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Public Enemies (2009)

 -  Biography | Crime | Drama  -  1 July 2009 (USA)
7.0
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Ratings: 7.0/10 from 193,471 users   Metascore: 70/100
Reviews: 574 user | 347 critic | 35 from Metacritic.com

The Feds try to take down notorious American gangsters John Dillinger, Baby Face Nelson and Pretty Boy Floyd during a booming crime wave in the 1930s.

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Cast

Cast overview, first billed only:
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John Judd ...
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John Kishline ...
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John Scherp ...
Elena Kenney ...
William Nero Jr. ...
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Storyline

This is the story of the last few years of the notorious bank robber John Dillinger. He loved what he did and could imagine little else that would make him happier. Living openly in 1930s Chicago, he had the run of the city with little fear of reprisals from the authorities. It's there that he meets Billie Frechette with whom he falls deeply in love. In parallel we meet Melvin Purvis, the FBI agent who would eventually track Dillinger down. The FBI was is in its early days and Director J. Edgar Hoover was keen to promote the clean cut image that so dominated the organization through his lifetime. Purvis realizes that if he is going to get Dillinger, he will have to use street tactics and imports appropriate men with police training. Dillinger is eventually betrayed by an acquaintance who tells the authorities just where to find him on a given night. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

America's Most Wanted


Motion Picture Rating (MPAA)

Rated R for gangster violence and some language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 July 2009 (USA)  »

Also Known As:

Enemigos públicos  »

Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend:

£1,048,359 (UK) (10 July 2009)

Gross:

$97,030,725 (USA) (28 August 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

John Dillinger's lawyer at Crown Point, Louis Piquett (pronounced "pick it"), never went to law school. He passed the bar on his fourth attempt, receiving his license to practice in 1920. See more »

Goofs

Some shots (e.g. the Hotel Congress scenes) clearly show a popcorn (sprayed) ceiling in the hallway; however, popcorn ceilings were not developed or widely used until the 1950s. See more »

Quotes

Billie Frechette: They're looking at me because they're not used to having a girl in their restaurant in a $3 dress.
John Dillinger: Listen, doll. That's 'cause they're all about where people come from. The only thing that's important is where someone's going.
Billie Frechette: [smiles] Where are you going?
John Dillinger: Anywhere I want.
See more »

Crazy Credits

The title of the movie is not shown until the end credits. See more »

Connections

Edited into The Rotten Tomatoes Show: Watchmen/Shuttle/12 (2009) See more »

Soundtracks

Ten Million Slaves
(2002)
Written and Performed by Otis Taylor
Courtesy of Telarc International, a division of Concord Music Group, Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Overview of a criminal mastermind
6 July 2009 | by (United States) – See all my reviews

Public Enemies is an alright docu-crime-thriller that, thought well-made, ends up coming out dry. Many of the scenes are well paced, but in its running time the film feels like a very rushed overview of the final years of John Dillinger. What I mean to say is that this is a good movie, but you probably won't leave the theater feeling like you've learned anything about John Dillinger, other than trivial facts. The movie never really gives Johnny Depp a chance to shape the character into a believable icon because as I previously stated this film feels more like a dramatized overview of Dillinger's career instead of focusing on the man himself.

Now, Johnny Depp is a fine actor, and he reminds us in this movie that he isn't only a go-to man for quirky, weird, whimsical, and bizarre characters. In Public Enemies Depp reminds us that he is talented as a traditional actor and that he is still one of the best in Hollywood today. The problem is the script he is given for Public Enemies never lets him expand on anything regarding John Dellinger as a person. In Ridley Scott's 'American Gangster' Denzel Washington was given a chance to really emphasize the qualities he felt reflected his view of Frank Lucas. Public enemies, Johnny Depp never truly gets to define what he feels are the most important aspects of his portrayal of Dellinger because often the film gets too caught up in the action and events instead of its characters.

Christian Bale bounces back after a sub-par performance in 'Terminator: Salvation' and it's good to see him working his voice manipulation ability again, because I for one was beginning to think he'd gotten stuck on his Batman-style growl. Playing the FBI agent pursuing Dillinger he is an interesting character due to his dedication and could have been a really interesting character, but like Depp, Bale never really gets a chance to try and expand on his character.

The music isn't anything you haven't heard before in previous crime films of this sort, but for the most part it works. I wouldn't buy the soundtrack to this film, but it certainly didn't take away from the experience. Also, songs from the 30s are played throughout, and most of the time they manage to fit into the story's many montage scenes very well.

Director Michael Mann seems a tad bit off when compared to some of his previous films. He often goes for a look that makes the audience feel that they're in the middle of everything, and that's good in small stretches, but I felt he used this technique too often and I found myself growing a tad bit dizzy at times, and had a desire to see what was going on in the shootouts. I found it strange, that with his recent films such as 'Collateral', where the characters had been the center-focus of the entire film, he could then make a movie about one of the most infamous criminal minds and have it be more about the history than the characters who lived it.

The thing that is most fascinating about this film is the costumes and sets. The men and women behind these really outdid themselves and created a very authentic view of 1930s Chicago. This aspect of the film alone makes it worth seeing! Every costume and set seems to have been made with the utmost attention to detail, and the final result is very pleasing to the eye.

The final product in an okay docu-drama on the life of one of America's most infamous criminals, but in the end you really don't discover anything about John Dillinger that you couldn't have found out by looking him up on Wikipedia. So this is a pretty film to look at, and with Depp and Bale it's a good way to introduce those unfamiliar with Dillinger to the criminal, but if you were looking for a character study on the bank robber you may find yourself a tad-bit disappointed.

I wouldn't come close to calling Public Enemies one of the best movies of the summer, or of the year, but when compared to several other films that are currently being screened I would still highly recommend it. With movies like 'Transformers: Revenge of the Fallen' out there your money is best spent on Michael Mann's Public Enemies.


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Message Boards

Recent Posts
Worst cinematography in recent memory. backofthemind
What would be different if the events of the movie happened today? dmcreif
Am I the only one who actually likes this movie? ritarams
Only the most ardent Mann fans will dispute this randywst16
I hated Dillinger and wanted him to die. What did I miss? iamdoingthat
Why was Carey Mulligan in this movie? rediguana
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