||
Makeup Department | |||
| Amanda Perkerson | .... | makeup artist | |
Production Management | |||
| Katie Rowlett | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tony Holley | .... | first assistant director | |
Sound Department | |||
| Najib Chlieh | .... | boom operator | |
| Greg Linton | .... | sound mixer | |
| Jeremiah Prescott | .... | sound designer | |
Camera and Electrical Department | |||
| Jean Baugnon | .... | second assistant camera | |
| J. Christopher Campbell | .... | key grip (as Christopher Campbell) | |
| Ian Cone | .... | first assistant camera | |
| James Hussey | .... | second assistant camera | |
| Mike Pearce | .... | gaffer | |
Editorial Department | |||
| John Petersen | .... | colorist | |
Other crew | |||
| Scott Balzer | .... | production assistant | |
| Chris Brune | .... | production assistant | |
| Matthew Brune | .... | production assistant | |
| Raymond Carr | .... | production assistant | |
| Julie Dansby-Scarborough | .... | mime coach | |
| Lester Dragstedt | .... | crane rental | |
| Damian Dunn | .... | key set production assistant | |
| Julie Kobsa | .... | photos | |
| Lane Wooder | .... | crane and dolly operator | |
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| Porky's Picnic | The Nanny Diaries | Invaders | The Revenant | Mime vs. Junkie |
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| Full cast and crew | Company credits | External reviews |
| IMDb Short section | IMDb USA section |
A short that brings horror comedy to an all-new, tongue-in-cheek level, "The Adventure" tells the story of a retired couple who experience a strange encounter on a quiet, forested road.
Director Mike Brune is not afraid to have his camera linger for long periods on the scene. It's a refreshingly classic technique not practised very often these days -- there's something reminiscent of The Shining with its use in this film. With the rest of the cinema audience, I teetered between amusement at the absurdity of the situation and a kind of foreboding feeling: there's some strange sense of malevolence in this film, a sensation of danger and violence being mere moments away.
The perfectly-delivered comic dialogue is the icing on the cake. If Donald Barthelme had been a filmmaker, he would have made something like this. It's definitely worth a look; at the time of writing, it's playing at the 2009 Sydney Film Festival.