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Directed by | |||
| James Marsh | |||
Writing credits | ||
| Philippe Petit | (book "To Reach The Clouds") | |
| Philippe Petit | ... | Himself | |
| Jean François Heckel | ... | Himself (as Jean-François Heckel) | |
| Jean-Louis Blondeau | ... | Himself | |
| Annie Allix | ... | Herself | |
| David Forman | ... | Himself | |
| Alan Welner | ... | Himself | |
| Mark Lewis | ... | Himself | |
| Barry Greenhouse | ... | Himself (as N. Barry Greenhouse) | |
| Jim Moore | ... | Himself | |
| Guy F. Tozzoli | ... | Himself (as Guy Tozzoli) | |
| Paul McGill | ... | Philippe - Drama Reconstructions | |
| David Demato | ... | Jean-Louis - Drama Reconstructions | |
| Ardis Campbell | ... | Annie - Drama Reconstructions | |
| Aaron Haskell | ... | Jean-François - Drama Reconstructions | |
| Shawn Dempewolff-Barrett | ... | David - Drama Reconstructions (as Shawn Dempewolff) | |
| David Roland Frank | ... | Alan - Drama Reconstructions (as David Frank) | |
| Megan Delay | ... | The Admirer - Drama Reconstructions | |
| rest of cast listed alphabetically: | |||
| Laurence Gates | ... | Dentist (uncredited) | |
| Joel Ney | ... | 1970s Police Officer #1 (uncredited) | |
| Robert Sciglimpaglia | ... | Pedestrian / Ford Mustang Driver (uncredited) | |
Produced by | |||
| Simon Chinn | .... | producer | |
| Liz Fay | .... | archive producer | |
| Nick Fraser | .... | executive producer: BBC | |
| Victoria Gregory | .... | co-producer | |
| Jonathan Hewes | .... | executive producer | |
| Andrea Meditch | .... | executive producer: Discovery Films | |
| Maureen A. Ryan | .... | co-producer | |
Original Music by | |||
| Michael Nyman | |||
| J. Ralph | (segment "WTC Heist") | ||
Cinematography by | |||
| Igor Martinovic | (director of photography) | ||
Film Editing by | |||
| Jinx Godfrey | |||
Makeup Department | |||
| Maria Cancreti | .... | hair stylist assistant: New York | |
| Maria Cancreti | .... | makeup artist assistant: New York | |
| Sherri Berman Laurence | .... | chief hair artist: New York (as Sherri Laurence) | |
| Sherri Berman Laurence | .... | chief makeup artist: New York (as Sherri Laurence) | |
| Virginia Meyers | .... | hair stylist assistant: New York (as Virgina Meyers) | |
| Virginia Meyers | .... | makeup artist assistant: New York (as Virgina Meyers) | |
| Christopher Milone | .... | hair stylist assistant: New York (as Chris Milone) | |
| Christopher Milone | .... | makeup artist assistant: New York (as Chris Milone) | |
| Amy Spiegel | .... | key hair stylist: New York | |
| Amy Spiegel | .... | key makeup artist: New York | |
Production Management | |||
| Clark Bunting | .... | executive in charge of production: Discovery | |
| Helena Ely | .... | head of production | |
| John B. Ford | .... | executive in charge of production: Discovery (as John Ford) | |
| Olivia Foster | .... | production manager: Discovery | |
| Kate George | .... | post-production manager | |
| Nelson Khoury | .... | production supervisor: New York | |
| Marc Linmore | .... | production manager: Discovery | |
| Fiona Morham | .... | head of production: UK Film Council | |
| Kathy O'Donnell | .... | production director: for Philippe Petit | |
| Magdalena Sole | .... | unit production manager: New York | |
Sound Department | |||
| James Cullen | .... | assistant sound re-recording mixer | |
| Giancarlo Dellapina | .... | sound recordist: second unit, Paris | |
| Claire Ellis | .... | sound editor | |
| George Foulgham | .... | sound re-recording mixer | |
| Claire Mahoney | .... | foley artist | |
| Lisa-Marie McStay | .... | sound editor (as Lisa McMahon) | |
| Steven Robinson | .... | sound recordist: New York | |
Visual Effects by | |||
| Demian Cacciolo | .... | digital image scanning: Duggal | |
