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"Foyle's War" Broken Souls (2008)

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10 out of 10 people found the following review useful:

One of the best episodes

Author: Laight from United States
4 January 2012

*** This review may contain spoilers ***

It's now fall of 1944, and the war is winding down -- people are hoping it will end any day (although it was another six months before it did, and many more casualties resulted). In this episode, possibly the saddest in the series, several lives come together, all victims of the war or other unpleasant human circumstances, resulting in two deaths, neither premeditated; both due to anger, but one very generalized, one very specific. The upshot is a series of lives ruined, lives of people who were good people, perhaps, but like others in a war-torn environment, the boundaries between good and evil are lost. All in all, even the joy that anyone in this episode can feel is tainted with unbearable sadness and the possibility that all could be lost at any moment. Life is frail.

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4 out of 5 people found the following review useful:

Murder Mystery with an Emotionally Compelling Plot

Author: juliewriter from United States
7 July 2013

*** This review may contain spoilers ***

Beyond the plot of this excellent Foyle's War double murder mystery are compelling lessons about the human condition endured by survivors who lived through the various levels of England's World War II experiences. Characters are both victims of the war and those who survived by participating in it. Post Traumatic Stress Disorder is portrayed in several characters, whose special stories come together in a well acted series of inter-related sub plots. Emotional stress is spread among the characters who share the common thread of human loss, causing them emotional trauma. This mystery stays with you, especially the sensitive and creative scene where DCS Foyle (Michael Kitchen) reveals the murderer. Kitchen deserves acclaim for his portrayal of DCS Foyle, but his talent should be singled out for the acting in the ending scenes of "Broken Souls".

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Modern Sensibilities Mar Plot

Author: JAMES DECAMP from United States
1 September 2014

*** This review may contain spoilers ***

I love Foyle's War for the situations and characters, who wouldn't? I love the scenery and situations, the drama and historical settings, the attempts to preserve a modicum of historical accuracy. I find it a flaw of the series in general that it presents an overly cheery and prosperous depiction of Britain during the War. Privation was real and widespread, and the public mood was darker than depicted. This particular episode really annoyed me for the reason I am about the make more clear.

Spoiler Alert: The maudlin concern about the fate of the German POW Johann makes absolutely no sense. With about a million Britains killed by the Nazis, some in their own homes during what was by design terror bombing, or by artillery lobbed into Dover from France, virtually no one in Britain would be in the least bothered by the "murder" of an escaped German POW. Further, the act depicted was *not* murder. The Geneva Convention makes the killing of a fleeing enemy combatant completely lawful. An escaped POW is a fleeing enemy combatant. When Dr. Novak killed him it was not murder, it was a lawful act of war, by any standard, regardless of Novak's motivation, or the viewers' sympathy or lack of comprehension of what war means. Novak was under no obligation to seek a more peaceful resolution, and in fact would have been derelict to do so. He was confronted by a younger, stronger enemy combatant, who had the potential to inflict further damage and causalities, regardless of what the viewers might think of his character. I am sure Fred Dawson slept more soundly knowing Johann was no longer a threat to his life.

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