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Directed by | |||
| Mikael Håfström | |||
Writing credits(WGA) | ||
| Michael Petroni | (written by) | |
| Matt Baglio | (book) (suggestion) | |
Original Music by | |||
| Alex Heffes | |||
Cinematography by | |||
| Ben Davis | |||
Film Editing by | |||
| David Rosenbloom | |||
Casting by | |||
| Deborah Aquila | |||
| Tricia Wood | |||
Production Design by | |||
| Andrew Laws | |||
Art Direction by | |||
| Lóránt Jávor | |||
| Stuart Kearns | (supervising art director) | ||
Set Decoration by | |||
| Peter Walpole | |||
Costume Design by | |||
| Carlo Poggioli | |||
Makeup Department | |||
| Katalin Jakots | .... | key makeup artist | |
| Kristyan Mallett | .... | special makeup effects artist: Anthony Hopkins | |
| Sharon Martin | .... | additional makeup artist | |
| Gabriella Németh | .... | hairdresser | |
| Iván Pohárnok | .... | prosthetic makeup supervisor | |
| Trefor Proud | .... | makeup department head | |
| Tracey Wells | .... | key hair stylist | |
| Tracey Wells | .... | key makeup artist | |
Sound Department | |||
| Mike Chock | .... | sound effects editor | |
| Mark Coffey | .... | first assistant sound editor | |
| Jenna Dalla Riva | .... | foley recordist | |
| Ezra Dweck | .... | sound editor | |
| Laura Graham | .... | adr editor | |
| R.J. Kizer | .... | supervising adr editor | |
| Rick Kline | .... | sound re-recording mixer | |
| Goro Koyama | .... | foley artist | |
| Tamas Kurina | .... | adr engineer | |
| Andy Malcolm | .... | foley artist | |
| Mark A. Mangini | .... | supervising sound editor | |
| György Mihályi | .... | utility sound | |
| Michael Miller | .... | adr mixer | |
| Piero Mura | .... | sound effects editor | |
| Ryan Murphy | .... | sound mix technician | |
| Philip Rogers | .... | adr recordist | |
| Mac Ruth | .... | production sound mixer | |
| Andy Stallabrass | .... | adr recordist | |
| Pál Szûrös | .... | boom operator | |
| Hugh Waddell | .... | dialogue editor (as Hugh Wadell) | |
| Christopher T. Welch | .... | adr editor | |
| Don White | .... | foley recording mixer | |
| Dave Whitehead | .... | sound designer | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Bence Arik | .... | special effects technician | |
| Gergely Csóri | .... | daily sfx technician | |
| Massimo Di Palma | .... | special effects technician | |
| Attila Erczkovi | .... | special effects technician | |
| Franco Galiano | .... | special effects supervisor: Italy | |
| Gabor Kiszelly | .... | special effects supervisor | |
| Tibor Skornyak | .... | special effects technician | |
| Dieter Sturm | .... | special effects snowmaker | |
| Yvonne Sturm | .... | special effects snowmaker | |
| Fabio Ungher | .... | special effects technician | |
Visual Effects by | |||
| Aurelia Abate | .... | visual effects producer: Method Studios | |
| Jeff Allen | .... | supervisor: Method Studios | |
| Chad Buehler | .... | compositor: Method Studios | |
| Charles Bunnag | .... | digital colorist | |
| Lersak Bunupuradah | .... | cg modeler: Method Studios | |
| Steward Burris | .... | animation supervisor: Method Studios | |
| Kris Cabrera | .... | cg artist: Method Studios | |
| Huey Carroll | .... | compositor: Method Studios | |
| Stephen Ceci | .... | visual effects coordinator | |
| Jae Chang | .... | visual effects producer | |
| Patrick Clancey | .... | digital opticals | |
| Caitlin Content | .... | visual effects: Prologue Films | |
| Kyle Cooper | .... | visual effects: Prologue Films | |
| Chris Cortese | .... | rotoscoper: method studios | |
| Stuart Cripps | .... | compositor: method studios | |
| Nicolas Darques | .... | compositor: method studios | |
| Ian Dawson | .... | visual effects supervisor: Prologue | |
| Greg Derochie | .... | compositor: method studios | |
| Michael Dillon | .... | digital intermediate assistant producer | |
| Olivier Dumont | .... | visual effects supervisor: Method Studios | |
| Sam Edwards | .... | flame artist | |
| Eyetronics | .... | 3D Scanning | |
| Patricio Fernandez | .... | rotoscoper: Method Studios | |
