Since 1978, Anvil has become one of heavy metal's most influential yet commercially unsuccessful acts. In 2006, after a fledging European tour Anvil sets out to record their thirteenth album and continue to follow their dreams.
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In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and ... See full summary »
A documentary crew followed Metallica for the better part of 2001-2003, a time of tension and release for the rock band, as they recorded their album St. Anger, fought bitterly, and sought the counsel of their on-call shrink.
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At the age of 15, Nick Charles was set to be Britain's answer to Frank Sinatra. Backed by an American music mogul, he was poised to win the Eurovision Song Contest that would launch his ... See full summary »
At 14, best friends Robb Reiner and Lips made a pact to rock together forever. Their band, Anvil, hailed as the "demi-gods of Canadian metal, " influenced a musical generation that includes Metallica, Slayer, and Anthrax, despite never hitting the big time. Following a calamitous European tour, Lips and Robb, now in their fifties, set off to record their 13th album in one last attempt to fulfill their boyhood dreams. Written by
For once I feel the high IMDb rating is deserved. I went with my boyfriend to see this movie even though I have less than no interest in heavy metal. But from the opening frames I was pulled into this film and carried through it on a wave of wonderful characters, intriguing 'plot' and the sheer devotion to duty shown both by the members of Anvil and the film-maker Sacha Gervasi. Despite being close to the band, he has managed to maintain the objectivity that allows not a jot of over-indulgence, while allowing the pathos and humour of the situation to emerge organically.
Here is the flipside of The X Factor - one band's truth about the music industry and their seemingly endless efforts to achieve success 30 years on from what looked like spectacular beginnings.
The structure of this film is particularly engaging and - once again - Gervasi trims any unnecessary fat from what could have been a fan's-eye-view of Anvil.
Comparisons with Spinal Tap are obvious but do no favours to Anvil, whose members are never less than engaging, industrious and loyal.
In places I didn't know whether to laugh or cry, and nearly did both simultaneously more than once. The small audience we saw it with seemed to enjoy the film very much, and nobody stood up until the credits had ended.
What Gervasi has achieved is a truly moving, funny and uplifting account of a band's struggle for the recognition you can't help but feel they so richly deserve.
Forget Slumdog Millionaire - Anvil is the true feelgood movie of the year so far.
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