| Lior Liebling | ... | Himself |
Directed by | |||
| Ilana Trachtman | |||
Produced by | |||
| Erin Edeiken | .... | assistant producer | |
| Roberta Morris Purdee | .... | consulting producer (as Roberta Morris) | |
| Roberta Morris Purdee | .... | line producer | |
| Ilana Trachtman | .... | producer | |
Original Music by | |||
| Andy Statman | |||
Cinematography by | |||
| Slawomir Grunberg | |||
| Ari Haberberg | |||
Film Editing by | |||
| Zelda Greenstein | |||
Sound Department | |||
| Dan Walter | .... | sound mixer | |
Editorial Department | |||
| Erica Freed | .... | assistant editor | |
| Charlie Gelber | .... | colorist | |
| Simeon Hutner | .... | additional editor | |
| Rosie Nakamura | .... | assistant editor | |
Music Department | |||
| Brian Deming | .... | music score recordist | |
Other crew | |||
| Brian Batka | .... | production assistant | |
| Beckett Horowitz | .... | outreach supervisor | |
Thanks | |||
| Lisa Hepner | .... | special thanks | |
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| Solomon | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | Storytelling | Religulous | A Serious Man |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb UK section |
This is a very cute story, but there could have been a lot more to it. The story is only about Lior's journey to his bar mitzvah, and there are only two brief moments of philosophical exploration. The first is when Lior's father says that Lior has fewer "veils" between himself and God, and the second is when a woman suggests that Lior is just imitating that which earned him praise when he was younger. There's a lot of room for philosophy here, and the movie could have been a lot longer. But it's not - there's only the story of a young man.
Praying with Lior is definitely cute. Lior himself is very high-functioning and I think this movie is relevant to both the Jewish community and intellectual disability communities. It's a fun watch, but don't look for too much in-depth philosophy.