Parallel storylines tell the current state of affairs for two ex-lovers: Nora's a single mother who comes to care for her terminally ill father; holed in up in mental ward, Ismael, a brilliant musician, plots his escape.
Jenny Lamour wants to succeed in music hall. Her husband and accompanist is Maurice Martineau, a nice but jealous guy. When he knew Jenny is making eyes at Brignon, an old businessman, in ... See full summary »
Parisian friends (two brothers and their one-time girl friends) fly to Corsica for a mountain trek guided by the married lover of one of the women. Cora, nearly 30, goes because her psychic... See full summary »
Armand Lebrecq once dreamed of becoming a magician but he has become a pharmacist. He still loves his wife, Hélène, but wouldn't mind leaving her to live with Alix, a strong-minded woman. ... See full summary »
Michel, a fifty year old man, graphic designer, decides to change the urban lifestyle and go on an adventure. Fascinated by airmail, he dreams at Jean Mermoz when he's on scooter. One day, Michel sees a picture of a kayak.
This movie plodded along listlessly with no particular message. Finally, I could take it no more. I mercifully killed it, gave it one star on Netflix and moved on to other things.
It started well enough. Had it just stuck to that theme, you might have been able to salvage some of it. You don't throw Catherine Deneveux into a movie unless it is a serious movie. The scenes were way too long, there were too many characters, and you could not really identify with any of them. Frankly, it was no different from taking your camera to your office and filming your colleagues in various states of mischief and trying to pass it on as a serious movie.
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