A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
The infamous story of Benjamin Barker, AKA Sweeney Todd, who sets up a barber shop down in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett. Based on the hit Broadway musical.
Helena Bonham Carter,
This is the story of the last few years of the notorious bank robber John Dillinger. He loved what he did and could imagine little else that would make him happier. Living openly in 1930s Chicago, he had the run of the city with little fear of reprisals from the authorities. It's there that he meets Billie Frechette with whom he falls deeply in love. In parallel we meet Melvin Purvis, the FBI agent who would eventually track Dillinger down. The FBI was is in its early days and Director J. Edgar Hoover was keen to promote the clean cut image that so dominated the organization through his lifetime. Purvis realizes that if he is going to get Dillinger, he will have to use street tactics and imports appropriate men with police training. Dillinger is eventually betrayed by an acquaintance who tells the authorities just where to find him on a given night. Written by
After his embarrassment before the Senate Appropriations Comitte, J. Edgar Hoover is telling his assistant to release a press statement through Walter Winchell to discredit the senator who humiliated Hoover. Walter Winchell was famous radio show host and New York news columnist who was friends with Hoover. Winchell also hung around with famous New York gangsters like Lucky Luciano, Meyer Lansky, and Frank Costello. See more »
Baum is playing the recording of Dillinger and Berman's "phone call conversation" to Purvis. The close-up shows an acetate recorder with the disc rotating anti-clockwise and acetate swarf on the disc as the cutting head is lowered. There is a clamp or weight on the disc spindle. The wider shot shows the disc rotating clockwise with a tone arm tracking it and no sign of the cutting head, the spindle clamp or the swarf. The close-up is clearly of the recording being made (which supposedly happened 27 minutes earlier), but played backwards. See more »
[nodding at money left by a bank teller in front of his booth]
You can put it away. Not here for your money. Here for the bank's money.
See more »
The title of the movie is not shown until the end credits. See more »
Who was John Dillinger? We all know he was a flamboyant criminal who robbed banks, but who WAS he? The question of who Dillinger WAS is far more interesting than the question of what Dillinger DID, but this film, sadly, chose only to concentrate seriously on the latter and gave up almost immediately on the former.
This film goes out of its way--with a poor grasp of history's time-line, by the way--to show us what Dillinger did and who he hung around with, but it does next to nothing to explore who Dillinger was as a person or even as a criminal. It hints that Dillinger might be a passionate lover and loyal friend, but shows us little evidence aside from a few thrown-together seduction scenes (which make his girlfriend/heroine look like a dim-witted pushover) and an awkward love scene.
Even Dillinger's foil, Melvin Purvis, is a mystery in Mann's hands. Did he care about justice at all, or was he just a fascist on a personal crusade? Was he competent in the least or was he just a bumbling idiot? Squinty-eyed stares can only convey so much, after all.
Michael Mann seems to be in a terrible hurry to tell this story, as he is stuck between the rock of having to relate a relatively complete "crime-ography" of a notorious American gangster and the hard place of keeping the movie shorter than 2 1/2 hours.
As a result, a beautifully shot and edited movie that had a lot of promise ends up little more than a dumb, shoot-'em-up action movie wearing the fedora of "historical romance." Good for a date, but not a serious film.
Grade: C+. Things to look for: Mann's ham-handed and laughably obvious political commentary on the use of torture about 2/3 of the way through the movie; psychotically trigger-happy Baby Face Nelson well-played by Stephen Graham; cool old products (Zenth radio); great fashion sense.
436 of 661 people found this review helpful.
Was this review helpful to you?