A mosaic of several intertwined stories questioning the meaning of life, love and hope, set during the last six days in the life of Eluana Englaro, a young woman who spent 17 years in a vegetative state.
Overburdened and stuck in a greying marriage, Giovanna takes to caring for the Jewish Holocaust survivor her husband brings home. As she begins to reflect on her life, she turns to the man who lives across from her ...
Sabina has a regular life. She is satisfied with her job and her love for Franco. Lately nightmares start disturbing her, and almost in the same time she discovers to be pregnant. Step by ... See full summary »
Luigi Lo Cascio,
Carlo's life is thrown into a tailspin when his longtime girlfriend Giulia announces she's pregnant. As Carlo faces up to his anxieties about adulthood, his buddies Paolo, Adriano and ... See full summary »
"I cento passi" (one hundred steps) was the distance between the Impastatos' house and the house of Tano Badalamenti, an important Mafia boss, in the small Sicilian town of Cinisi. The ... See full summary »
Marco Tullio Giordana
Luigi Lo Cascio,
Luigi Maria Burruano,
Tre storie, tre viaggi di nozze. Ivano e Jessica, giovani figli di arricchiti parvenu ed un po' ignoranti, vorrebbero sempre provare nuove "strade di far l'amore". Alla fine del loro ... See full summary »
The story of Ida Dalser, who fell in love with the future Italian Fascist leader, Benito Mussolini, supported him while he was unemployed in the early 1910s, and married him, presumably around 1914. She bore Mussolini a son, Benito Albino, before the outbreak of World War I. The two lost touch during the war years and, upon discovering him again in a hospital during the war, she also discovered Rachele Guidi, who had married Mussolini in 1915, and a daughter born in 1910 when Guidi and Mussolini were living together. Historically, following his political ascendancy, Mussolini suppressed the information about his first marriage and he (through the Fascist party) persecuted both his first wife and oldest son and committed them forcibly to asylums.
My brother was in attendance for this one, and we were pretty much in unison in opinion. The first act of Vincere ("Win!") is quite extraordinary. In fact we both had the spine chills for the credits which featured a display of enormous mounted ship cannons.
It's a film about the relationship between Benito Mussolini and Ida Dalser. The first act, where they are actually together, is extraordinary. Mussolini is a power hungry madman, incapable of a non-hyperbolic thought, he quotes Napoleon at will and ravishes Ida in the moonlight of their cavernous apartment. He's the ultimate political opportunist, and Ida falls in love with his pure thuggery, despite his obviously third-rate intellect. I then had a problem for the remainder of the film, because I was expected to sympathise with Ida, whom Mussolini pushes away, even though she is a brute-loving nincompoop.
Despite Giovanna Mezzogiorno's excellent acting as Ida Dalser, it's like Bellochio isn't sure where to take the story, as if life doesn't really fit into his narrative structure. I remembered reading Robert Graves' book Count Belisarius as a teen, which starts off as a stonking good read about the adventures of a general in the Byzantine Empire, but then becomes far to encumbered with an adherence to history, that almost makes the latter part of the experience like reading a textbook, a real chore.
As another reviewer has pointed out, the actor in the movie who plays Mussolini, Filippo Timi, is far more interesting and nuanced than the actual historical figure, and it's simply ridiculous when we see newsreel footage and have to see Mussolini the real man, followed by Timi in the next scene. I have to hand it to Italians that they certainly have a talent for electing verminous cretins to high office that has lasted to this very day. You see the newsreel footage and it's impossible not to titter.
The film in retrospect is simply a misadventure in my opinion.
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