Directed by | |||
| Uwe Boll | |||
Writing credits(in alphabetical order) | ||
| Michael Nachoff | written by (as Michael C. Nachoff) | |
Produced by | |||
| Sandra Basso | .... | assistant producer | |
| Uwe Boll | .... | producer | |
| Dan Clarke | .... | producer | |
| Wolfgang Herold | .... | associate producer | |
| Wolfgang Herold | .... | executive producer | |
| Michael Roesch | .... | associate producer | |
| Peter Scheerer | .... | associate producer | |
| Jonathan Shore | .... | associate producer | |
| Jonathan Shore | .... | executive producer | |
Original Music by | |||
| Jessica de Rooij | |||
Cinematography by | |||
| Mathias Neumann | |||
Film Editing by | |||
| Charles Ladmiral | |||
Production Design by | |||
| Marco Bittner Rosser | |||
Art Direction by | |||
| Damir Gabelica | |||
| Mario Ivezic | |||
Set Decoration by | |||
| Damir Gabelica | |||
Costume Design by | |||
| Katrina McCarthy | |||
Makeup Department | |||
| Eve Aknin | .... | key makeup artist | |
| Mathieu Baptista | .... | makeup fx | |
| Beatrice Borowiec | .... | prosthetics: pistoleros manager | |
| Jolanda Buhin | .... | key hair stylist | |
| Bérangère Cortaix | .... | first assistant makeup artist | |
| Merima Dikoti | .... | first assistant hair stylist | |
| Eric Ducron | .... | special makeup effects artist | |
| Franck Gauthier | .... | sculptor | |
| Laurent Huet | .... | sculptor | |
| Pierre-Paul Jayne | .... | prosthetics supervisor | |
| Lionel Le | .... | special makeup effects artist | |
| Harold Levy | .... | special makeup effects artist | |
| Michaël Massias | .... | key sfx makeup | |
| Jacques-Olivier Molon | .... | special makeup effects supervisor | |
| Sandra Ninberg | .... | extras makeup | |
| Alexis Wawerka | .... | special makeup effects artist | |
Production Management | |||
| Matko Buric | .... | assistant production manager | |
| Boris Velican | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Cejen Cernic | .... | third assistant director | |
| Bryan C. Knight | .... | first assistant director | |
| Tanja Knight | .... | second assistant director (as Tanja Sobieraj) | |
| Antony Stone | .... | second unit director | |
Art Department | |||
| Rade Basta | .... | on-set dresser | |
| Aleksandar Bezinovic | .... | scenic painter | |
| Ratko Bilus | .... | carpenter | |
| Atum Bozicevic | .... | scenic painter | |
| Robert Capan | .... | props on set | |
| Vjeran Cengic | .... | graphic designer | |
| Mijo Debanic | .... | property master | |
| Nenad Drljaca | .... | set dressing buyer | |
| Mario Galovic | .... | set dressing buyer | |
| Marino Hadas | .... | assistant props on set | |
| Ivan Jerkovic | .... | assistant set decorator | |
| Zehad Jujic | .... | on-set dresser | |
| Zehad Jujic | .... | set dresser | |
| Damir Karamatic | .... | scenic painter | |
| Ana Kralj | .... | swing gang | |
| Misel Kralj | .... | swing gang | |
| Stepjan Krcmar | .... | construction foreman | |
| Zeljko Luter | .... | leadman | |
| Mirko Miholic | .... | construction foreman | |
| Nikola Munic | .... | stand-by construction | |
| Zvonko Saric | .... | construction coordinator | |
| Marijo Simic | .... | set dressing buyer | |
| Ivana Skrabalo | .... | assistant art director | |
| Gordana Spanic | .... | art department coordinator | |
| Tomislav Tamhina | .... | assistant to production designer | |
| Ivan Ujevic | .... | prop buyer | |
| Jacob von Dohnanyi | .... | modelmaker: hero swords | |
| Alexis Wawerka | .... | effects storyboard artist | |
Sound Department | |||
| Kevin Belen | .... | walla recordist | |
| Wolfgang Herold | .... | sound supervisor | |
| Manuel Karakas | .... | re-recording mixer | |
| Manuel Karakas | .... | sound designer | |
| Bernhard Leimbrock | .... | sound editor | |
| Peter Roigk | .... | foley artist (as Peter Roik) | |
| Ivo Seewald | .... | boom operator | |
| Damir Valincic | .... | sound assistant | |
| Gregor Voigt | .... | sound mixer | |
| Max Wanko | .... | sound designer | |
Special Effects by | |||
| Matija Cesnik | .... | special effects | |
| Marijan Karoglan | .... | special effects | |
| Branko Repalust | .... | armourer | |
| Kristijan Repalust | .... | assistant armourer | |
| Antony Stone | .... | special effects supervisor | |
| Donavin Waters | .... | special effects foreman | |
| Stjepan Zupancic | .... | special effects | |
Visual Effects by | |||
| Michael Porterfield | .... | visual effects supervisor | |
| Greg Vernon | .... | visual effects producer | |
Stunts | |||
| Toni Bobeta | .... | stunt rigger | |
| Kimberly Chiang | .... | stunts (as Kim Chiang) | |
| Leif Havdale | .... | assistant stunt coordinator | |
| Leif Havdale | .... | stunt performer | |
| Antonio Ivanovic | .... | stunt performer (as Antonije Ivanovic) | |
| Ivo Kristof | .... | horse master | |
| Larry Lam | .... | stunt coordinator | |
| Domagoj Ljubicic | .... | stunt performer | |
| Zeljko Matovina | .... | stunts | |
| Nikola Oreskovic | .... | stunt performer | |
| Ivo Popovic | .... | stunt performer | |
| Antony Stone | .... | stunt coordinator | |
| Maria Verbanac | .... | stunts | |
Camera and Electrical Department | |||
