Late one night, a mysterious car is brought into the Chicago police impound garage after a deadly traffic accident. The on-call mechanics soon discover the car has a mind of its own. With ...
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A plane explodes above the Gulf of Guinea. An escort girl is murdered in a Parisian park. Thousands of miles separate these two events, and yet Nora Chahyd, believes there's a connection ... See full summary »
After an apocalyptic alien attack on Earth, an ion storm hits the planet. A small team of male and female commandos takes shelter in an abandoned research facility. However, something worse than the aliens awaits them in there.
Fred Olen Ray
John Blyth Barrymore,
Hybrid (a segment of the anthology film Beneath the Old Dark House) is the story about a mostly human, part alien, part other... being that escapes from an underground facility. Tracked by ... See full summary »
In London, a military plane crashes leaving its highly classified contents strewn across the city. Completely unaware that the city is in lockdown, a group of people become trapped inside a storage facility with a highly unwelcome guest.
In a penitentiary, four prisoners occupy a cell: Carrère, who used his company to commit a fraud and was betrayed by his wife; the drag Marcus and his protégée, the intellectually disabled ... See full summary »
In the year 2050 the planet has become overpopulated, to help control population the government develops a "Death Race." Annually competitors race across the country scoring points for ... See full summary »
Late one night, a mysterious car is brought into the Chicago police impound garage after a deadly traffic accident. The on-call mechanics soon discover the car has a mind of its own. With hundreds of horsepower and two tons of reinforced steel at its command, it's a seemingly unstoppable killing machine capable of outrunning -- and outwitting -- humans. Written by
During filming a large number of crew fell ill due to location conditions. The majority of the film was shot in an underground parking garage and there was insufficient air flow to release the fumes caused by the vehicles. See more »
At one point the four surviving characters are shown driving through the garage in a police cruiser and park it in front of the ramp to block the hybrid in. When they get out of the car all four of them get out at the same time which would not be possible in a real police car because the rear passenger doors of police vehicles are designed without internal handles and can only be opened from outside. See more »
I admit that I walked into this movie thinking it was going to be dumb. I thought that Christine was one of Stephen King's weaker novels (and John Carpenter's movie version was similarly weak), but I tried to be as open-minded as possible. The first third of the movie, which is mysterious and interesting, was enough to make me think that perhaps some of the reviews on here were a bit too harsh. The score is also quite good, and it's used to great effect in the movie. Once the movie starts in earnest, however, it becomes formulaic and boring, though it picks up again near the climax.
The director did the French cult movie Malefique, which I liked, but it essentially boiled down to Hellraiser in a jail cell with painfully, self-consciously quirky characters. This movie dispenses with the overly quirky characters to give you somewhat bland and generic characters, thanks to the dismal writing of Benjamin Carr (the genius responsible for writing Thirteen Ghosts, Hellraiser: Deader, and a whole slew of Charles Band movies). Though the actors infuse their characters with some personality, none of them are particularly memorable or even interesting. There's a bit of pointless, filler back story on some of them, but, really, they're just meant to be nameless, forgettable fodder for a killer car. It's unfortunate that the scenes involving characterization or back story feel like filler, because I think the actors could have done some pretty decent performances given better material. Still, for a low budget movie about a car that eats people, the performances were credible. The nice guys were likable and the douchebags were appropriately unlikeable.
The real problem I had with this movie (besides the concept of a car that eats people, of course), was that it just gets plain *boring* near the middle. Humans bicker over who the leader is. Killer car makes ominous growling noises as it sneaks up on them. Humans scatter and run for their lives. Killer car chases after them -- though not driving fast enough to quite run them down -- until the scene drags on for several minutes. Repeat several times. It's just not very interesting.
After the killer car has eaten a few people, pruning down the cast, the pacing gets a bit better and the action scenes become a bit more interesting. Unfortunately, the low budget CGI comes to the forefront here, whereas it was previously used somewhat sparingly. For the apparent budget, the CGI isn't all that bad, but if you're used to something like James Cameron's Avatar, I think you'll be a bit disappointed.
I don't think this movie quite deserves its 3.x rating, but it's definitely not something that I'd recommend to casual horror/thriller fans. For junkies like me, it's enjoyable enough for a watch, as long as you're not too demanding.
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