A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
Exceptional London cop Nicholas Angel is involuntarily transferred to a quaint English village and paired with a witless new partner. While on the beat, Nicholas suspects a sinister conspiracy is afoot with the residents.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
Searching for family. In the early twenty-first century, zombies have taken over America. A shy and inexperienced college student in Texas has survived by following his 30 rules: such as "look in the back seat," "double-tap," "avoid public restrooms." He decides to travel to Ohio to see if his parents are alive. He gets a ride with a boisterous zombie-hating good-old boy headed for Florida, and soon they confront a young woman whose sister has been bitten by a zombie and wants to be put out of her misery. The sisters were headed to an LA amusement park they've heard is zombie free. Can the kid from Ohio get to his family? And what about rule thirty one? Written by
In the supermarket scene, both the banjo tune and the "pretty mouth" line are references to the movie Deliverance (1972). See more »
When Tallahasse walks towards the Hummer the arms attached to the steering wheel are away from the wheel when we first see them, yet in the very next shot they are against, if not tucked inside, the steering wheel. See more »
Oh, America. I wish I could tell you that this was still America, but I've come to realize that you can't have a country without people. And there are no people here. No, my friends. This is now the United States of Zombieland.
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At the end of the credits, there is a scene between Bill Murray and Tallahassee. Tallahassee attempts to re-create a Carl Spackler (Bill Murray) scene from Caddyshack. Bill Murray then complements him by doing the scene correctly. See more »
Arguably one of the finest horror comedies of all time is Edgar Wright's Shaun of the Dead, and since its release in '04, there have been a good number of wannabes. Based on the trailers for Zombieland, however, I thought that the film had some serious potential to match Shaun in terms of quality, possibly even usurp it. Having seen the film, I'm happy to say that Zombieland does just that.
Unlike many comedies in recent memory, in which the majority of laughs are already provided by the trailer, Zombieland is filled to the brim with laugh-out-loud moments, thanks largely to the brilliant cast. Eisenberg is awesome as the main protagonist, Columbus, portraying that sense of vulnerability and awkwardness, without becoming too Michael Cera-like. Emma Stone and Abigail Breslin are also terrific as the sweet, yet tough Wichita and the more-mature-than-she-seems Little Rock, respectively.
The real stand-out performance, though, is Woody Harrelson as the Twinkie-lovin', zombie-hatin' Tallahassee. Next to that of Woody Boyd on Cheers and Frasier, this is definitely the best performance of his career. There's also a painfully hilarious cameo appearance about mid-way through the film that would be a crime to spoil. Suffice it to say, this is hands-down the best cameo that I've ever seen in a film.
The most surprising aspect of Zombieland, to me, is how much heart there is. All of the characters feel warm and alive, and what drama there is to be found feels extremely sincere. Ultimately, you feel invested in the story and the characters, which I think is the most important thing any film of any genre can do.
Zombieland has instantly become a horror favorite of mine (comedic or otherwise). The for the lack of a better word quotable dialogue, consistently hysterical tone, and endearing characters, all come together to create a film that will undoubtedly become a cult classic.
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