| Christian Datum | .... | first assistant camera: "b" camera | |
| Goran Fabrio | .... | second assistant camera: "a" camera | |
| Kai Fink | .... | camera operator: "a" camera | |
| Milan Grguric | .... | genny operator | |
| Damir Gudan | .... | lamp operator | |
| Edvard Hudi | .... | video | |
| Ante Knezevic | .... | grip | |
| Danijel Krcmar | .... | lamp operator | |
| Thomas Krstulovic | .... | stills | |
| Josip Marsic | .... | genny operator: base camp | |
| Marin Marsic | .... | second assistant camera: "b" camera | |
| Ranko Mitic | .... | first assistant camera: "a" camera | |
| Mathias Neumann | .... | camera operator: "b" camera | |
| Franjo Penava | .... | best boy | |
| Marko Poldrugac | .... | genny operator | |
| Vedran Rapo | .... | assistant camera | |
| Tommy Schulz | .... | gaffer | |
| Ivan Serdarevic | .... | video assistant | |
| Josip Siladi | .... | best boy | |
| Josip Siladi | .... | key grip | |
| Robert Spehar | .... | lamp operator | |
| Domagoj Viljevac | .... | lamp operator | |
| Marko Vrdoljak | .... | loader | |
| Hrvoje Vulic | .... | grip | |
| Zeljko Zupan | .... | first assistant camera: "c" camera | |
Casting Department | |||
| Zoran Dragovic | .... | extras casting director | |
| Ira Rukljac | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Nevena Caklovic | .... | costumer | |
| Karmen Dugec | .... | costumer | |
| Sanda Jakubek | .... | costume supervisor | |
| Katarina Kolimbatovic | .... | assistant costume designer | |
Editorial Department | |||
| Shannon Archibald | .... | post-production assistant | |
Music Department | |||
| Maarten Buning | .... | drum programmer | |
| Maarten Buning | .... | guitarist | |
| Mark Robertson | .... | conductor | |
| Leran Wang | .... | music preparation | |
| Björn Wiese | .... | scoring mixer | |
Transportation Department | |||
| Branko Abramovic | .... | driver: motorhome | |
| Milan Boric | .... | driver: makeup/hair | |
| Dean Brkic | .... | driver: crew | |
| Neno Horvat | .... | driver: cast | |
| Josip Hrstic | .... | picture car assistant | |
| Robert Kelemen | .... | driver: make-up truck | |
| Ivica Klobucar | .... | driver: electrics | |
| Peter Laytak | .... | driver: honeywagon | |
| Vlado Loncaric | .... | driver: camera truck | |
| Aleksandar Luc | .... | driver: cast | |
| Mario Maric | .... | driver: warderobe | |
| Vladislav Matus | .... | driver: warderobe truck | |
| Danko Novosel | .... | driver: motorhome | |
| Saso Petelinsek | .... | picture cars | |
| Zdravko Plese | .... | transportation coordinator | |
| Ilija Prgomet | .... | driver: prosthetics | |
| Zeljko Prgomet | .... | driver: production | |
| Hrvoje Radan | .... | driver: director | |
| Jakob Rakitic | .... | driver: motorhome | |
| Igor Stikovic | .... | driver: camera | |
Other crew | |||
| Luka Belan | .... | set production assistant | |
| Drago Bilic | .... | cashier | |
| Zora Blazevic | .... | additional chef: catering | |
| Ranko Ganic | .... | additional location manager | |
| Goranka Greif-Soro | .... | script | |
| Matthias Herold | .... | Herold Studios legal | |
| Dragan Josipovic | .... | location manager | |
| Barbara Jukopila | .... | personal assistant | |
| Zeljka Katovic | .... | on-set nurse | |
| Nikolina Kuntic | .... | assistant accountant | |
| Vilko Kustec | .... | production runner | |
| Stipe Mamic | .... | catering chef | |
| Tina Mamic | .... | additional chef: catering | |
| Alen Minar | .... | additional chef: catering | |
| Morana Mitic | .... | assistant production coordinator | |
| Nikola Ojdanic | .... | craft service | |
| Mladen Olic | .... | catering chef | |
| Jure Pavlovic | .... | set production assistant | |
| Natasa Petrovic | .... | production coordinator | |
| Damir Podolsak | .... | additional chef: catering | |
| Robert Popov | .... | additional chef: catering | |
| Sean Seguin | .... | production accountant | |
| Joey Setter | .... | production coordinator: Vancouver | |
| Dinko Voloder | .... | key set production assistant | |
| Rajko Vucen | .... | base camp coordinator | |
| Toma Zidic | .... | set location assistant | |
Thanks | |||
| Brandon Baker | .... | special thanks | |
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That very thought was going through my head when I rented this cinematic excrement. Nazis are my favourite bad guys and this seemed like a promising take on a good formula. In short, the story was vapid and the acting was awful. They threw in some sex to titillate, but all it did was make me angry. The mad doctor is over the top yet not in a good way and he was stupid to boot. The lead Nazi was an acceptable villain, but only because his acting was not painful and he was a Nazi. The heroine seemed rather one dimensional and devoid of life (which I think was the "actress'" fault rather than the writers' or even intentional). The heroine, by the way, never actually wears those painted on "pants". Ever. Sorry. This movie is neither bad enough to be good nor is it passable as late night brain dead viewing. I should have known to save my $1.02 when I saw the cover. What can I say: I have a weakness for dead Nazis and shapely hips.