The infamous story of Benjamin Barker, a.k.a Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Helena Bonham Carter,
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
This is the story of the last few years of the notorious bank robber John Dillinger. He loved what he did and could imagine little else that would make him happier. Living openly in 1930s Chicago, he had the run of the city with little fear of reprisals from the authorities. It's there that he meets Billie Frechette with whom he falls deeply in love. In parallel we meet Melvin Purvis, the FBI agent who would eventually track Dillinger down. The FBI was is in its early days and Director J. Edgar Hoover was keen to promote the clean cut image that so dominated the organization through his lifetime. Purvis realizes that if he is going to get Dillinger, he will have to use street tactics and imports appropriate men with police training. Dillinger is eventually betrayed by an acquaintance who tells the authorities just where to find him on a given night. Written by
John Hamilton was actually mortally wounded in a gun battle with police near Hastings, Minnesota, hours after leaving Little Bohemia. Hamilton died three or four days later, depending on the source, at the apartment of Barker-Karpis gang member Volney Davis in Aurora, Illinois. John Dillinger and Van Meter, along with members of the Barker-Karpis gang, buried Hamilton in a gravel pit in Oswego, Illinois. In an attempt to prevent identification of the body, 10 cans of lye were poured on the corpse and the right hand was cut off. Agents recovered the body on August 28, 1935. The Bureau was able to identify Hamilton by his teeth. Hamilton's teeth were later exhibited at the 1939 midwinter meeting of the Chicago Dental Society. Where Hamilton's choppers are presently located is unknown. A gruesome FBI photo of the recovered body can be seen in the photo section of Dary Matera's "The Life and Death of America's First Celebrity Criminal." See more »
In the scene of the first break out the warden opens the safe to the prison armory. You can see toward the ceiling a porcelain light fixture with a grounded, three pin, plug socket on the side of it. Grounded receptacles did not come into common use until the 1960s. See more »
[to the policeman who has been beating her]
When my Johnny finds out how you slapped around his girl, you know what's going to happen to you, fat boy?
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The title of the movie is not shown until the end credits. See more »
Digital is the world of Michael Man with all its drawbacks. It works up to a point, if you don't mind being distracted by the make up on the actors faces, pimples and blemishes. The final adventures on John Dillinger's life look and feel like a work of fiction and I suspect that in "Public Enemies" they are, 50/50, fact and fiction. Johnny Depp is marvelous no matter what and his is a star performance. There is only a vague approach to a real characterization, but I didn't care because I go wherever Johnny Depp wants to take me. It was like that with Gary Cooper too, wasn't it? Part of the sneaky narrative is to have Dillinger the criminal played by the angelic Depp and Purvis the noble FBI guy played by Christian Bale that emanates evil without even trying. If you're interested in performances, like I am, Billy Crudup is the thing in a sensational turn as J Edgar Hoover in spite of the digital thing, that makes him look as if Hoover suffered from some rare skin condition, damn shame if you ask me. Marion Cottillard is absolutely lovely but we knew that already and the rest of the characters remain an enigma, they enter and leave the scene without us ever having a clue who they are. Giovanni Ribisi, Stephen Dorff, Jason Clark, who were they and Lelee Sobieski? It was startling to see her appear on the third act. Who was she suppose to be? In any case, the film has a Michael Mann feel and it's technically great. The shootings are extraordinary and Johnny Depp totally beautiful. I suppose that should be enough to applaud and recommend "Public Enemies". I did and I will even if, I must confess, I expected more or maybe less.
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