| Zoltán Fiedler | .... | matchmove artist: Digital Apes | |
| Juan Flores | .... | digital colorist assistant: Efilm | |
| Michael Sean Foley | .... | cg supervisor | |
| Fortunato Frattasio | .... | visual effects artist: Digiscope | |
| Todd Gill | .... | visual effects artist: Spy | |
| Kerry Graham | .... | matchmover: method studios | |
| Brian Hajek | .... | visual effects: Prologue Films | |
| Joe Henke | .... | visual effects supervisor: CIS Hollywood | |
| Norris Houk | .... | matchmover: method studios | |
| Shinya Ishii | .... | modeler and texture artist: Method Studios | |
| Michael Janov | .... | visual effects supervisor | |
| Bora Jurisic | .... | visual effects artist | |
| Dan Knight | .... | compositor | |
| Marc Kolbe | .... | visual effects producer | |
| Marc Kolbe | .... | visual effects supervisor | |
| Tim LeDoux | .... | compositing lead: Pixomondo | |
| Richard S. Lee | .... | digital matte painter | |
| Seong Joon Lee | .... | cg artist: Method Studios (as Joon Lee) | |
| Jack Lilburn | .... | vfx coordinator: method studios | |
| Justin Lloyd | .... | cg artist: method studios | |
| Mark Alan Loso | .... | set vfx supervisor: FotoKem Budapest | |
| Julia MacMullen | .... | assistant visual effects editor | |
| Michael Maker | .... | tracking supervisor: method studios | |
| Björn Mayer | .... | visual effects supervisor: Pixomondo | |
| Emmi Nakagawa | .... | texture artist | |
| Masa Narita | .... | cg modeler: Method Studios | |
| Julia Neighly | .... | visual effects producer: CIS Hollywood (as Julia Gaudette) | |
| James P. Noon | .... | tracking | |
| Eddie Offermann | .... | software developer | |
| Eddie Offermann | .... | visual effects color | |
| Tobbe Olsson | .... | visual effects artist | |
| Olivier Pron | .... | lead matte painter: method studios | |
| Nordin Rahhali | .... | sequence supervisor: method studios | |
| Lance Ranzer | .... | digital artist | |
| Juan-Luis Sanchez | .... | cg supervisor: method studios | |
| Florian Schroeder | .... | digital compositor: Pixomondo | |
| Steven J. Scott | .... | supervising digital colorist | |
| Rasha Shalaby | .... | texture painter | |
| Prateep Siamwalla | .... | tracking | |
| Jennifer Silver | .... | visual effects producer: Pixomondo | |
| Bongkee Sohn | .... | rigging | |
| Doug Spilatro | .... | visual effects artist | |
| Tim Stern | .... | digital compositor: Pixomondo | |
| Stephanie Sweeney | .... | lead rotoscoper: method studios (as Stephanie Ide) | |
| Emerick Tackett | .... | matchmove artist: Pixomondo | |
| Gavyn Thompson | .... | cg artist | |
| Ash Thorp | .... | visual effects: Prologue Films | |
| Matthew Trivan | .... | visual effects artist | |
| Scott G. Trosclair | .... | compositing artist: Spy | |
| Max Ulaner | .... | production assistant: Method Studios | |
| Nancey S. Wallis | .... | senior digital compositor: Method Studios | |
| Stephen Wilson | .... | visual effects artist | |
| Gordon T. Wittmann | .... | visual effects producer: Spy | |
| Xye | .... | tracking | |
| Kwang Jib Kim | .... | visual effects producer: Digitrove.Inc (uncredited) | |
| Dong Su Kwak | .... | lead modeler: Digitrove, Inc (uncredited) | |
| Ryan Urban | .... | compositor: Method Studios (uncredited) | |
Stunts | |||
| Charles Croughwell | .... | stunt coordinator | |
| Erika Cziráky | .... | stunt double | |
| Kinga Gavalda | .... | stunt double | |
| Diego Guerra | .... | stunt driver: Italy | |
| László Imre | .... | stunt double: Anthony Hopkins | |
| Sándor Imre | .... | stunts | |
| Rick Le Fevour | .... | stunt coordinator: Chicago | |
| Riccardo Mioni | .... | stunt driver: Italy | |
| Stefano Maria Mioni | .... | stunt coordinator: Italy | |
| Domonkos Pardanyi | .... | assistant stunt coordinator | |
| Domonkos Pardanyi | .... | stunt coordinator: Hungary | |
| Rich Wilkie | .... | stunt double: Chicago | |
Animation Department | |||
| Anthony Rizzo | .... | character animator | |
| Aaron Schultz | .... | animator | |
Casting Department | |||
| Michela Forbicioni | .... | casting (IT ) | |
