This is the story of the last few years of the notorious bank robber John Dillinger. He loved what he did and could imagine little else that would make him happier. Living openly in 1930s Chicago, he had the run of the city with little fear of reprisals from the authorities. It's there that he meets Billie Frechette with whom he falls deeply in love. In parallel we meet Melvin Purvis, the FBI agent who would eventually track Dillinger down. The FBI was is in its early days and Director J. Edgar Hoover was keen to promote the clean cut image that so dominated the organization through his lifetime. Purvis realizes that if he is going to get Dillinger, he will have to use street tactics and imports appropriate men with police training. Dillinger is eventually betrayed by an acquaintance who tells the authorities just where to find him on a given night. Written by
Dillinger is shown serenading his hostages while driving away from the prison escape by singing "The Last Round-Up". "The Last Round-Up" was published in 1933. It became songwriter Billy Hill's biggest hit. It wasn't long before the song became No. 1 and stayed there for 9 weeks. According to Lee Hill Taylor: while her father was working on a ranch in Montana he asked one of the cowboys why they continued to ride in a round-up when they got older. The cowboy told him there was a time when they had to stop and that would be their "last round-up." Right after their brief conversation this cowboy was riding his horse and was accidentally knocked off and trampled to death. Hill never forgot that terrible accident and used it as the basis for his memorable song. See more »
They're looking at me because they're not used to having a girl in their restaurant in a $3 dress.
Listen, doll. That's 'cause they're all about where people come from. The only thing that's important is where someone's going.
Where are you going?
Anywhere I want.
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The title of the movie is not shown until the end credits. See more »
Digital is the world of Michael Man with all its drawbacks. It works up to a point, if you don't mind being distracted by the make up on the actors faces, pimples and blemishes. The final adventures on John Dillinger's life look and feel like a work of fiction and I suspect that in "Public Enemies" they are, 50/50, fact and fiction. Johnny Depp is marvelous no matter what and his is a star performance. There is only a vague approach to a real characterization, but I didn't care because I go wherever Johnny Depp wants to take me. It was like that with Gary Cooper too, wasn't it? Part of the sneaky narrative is to have Dillinger the criminal played by the angelic Depp and Purvis the noble FBI guy played by Christian Bale that emanates evil without even trying. If you're interested in performances, like I am, Billy Crudup is the thing in a sensational turn as J Edgar Hoover in spite of the digital thing, that makes him look as if Hoover suffered from some rare skin condition, damn shame if you ask me. Marion Cottillard is absolutely lovely but we knew that already and the rest of the characters remain an enigma, they enter and leave the scene without us ever having a clue who they are. Giovanni Ribisi, Stephen Dorff, Jason Clark, who were they and Lelee Sobieski? It was startling to see her appear on the third act. Who was she suppose to be? In any case, the film has a Michael Mann feel and it's technically great. The shootings are extraordinary and Johnny Depp totally beautiful. I suppose that should be enough to applaud and recommend "Public Enemies". I did and I will even if, I must confess, I expected more or maybe less.
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