A shy student trying to reach his family in Ohio, and a gun-toting tough guy trying to find the Last Twinkie and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
Searching for family. In the early twenty-first century, zombies have taken over America. A shy and inexperienced college student in Texas has survived by following his 30 rules: such as "look in the back seat," "double-tap," "avoid public restrooms." He decides to travel to Ohio to see if his parents are alive. He gets a ride with a boisterous zombie-hating good-old boy headed for Florida, and soon they confront a young woman whose sister has been bitten by a zombie and wants to be put out of her misery. The sisters were headed to an LA amusement park they've heard is zombie free. Can the kid from Ohio get to his family? And what about rule thirty one? Written by
At the beginning of the film, Columbus states that he is making his way from his dorm room in Austin to Columbus. In a later flashback, it is obvious he lives in an apartment, not a dormitory. However, if he is attending school at the University of Texas this is a possible type of housing since the university is not able to support the freshman class in traditional dormitories. Columbus may be living in a housing co-op which could resemble an apartment more than a dormitory See more »
Oh, America. I wish I could tell you that this was still America, but I've come to realize that you can't have a country without people. And there are no people here. No, my friends. This is now the United States of Zombieland.
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At the end of the credits, there is a scene between Bill Murray and Tallahassee. Tallahassee attempts to re-create a Carl Spackler (Bill Murray) scene from Caddyshack. Bill Murray then complements him by doing the scene correctly. See more »
I've never hit a kid before. I mean, that's like asking who Gandhi is.
Zombieland is directed by Ruben Fleischer from a screenplay written by Rhett Reese and Paul Wernick. The film stars Jesse Eisenberg, Woody Harrelson, Emma Stone, and Abigail Breslin as survivors of a Zombie apocalypse thrust together on a road trip in search of a fabled Zombieless sanctuary.
As it stands now, Zombieland is the most successful Zombie based film in history. Proving that there is still life (no pun intended) in the undead based comedy. Reese and Wernick have stated that the idea for Zombieland was milling around their heads in 2005, a year after Shaun Of the Dead had made such a joyous appearance on the horror/com circuit. You get the feeling that the guys desperately wanted an American version to rival the British torch bearer. They got it.
Where Zombieland differs greatly from Shaun is that it unashamedly lives in a cartoon fantasy world. It blasts right out of the blocks with a montage sequence of death, dismemberment, crash, bangs and wallops, and never lets up on its carefree abandon approach. And hooray to that. In fact the film only pauses for breath for a short time at the mid-point, and even then it's to slot in one of the best ever cameo performances to grace a comedy. Away from the tricks and smart gimmicks that gloriously light up the narrative (the rules, baby, are awesome), Zombieland works so well because of its four characters.
This maybe a Zombie movie (and what Zombies they are too), but this is about four likable human beings asking us to invest some time with them as they surge from one situation to the next. Something we are only too glad to do. Be it Harrelson (never better) laying waste to any number of the undead, or Eissenberg (hello there little Woody Allen) offering up witticisms that hide a lonely heart facade; these characters prove to have depth. Yes we could possibly argue that both Stone and Breslin (spunky & perky respectively) deserve more screen time, hell they sure earn it, but as a foursome they combine to make one of the brightest buddy buddy-buddy buddy movies out there.
It's plot lite, and unlike Shaun, it has no great peril sequences to fully form the horror aspects of it. But it's so funny and awash with carefree charm we have no right to dwell too long on its tiny faults. One of the best crowd-pleaser's of 2009 and proof positive that an apocalypse really can be quite fun after all. 8.5/10
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