Directed by | |||
| Heidi Ewing | |||
| Alex Gibney | |||
| Seth Gordon | |||
| Rachel Grady | |||
| Eugene Jarecki | |||
| Morgan Spurlock | |||
Writing credits(WGA) | ||
| Peter Bull | (written by) (segment "Pure Corruption") & | |
| Alex Gibney | (written by) (segment "Pure Corruption") | |
| Jeremy Chilnick | (written by) (segment "A Roshanda by Any Other Name") & | |
| Morgan Spurlock | (written by) (segment "A Roshanda by Any Other Name") | |
| Eugene Jarecki | (written by) (segment "It's Not Always a Wonderful Life") | |
| Heidi Ewing | (written by) (segment "Can a Ninth Grader Be Bribed to Succeed?") & | |
| Rachel Grady | (written by) (segment "Can a Ninth Grader Be Bribed to Succeed?") | |
| Seth Gordon | (written by) (intro and transitional segments) | |
| Steven Levitt | (book) (as Steven D. Levitt) and | |
| Stephen Dubner | (book) (as Stephen J. Dubner) | |
Produced by | |||
| Peter Bull | .... | segment producer | |
| Hilary Carr | .... | co-producer | |
| Peter Cerbin | .... | co-producer | |
| Rafi Chaudry | .... | co-producer | |
| Joanna Chejade-Bloom | .... | co-segment producer | |
| Jeremy Chilnick | .... | segment producer | |
| Paul Fiore | .... | executive producer | |
| Kathleen Fournier | .... | segment producer | |
| Alex Gibney | .... | segment producer | |
| Christina Gonzalez | .... | line producer | |
| Seth Gordon | .... | executive producer | |
| Alexandra Johnes | .... | segment producer | |
| Sloane Klevin | .... | co-producer | |
| Erika Knowles | .... | associate producer | |
| Damon Martin | .... | executive producer | |
| Dan O'Meara | .... | producer | |
| Jay Rifkin | .... | executive producer | |
| Michael Roban | .... | executive producer | |
| Mary Rohlich | .... | segment producer | |
| Chris Romano | .... | producer | |
| Melinda Shopsin | .... | co-producer | |
| Michiko Toyama | .... | associate producer | |
| Chad Troutwine | .... | producer | |
Original Music by | |||
| Paul Brill | |||
| Craig Deleon | |||
| Michael Furjanic | |||
| Human | |||
| Mike MacAllister | |||
| Peter Nashel | |||
| Jon Spurney | |||
| Michael Wandmacher | |||
Cinematography by | |||
| Junji Aoki | |||
| Derek Hallquist | |||
| Tony Hardmon | |||
| Darren Lew | |||
| Daniel Marracino | |||
| Rob VanAlkemade | |||
Film Editing by | |||
| Douglas Blush | |||
| Tova Goodman | |||
| Sloane Klevin | |||
| Nelson Ryland | |||
| Michael Taylor | |||
Art Direction by | |||
| Joe Posner | |||
Makeup Department | |||
| Nicole Khitrik | .... | makeup artist | |
| Mindi Levinson | .... | key makeup artist | |
Production Management | |||
| Alexandra Johnes | .... | post-production supervisor | |
| Shirel Kozak | .... | production manager | |
Sound Department | |||
| Peter Buccellato | .... | sound recordist | |
| Travis Call | .... | audio post coordinator | |
| Bill Chesley | .... | sound designer | |
| Rusty Dunn | .... | sound effects editor | |
| Brian Fish | .... | sound mixer | |
| Matt Geldof | .... | sound recordist | |
| Steve Giammaria | .... | assistant re-recording mixer | |
| Steve Giammaria | .... | sound editor | |
| Lewis Goldstein | .... | sound re-recording mixer | |
| David Hocs | .... | sound recordist | |
| Christopher Koch | .... | sound re-recording mixer | |
| Shuji Kosaki | .... | sound recordist | |
| Cate Montana | .... | dialogue editor | |
| Ryan M. Price | .... | voiceover recordist | |
| Alex Riordan | .... | production sound mixer: Chicago | |
| Tom Ryan | .... | adr recordist | |
| Matt Vogel | .... | sound mixer | |
| Tony Volante | .... | sound re-recording mixer | |
| Elmo Weber | .... | sound re-recording mixer | |
Visual Effects by | |||
| Marie Deleon | .... | di producer | |
| Billy Gabor | .... | DI colorist | |
| Marci Ichimura | .... | visual effects lead | |
| Lewis Kofsky | .... | visual effects and animation producer | |
| Jess Mireau | .... | motion graphics | |
| Brian Oakes | .... | motion graphics producer | |
| Mark Rubbo | .... | visual effects | |
| J. Clay Tweel | .... | visual effects | |
| Chris Wiseman | .... | conforming hd editor | |
Camera and Electrical Department | |||
| Jillian Arnold | .... | first assistant camera: introductoin and transitional segments | |
| Ben Bloodwell | .... | additional cinematography | |
| Hisashi Kikuchi | .... | assistant camera | |
| Ronan Killeen | .... | second camera | |
| Philip J. Martinez | .... | additional Steadicam operator | |
| William O'Marra | .... | second camera | |
| Antonio Rossi | .... | additional cinematography | |
Animation Department | |||
| Matthew Foglia | .... | 3D animation supervisor | |
Editorial Department | |||
| Simon Barker | .... | supervising editor | |
| Dan Bowhers | .... | technical assistance | |
| Marc Brown | .... | film output: digital intermediate | |
| Daniel DiMauro | .... | assistant editor | |
| Andrew Doga | .... | assistant editor | |
| Paul Frost | .... | supervising editor | |
| Dan Hacker | .... | assistant editor | |
| Jeff Hedberg | .... | technical assistance | |
| Benjamin Murray | .... | on-line editor | |
| Ben Sozanski | .... | first assistant editor | |
| J. Clay Tweel | .... | assistant editor | |
Music Department | |||
| Susie Bench | .... | orchestrator | |
| Paul Brill | .... | composer: additional music | |
| Michael Wandmacher | .... | orchestrator: introduction and transitional segments | |
Thanks | |||
| Robert Edwards | .... | thanks | |
| Edward Eglin | .... | special thanks | |
| Aidan Ferreria | .... | special thanks | |
| Christine Ferreria | .... | special thanks | |
| Brian Galvin | .... | special thanks | |
| Nova Jacobs | .... | special thanks | |
| Helen Kay | .... | thanks | |
| Jeremy Rabb | .... | special thanks | |
| Daniel A. West | .... | special thanks | |
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| Spider-Man | Too Much Beef | Liberty Heights | Inside Job | Juno |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
I read the book enough years ago to have forgotten a big part of it, yet I still saw that the movie omitted major topics, while dragging a lot on others (sumo and the experiment of bribing the 9th graders).
In general, the movie could have mentioned more convincing data and statistics, instead of dwelling on obscure bits. For example, the parenting chapter was massively abridged. The book talks about 10 factors that actually make a difference, like parents having lots of book in their home. The chapter on why drug dealers still live with their moms was omitted, and so was the chapter on Ku Klux Klan.
And here's an actually *useful* bit of information, as opposed to my opinions about this movie: You're much better off spending 5 minutes reading the summary of the book from Wikisummaries.org (short URL - http://bit.ly/haT4i2).