| Simon Clarke | .... | visual effects supervisor: Clarke Associates | |
| Michael Illingworth | .... | digital rostrum: Clarke Associates | |
| Tim Kilgour | .... | 3D animator: Clarke Associates | |
| Teni Noravian | .... | digital compositor: Clarke Associates | |
| Paul Roberts | .... | 2D animator: Clarke Associates | |
| Serdar Simga | .... | digital matte painter: Clarke Associates | |
| Lucy Teire | .... | visual effects producer: Clarke Associates | |
| Mark J. Flores Corpuz | .... | digital compositor (uncredited) | |
| Adam Rowland | .... | digital compositor (uncredited) | |
Casting Department | |||
| Adine Duron | .... | casting director: New York | |
| Steve Zak | .... | extras casting production assistant: New York | |
Costume and Wardrobe Department | |||
| Melinda Basaca | .... | wardrobe assistant: New York | |
| Meghan Corea | .... | wardrobe assistant: New York | |
| Andrea Grogan | .... | wardrobe intern: New York | |
| Kathryn Nixon | .... | costume designer: New York | |
Editorial Department | |||
| Chi Yoon Chung | .... | assistant editor | |
| Molly Condit | .... | assistant editor | |
| Joseph Dillingham | .... | assistant editor (as Joe Dillingham) | |
| Adam Downey | .... | on-line editor | |
| Justin Eely | .... | on-line editor | |
| Richard Klein | .... | commissioning editor: BBC | |
| Anne Monnehay | .... | assistant editor | |
| Luke Rainey | .... | film colorist | |
| Greg Sanderson | .... | editorial executive: BBC | |
| Andrew Dearnley | .... | digital film supervisor (uncredited) | |
| Steve Knight | .... | digital intermediate technician (uncredited) | |
| Andy Richards | .... | senior digital intermediate technician (uncredited) | |
| Gareth Spensley | .... | additional colorist (uncredited) | |
Music Department | |||
| Brian Binsack | .... | scoring second engineer | |
| John Boughtwood | .... | music consultant | |
| Bub Jess | .... | music arranger: WTC heist music | |
| Bub Jess | .... | music producer: WTC heist music | |
| Gary Morris | .... | music studio coordinator | |
| Arthur Pingrey | .... | music co-producer: WTC heist music | |
| Arthur Pingrey | .... | music programming | |
| Arthur Pingrey | .... | pro tools operator: music | |
Transportation Department | |||
| Ramon Morillo | .... | driver: cast (uncredited) | |
Other crew | |||
| Simone Abecassis | .... | production accountant | |
| Luis Arias | .... | production assistant: New York | |
| Danielle Beeber | .... | assistant production coordinator: New York | |
| Alexandre Berman | .... | assistant: Philippe Petit, second unit, Paris | |
| Isabelle Berman | .... | location fixer: second unit, Paris | |
| Daniel Briggs | .... | production assistant: New York | |
| Janice Brown | .... | insurance: Ventura Insurance, New York | |
| Sarah Caughey | .... | additional legal services: Olswang, New York | |
| Janell Coles | .... | legal and business affairs: Discovery | |
| Leonard Crooks | .... | head of New Cinema Fund: UK Film Council (as Lenny Crooks) | |
| Alison Dalton | .... | production assistant: New York (as Alision Dalton) | |
| Phil Dorling | .... | production assistant: New York | |
| Annette Drees | .... | script supervisor: New York (as Annette M. Drees) | |
| Laetitia Ducom | .... | production coordinator: second unit, Paris | |
| Jason Emerton | .... | legal and business affairs: BBC | |
| Linzy Emery | .... | transcription services: New York | |
| Valerie Fanarjian | .... | production assistant: New York | |
| Tahar Guendouzi | .... | runner: second unit, Paris | |
| Sharoya Hall | .... | production assistant: New York | |
| Robin Hilton | .... | legal services: Red Box Films, New York | |
| Tom Horovitch | .... | legal and business affairs | |
| Claire Hungate | .... | legal and business affairs | |
| Himesh Kar | .... | senior executive: UK Film Council | |
