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Vincere (2009)

Unrated  |   |  Biography, Drama, History  |  20 May 2009 (Italy)
6.8
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Ratings: 6.8/10 from 4,251 users   Metascore: 85/100
Reviews: 30 user | 118 critic | 24 from Metacritic.com

The story of Mussolini's secret lover, Ida Dalser, and their son Albino.

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(story), (screenplay), 1 more credit »
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Title: Vincere (2009)

Vincere (2009) on IMDb 6.8/10

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41 wins & 29 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Benito Mussolini / Benito Albino adulto
...
Riccardo Paicher
Michela Cescon ...
Pier Giorgio Bellocchio ...
Pietro Fedele
...
Dottor Cappelletti
Paolo Pierobon ...
Giulio Bernardi
Bruno Cariello ...
Giudice
...
Adelina Dalser
Simona Nobili ...
Madre Superiora
Vanessa Scalera ...
Suora Misericordiosa
Giovanna Mori ...
Tedesca
Patrizia Bettini ...
Cantante
Silvia Ferretti ...
Scarpette rosse
Corinne Castelli ...
Lacrime
Edit

Storyline

The story of Mussolini's secret lover, Ida Dalser, and their son Albino.

Plot Summary | Plot Synopsis


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

20 May 2009 (Italy)  »

Also Known As:

Vincere  »

Filming Locations:

 »

Box Office

Budget:

€9,000,000 (estimated)

Opening Weekend:

$18,096 (USA) (19 March 2010)

Gross:

$615,278 (USA) (11 June 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut) | (cut) | (cut) | (cut)

Sound Mix:

Color:

| (inserts only)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Valeria Golino, Ambra Angiolini and Nicole Grimaudo auditioned for the role of Ida. See more »

Connections

Features The Warrior (1917) See more »

Soundtracks

Inno di Garibaldi (Va' fuori d'Italia, va' fuori stranier)
(uncredited)
Performed by Pier Giorgio Bellocchio and Filippo Timi
See more »

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User Reviews

 
Marco Bellocchio's Dark View of Mussolini's Private Life
16 May 2010 | by (United States) – See all my reviews

Marco Bellocchio directed and wrote (with Daniela Ceselli) this very dark version of the private life of Benito Mussolini, a portion of his life that centered on his mistress and the mother of his son, one Ida Dalser. Though the film never really reveals whether Ida Dasler and Mussolini were married (Mussolini already had a wife and child when he me the devastatingly beautiful and erotic Ida) but that simply doesn't seem to matter while watching this artistic triumph of a film. What the director does manage to portray is the life and times of Italy before, during, and after WW I, a time during which Mussolini began his influence as a socialist and ultimately founded Italian Fascism, becoming the Fascist dictator of Italy. The many permutations of the concepts of monarchism and socialism and eventually Fascism are delineated by the film, if at times as shadowy in their explanation as is the director's love of dark in lighting the screen during almost all of the action. Bellocchio uses black and white film clips throughout his film giving it a somewhat documentary flair, but the performances by the actors make this film very much a visceral drama and not a dry rehash of history.

Filippo Timi gives a gripping performance as both Mussolini the ardent and handsome lover and politician whose life is always controlled by the term 'Vincere' ('Win'). Aptly, when the bulky monster Mussolini rises out of the socialism into fascism and the war the part of Mussolini is 'played' by the film clips of the real person. But as the film draws toward the end of his life, Timi once again enters the film in the role of his son Benito Albino Mussolini, a lad stricken with insanity and confined to a sanitarium. As Mussolini's mistress (aka 'wife' by her accounts) Ida Dalser, Giovanna Mezzogiorno offers one of the strongest cinematic portrayals of an important woman of history. She is simply riveting - erotic when the romance begins, faithful even when she discovers Mussolini has a wife, and uncontrollably fierce as she is confined by the government (with Mussolini's approval) to an insane asylum. This is one of those performances that will live in memory long after this film is seen and hopefully will garner awards when the Oscar season comes round.

In all this is a beautifully wrought, intelligent, beautifully acted, occasionally confusing melodrama that sheds light on the man Mussolini, his rise to power, and the women who came under his influence. Recommended.

Grady Harp


16 of 21 people found this review helpful.  Was this review helpful to you?

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