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Vincere (2009)

6.8
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Ratings: 6.8/10 from 4,035 users   Metascore: 85/100
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The story of Mussolini's secret lover, Ida Dalser, and their son Albino.

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Title: Vincere (2009)

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Cast

Cast overview, first billed only:
...
...
Benito Mussolini / Benito Albino adulto
...
Riccardo Paicher
Michela Cescon ...
Pier Giorgio Bellocchio ...
Pietro Fedele
...
Dottor Cappelletti
Paolo Pierobon ...
Giulio Bernardi
Bruno Cariello ...
Giudice
Francesca Picozza ...
Adelina Dalser
Simona Nobili ...
Madre Superiora
Vanessa Scalera ...
Suora Misericordiosa
Giovanna Mori ...
Tedesca
Patrizia Bettini ...
Cantante
Silvia Ferretti ...
Scarpette rosse
Corinne Castelli ...
Lacrime
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Storyline

The story of Mussolini's secret lover, Ida Dalser, and their son Albino.

Add Full Plot | Plot Synopsis


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

20 May 2009 (Italy)  »

Also Known As:

Vincere  »

Filming Locations:

 »

Box Office

Budget:

€9,000,000 (estimated)

Opening Weekend:

$18,096 (USA) (19 March 2010)

Gross:

$615,278 (USA) (11 June 2010)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut) | (cut) | (cut) | (cut)

Sound Mix:

Color:

| (inserts only)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

It was one of the five Italian films pre-selected as the Best Foreign Film submission for the 82nd Academy Awards, along with Baarìa (2009), Fortapàsc (2009), The Big Dream (2009) and We Can Do That (2008). See more »

Connections

Features The Kid (1921) See more »

Soundtracks

Inno di Garibaldi (Va' fuori d'Italia, va' fuori stranier)
(uncredited)
Performed by Pier Giorgio Bellocchio and Filippo Timi
See more »

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User Reviews

 
A decent entry into Palme d'Or selection, but it is by no means stunning.
11 July 2010 | by (Singapore) – See all my reviews

In competition for 2009's Palme d'Or, Vincere is a new film by Marco Bellocchio. It is set in the early 20th century in Italy, during a dangerous time of oppression and political revolution, which cumulated in the evil that was Fascism. The story is not about the horrors of Fascism per se or how it rose to become an ideology matched in its ghastliness only by Nazism, but of its dictator Benito Mussolini and his private life.

Vincere tells the true story of Mussolini (Filippo Timi) and Ida Dalser (Giovana Mezzogiorno), his secret lover whom he had a passionate but somewhat sordid affair with. In the film, Dalser gives birth to a son who is taken away from her. She is also sent to a mental institution for claiming that she is the "rightful wife" of Mussolini; the latter is married and denies the affair with Dalser.

Much of Vincere revolves around Dalser, whom is portrayed as a sympathetic figure, a person who loved and trusted Mussolini with all her heart, but ended up suffering the ignominy of being a "prisoner of a vile dictator". Mezzogiorno's performance is noteworthy. She switches effortlessly from a seductive woman who oozes sexual allure (she appears completely nude in a number of shots) to a frustrated person devoid of the freedom to pursue personal justice.

Timi also plays Mussolini with a fierce affection. But he fizzles out in the second half of the picture after Bellocchio rightly gives more screen time to Mezzogiorno. Even though the core of Vincere rests upon the relationship (or lack of) between Mussolini and Dalser, the political themes of the film remain in the consciousness of the viewer throughout.

Bellocchio inserts old black-and-white footages of history into the film, drawing our attention to the fervent and violent political and nationalistic attitudes of that era. The shouts of "Italia! Italia!" and the real Mussolini giving a powerful speech about war are, at the very least, disquieting. Matched with a loud, rousing score with lots of brass and choir, the film is quite strong in creating a mood of paranoia.

Vincere somewhat ends too quickly. Even for a film that is slightly longer than two hours, it seems like more exposition is warranted and would have been greeted more positively than not. Thus, the film feels incomplete but it is still a well-made film with its cinematography, in particular, an aspect to appreciate.

It may seem ironic but in Vincere's most emotional sequence, Bellocchio uses clips from Chaplin's The Kid (1921). In The Kid, Chaplin's character is devastated when his young son is taken away from him by the state. Dalser, who watches the film in an open-air screening, draws strength from it in the hope that she will one day see her son again.

Bellocchio's Vincere is a decent entry into the Palme d'Or selection, but it is by no means a stunning piece of cinema. The private story of Mussolini (or rather Dalser's) is compelling enough to last the two hours, though it would have been better received with a more complete approach.

SCORE: 7.5/10 (www.filmnomenon.blogspot.com) All rights reserved!


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