Francia, alla fine del Cinquecento. Enrico III ha deciso di eliminare il suo rivale, il duca di Guisa, e, perciò, lo convoca nel castello di Blois. L'amante del duca, avvertita delle ... See full summary »
Charles Le Bargy
Charles Le Bargy,
The famous acrobats in the above title appear in a marvellous acrobatic act. There are three barrels arranged on the stage. The boys, blindfolded, stand on opposite sides of the stage, and ... See full summary »
A jealous husband arrives in the office of Hawkshaw, a private detective. The husband is certain that his wife is being unfaithful, and he wants the detective to produce photographic ... See full summary »
A conjurer with white beard and turban moves about in front of a building with an elaborate facade. He spies a golden beetle, about the size of a human infant, leaning against the wall. He ... See full summary »
An illustrator draws some sketches at lightning speed. He first illustrates how he can turn a written word into a sketch of that word. The first word he writes is coon, which he transforms ... See full summary »
The legend of Aladdin and his magic lamp: Aladdin finds a magic lamp which brings him wealth, luxury, and marriage to a princess. But his rival, an evil magician, steals the lamp for ... See full summary »
This is another one of our famous scenic films which is a revelation of the beauties of the historic Russian city, showing it clad in a blanket of snow and giving us a good view of the many... See full summary »
The subtitle, "The Medium Exposed", to the question that is this film's title "Is Spiritualism a Fraud?" quickly provides the filmmakers' answer to their own question. Furthermore, the film's first scene is of a séance interrupted and its trickery exposed. In it, the medium has himself tied to a chair and the lights turned out. His assistant, who had been hiding in a box, then performs tricks that supposedly liken themselves to the appearance of spirits. One of the customers, however, turns the lights back on during this fraud, and the customers quickly retaliate. The medium's assistant flees the scene, while the bound medium is nailed inside the box and taken to the side of a curb. From here, two policemen discover the bound medium. This is where the film's punishment becomes even more outrageous; the policemen proceed to parade the bound medium down a street to further humiliate him and, one assumes, to serve as a warning to other spiritualist mediums.
Spiritualism is bunk, but nonetheless has continued to this day and has even made its way onto television. Moreover, many faiths have incorporated parts of spiritualism even if they don't believe in the entertainment field of séances and mediums. Yet, regardless of such frauds, the punishment dealt out in this film is outrageous and unjust. I wonder whether the filmmaker's meant the film as comedic, because this punishment is just too absurdly violent, but to my eyes, the film doesn't seem to be intended as comedy. Additionally, no matter what the filmmakers intended, it raises the question of the film's potential to incite the violence similar to that fictionally depicted. But, that is still a contentious debate today.
Otherwise, this is a well-constructed film for 1906. Action is continuous across five scenes, and the transition between interiors to exteriors is fluid. There are even some brief tracking shots at the end, which is noticeable because not many of the remaining films from Paul's Animatograph Works displays a mobile camera. Besides, today, we can view this as a weird early film; for that, it's somewhat interesting in itself.
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