6.0/10
8

Sevilla -> (Infinity) 06 (2008)

A tale about the perception of Europe in Africa... from the vantage point of a helicopter.

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Seville, seen from a helicopter. We see the old - sand-colored facades, and patios and gardens and courtyards and rings and amphitheaters (the female) - and we see the new - a single-span bridge, car parks and rail yards and town-houses and man-made lagoons. The modern is bland or brightly colored; the old is weathered or green. Not too far away is the sea, with cliffs and condos, smokestack and windsurfers. The soundtrack mixes the helicopter's motor and a modern score of discordant noise. Barbieri's visual method suggests that the city is a toy model and that perception is variegated, even tricky. To see is not necessarily to know. Written by <jhailey@hotmail.com>

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January 2008 (USA)  »

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