| Tamás Kertész | .... | extras casting | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Toby Spigel | .... | casting assistant: uk | |
| Gail Stevens | .... | UK casting | |
| Lisa Zagoria | .... | casting associate | |
| Jonathan Kinnas | .... | extras casting: Chicago (uncredited) | |
Costume and Wardrobe Department | |||
| Brigitta Barkó | .... | key costumer | |
| Ibolya Bárdosi | .... | costumer | |
| Elena Del Guerra | .... | costume assistant | |
| Serena Fiumi | .... | costume supervisor | |
| Anna Kulcsár | .... | tailor/cutter | |
| Péter Palotás | .... | dresser | |
| Anina Pinter | .... | assistant costume designer | |
| Zsuzsa Stenger | .... | costume supervisor | |
| Traxler Tamas | .... | key costumer | |
| Maurizio Vitiello | .... | assistant costume designer | |
| Rebecca Higginson | .... | costumer (uncredited) | |
Editorial Department | |||
| Matt Absher | .... | first assistant editor | |
| Sándor Balla | .... | assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Janó Fekete | .... | colorist: dailies | |
| Erika Köcsky | .... | digital dailies supervisor | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Amy Joy Rivkin | .... | post-production assistant | |
Music Department | |||
| Jeff Atmajian | .... | orchestrator | |
| Monica Ciafardini | .... | music clearances | |
| Mark Graham | .... | head of music preparation | |
| Tom Hardisty | .... | score recordist | |
| Joel Iwataki | .... | music scoring mixer | |
| Andrew Kinney | .... | orchestrator | |
| Peter Myles | .... | music editor | |
| Victor Pesavento | .... | music preparation | |
| Drea Pressley | .... | score vocalist | |
| Jasper Randall | .... | choir conductor | |
| Jasper Randall | .... | choir contractor | |
| Peter Rotter | .... | orchestra contractor | |
| Mark Edward Smith | .... | score vocalist | |
| Steven L. Smith | .... | music preparation | |
| Roger Suen | .... | assistant to composer | |
| Benjamin Wallfisch | .... | additional arrangements | |
Transportation Department | |||
| István Bognár | .... | transportation captain | |
| Gabriella Di Santo | .... | transportation manager: Italy | |
| George Fohn | .... | driver: cast | |
| László Kiss | .... | transport coordinator | |
| John Lux Jr. | .... | driver | |
| Zoltán Szalay | .... | picture vehicle coordinator | |
| Robert Wallace | .... | driver | |
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| The Order | The Omen | The Omen | The Exorcism of Emily Rose | Exorcist: The Beginning |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I read a lot of reviews that panned this movie. Personally I didn't think it was nearly as bad as people claimed it was. I found it interesting and a more true to life representation of what an exorcism is.
You didn't see heads spinning 360 degrees, projectile pea soup spitting, and lots of special effects. However, true exorcisms are not like what they show in the hyped up movies. This is more like what exorcisms are, and for believers, that's equally if not more frightening, because it's more real.
I will agree it is probably more frightening to believers and specifically Catholics than it would be to an Athiest hoping to see a Hollywood horror film.
The acting was quite solid, especially by Sir Anthony Hopkins. Then again, he puts his all into all roles he takes on.
That's not to say there weren't problems in the film. there were some cinematography issues. It was disjointed in many places. It seemed to hop from scene to scene with no proper segway. There were quite a number of moments where they could have pushed the button just a bit more, but missed the chance.
However, the acting was good, the script was fairly solid, the cinematography could have been improved, but it wasn't the worst I've seen... and I appreciated that it wasn't gratuitous. They didn't need to throw in explicit sex or gore to keep the story moving like other Oscar nominated movies. (black Swan lesbian sex scene). It held it's own without all the frills.
I gave it an 8 out of 10. Well worth the watch, but I think Catholics will get more out of it than anyone.