| Matt Katzive | .... | communications: Discovery | |
| James Kay | .... | additional legal services: Olswang, New York | |
| Gabe Kolodny | .... | production assistant: New York | |
| Johanna Kovitz | .... | transcription services: New York | |
| Jo Lapping | .... | strand executive: BBC | |
| Al Lazzio | .... | archery consultant: New York | |
| Jon Lerner | .... | legal and business affairs: Discovery | |
| Patrick Mahoney | .... | craft service: New York | |
| Lindsay Mattson | .... | key production assistant: New York | |
| Louis Menchise | .... | production assistant: New York | |
| Cassie Mensah | .... | legal and business affairs | |
| Ramon Morillo | .... | production assistant: New York | |
| Amanda Pyne | .... | production finance: UK Film Council | |
| David Reefer | .... | production assistant: New York | |
| Daniel Rutledge | .... | production assistant: New York | |
| Lin Saunders | .... | location scout: New York (as Tswana Lin Saunders) | |
| Julie Sibony | .... | production assistant: second unit, Paris | |
| Julie Sibony | .... | translator: second unit, Paris | |
| Gab Taraboulsy | .... | translation services: New York | |
| Samantha Waite | .... | production coordinator: New York | |
| Claire Warnes | .... | senior business affairs executive: UK Film Council | |
| Claire Witham | .... | production coordinator | |
| Rob van de Laar | .... | craft service (uncredited) | |
Thanks | |||
| Nathan Adams | .... | special thanks | |
| Annie Allix | .... | special thanks | |
| Étienne Becker | .... | acknowledgment: training camp footage (as Etienne Becker) | |
| Jean-Louis Blondeau | .... | acknowledgment: stills courtesy of Polaris Images | |
| Jean-Louis Blondeau | .... | special thanks | |
| Lara Bobroff | .... | special thanks | |
| Yves Bourde | .... | acknowledgment: training camp footage | |
| Catherine Dolto | .... | special thanks | |
| Jean-Pierre Dousseau | .... | acknowledgment: stills | |
| Nathalie Enterline | .... | special thanks | |
| Raimi Fasula-Moore | .... | special thanks | |
| Cordia Gypsy Fasula-Petit | .... | dedicatee: this film is for | |
| Barry Greenhouse | .... | special thanks (as N. Barry Greenhouse) | |
| Haroun Hameed | .... | special thanks | |
| Loretta Harris | .... | acknowledgment: stills | |
| Jean François Heckel | .... | acknowledgment: stills (as Jean-François Heckel) | |
| Jean François Heckel | .... | special thanks (as Jean-François Heckel) | |
| John Kahn | .... | special thanks | |
| T.J. Kellogg | .... | special thanks | |
| Robert L. Lasky | .... | special thanks | |
| Mark Lewis | .... | special thanks | |
| Anne Mette Lundtofte | .... | special thanks | |
| Anna May Marsh | .... | special thanks | |
| Keith McNally | .... | special thanks | |
| Dara McQuillan | .... | special thanks | |
| Jim Moore | .... | acknowledgment: stills courtesy of Polaris Images | |
| Kathy O'Donnell | .... | special thanks | |
| Alain Petit | .... | special thanks | |
| Léo Petit | .... | special thanks | |
| Joaquin Diego Prange | .... | special thanks (as J. Diego Prange) | |
| James Ricketson | .... | acknowledgment: archive, Sydney Harbour Bridge | |
| Rebecca Saletan | .... | special thanks | |
| Lucy Scala | .... | special thanks | |
| Bob Schuler | .... | acknowledgment: archive | |
| Rebecca Shalomoff | .... | special thanks | |
| James Signorelli | .... | special thanks | |
| Sam Szafran | .... | special thanks | |
| Catherine Teegarden | .... | special thanks | |
| Guy F. Tozzoli | .... | special thanks | |
| Jemila Twinch | .... | special thanks | |
| Michel Vionnet | .... | acknowledgment: training camp footage (as Michel Vionet) | |
| Lynn Wagenknecht | .... | special thanks | |
| Matt Warshaw | .... | special thanks (as Matthew Warshaw) | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Crazy credits | Main details |