| James Ransone | |||
| Tempestt Bledsoe | ... | Herself (archive footage) | |
| Morgan Spurlock | ... | Himself - Narrator | |
| Melvin Van Peebles | ... | Himself - Narrator (segment "It's Not Always A Wonderful Life") | |
| Bill Gates | ... | Himself | |
| Greg Crowe | ... | Johnny the Mechanic | |
| Lian Amado | ... | High School Girl (as Lian Toni Amado) | |
| Rahmel Long | ... | Courtroom Audience | |
| Alisha Nagarsheth | ... | Student | |
| Zoe Sloane | ... | Blake | |
| Dan Chen | ... | Bruce-Cubicle Worker | |
| Sarah Croce | ... | Yoga Instructor | |
| Kahiry Bess | ... | Deshawn | |
| John D. Rockefeller | ... | Himself | |
| Mala Wright | ... | Courtroom Audience | |
| Jalani McNair | ... | Loser Lane | |
| Akebono | ... | Himself | |
| Jade Viggiano | ... | High School Girl | |
| Barry Eisler | ... | Himself | |
| Konishiki | ... | Himself | |
| Amancaya Aguilar | ... | Mercedes | |
| Ngozi Jane Anyanwu | ... | Uneek | |
| Stephen Dubner | ... | Himself - Co-Author | |
| Laura Wattenberg | ... | Herself | |
| Hassan Brown | ... | Deshawn's Dad | |
| Peter Zerneck | ... | All American Dad / Marmaduke | |
| Veronica Heffron | ... | Courtroom Audience | |
| Steven Levitt | ... | Himself - Author | |
| Mike MacAllister | ... | Himself | |
| Blaire Whitney | ... | High School Girl | |
| Adesuwa Addy Iyare | ... | Temptress' Mom | |
| Nicholas Tong | ... | Dwight-Cubicle Worker | |
| Kelli Chaves | ... | High School Girl | |
| J. Avery Shoates | ... | Young Temptress | |
| Emily Shaw | ... | Stripper | |
| Danielle Sabrina | ... | High School Girl | |
| Kellie Gerardi | ... | Lexus | |
| Andrew Greiche | ... | Jake | |
| Maya Cain | ... | Baby Temptress | |
| Shae Weber | ... | All American Daughter / Alabama | |
| James Leibow | ... | Himself | |
| Carl Alleyne | ... | Temptress' Mom's Boyfriend | |
| Richard Kohn | ... | Judge Ignatius Lyons | |
| Christina Duran | ... | All American Mom / Tallulah | |
| Sendhil Mullainathan | ... | Himself (as Dr. Sendhil Mullainathan) | |
| Ron Douglas | ... | Robert Lane | |
| Loren Cagno | ... | High School Girl | |
| Erin Renee Taylor | ... | High School Girl | |
| Tara Hall | ... | High School Girl | |
| Loshona | ... | Uneqqee | |
| Jameesha Blackburn | ... | Uneque | |
| Emma Meyers | ... | Angela-Cubicle Worker | |
| Alyssa Wheeldon | ... | High School Girl | |
| Tyler J. Gilmore | ... | Kevin-Cubicle Worker | |
| Mark Getman | ... | Murray | |
| Cheyenne Bascoe | ... | Temptress | |
| Nikoli | ... | Winner Lane | |
| Hector Palacios | ... | Courtroom Audience | |
| Mark Dorsey | ... | Jake's Dad | |
| Kristina Hovey | ... | Stripper | |
| Almudin Ally | ... | Courtroom Audience | |
| Lori Richardson | ... | Deshawn's Mom | |
| Paul Matulef | ... | Courtroom Audience | |
| Peggy Davern | ... | Courtroom Audience | |
| Roland Fryer | ... | Himself | |
| Keenan Pollack | ... | All American Infant / Gidget | |
| Terence B. Exodus | ... | Courtroom Audience | |
| Leslie Marx | ... | Courtroom Audience | |
| Francie Scanlon | ... | Courtroom Audience | |
| Nicholas Bulba | ... | All American Son / Rufus | |
| Richard Kohn | ... | Judge Ignatius Lyons | |
| Ashley Bryan | ... | Jake's Mom | |
| Adam Kaufman | ... | Angry Deli Owner | |
| Lisa Sobin | ... | High School Girl | |
| Davida Kelly | ... | Bobbi | |
| Mark Fernandes | ... | Courtroom Audience | |
| Michael Worthington | ... | Baliff | |
| Bill Clinton | ... | Himself (archive footage) (uncredited) | |
| Dan Rather | ... | Himself (archive footage) (uncredited) |
Directed by | |||
| Heidi Ewing | |||
| Alex Gibney | |||
| Seth Gordon | |||
| Rachel Grady | |||
| Eugene Jarecki | |||
| Morgan Spurlock | |||
Writing credits(WGA) | ||
| Peter Bull | (written by) (segment "Pure Corruption") & | |
| Alex Gibney | (written by) (segment "Pure Corruption") | |
| Jeremy Chilnick | (written by) (segment "A Roshanda by Any Other Name") & | |
| Morgan Spurlock | (written by) (segment "A Roshanda by Any Other Name") | |
| Eugene Jarecki | (written by) (segment "It's Not Always a Wonderful Life") | |
| Heidi Ewing | (written by) (segment "Can a Ninth Grader Be Bribed to Succeed?") & | |
| Rachel Grady | (written by) (segment "Can a Ninth Grader Be Bribed to Succeed?") | |
| Seth Gordon | (written by) (intro and transitional segments) | |
| Steven Levitt | (book) (as Steven D. Levitt) and | |
| Stephen Dubner | (book) (as Stephen J. Dubner) | |
Produced by | |||
| Craig Atkinson | .... | producer | |
| Peter Bull | .... | segment producer | |
| Hilary Carr | .... | co-producer | |
| Peter Cerbin | .... | co-producer | |
| Rafi Chaudry | .... | co-producer | |
| Joanna Chejade-Bloom | .... | co-segment producer | |
| Jeremy Chilnick | .... | segment producer | |
| Paul Fiore | .... | executive producer | |
| Kathleen Fournier | .... | segment producer | |
| Alex Gibney | .... | segment producer | |
| Christina Gonzalez | .... | line producer | |
| Seth Gordon | .... | executive producer | |
| Alexandra Johnes | .... | segment producer | |
| Sloane Klevin | .... | co-producer | |
| Erika Knowles | .... | associate producer | |
| Damon Martin | .... | executive producer | |
| Dan O'Meara | .... | producer | |
| Jay Rifkin | .... | executive producer | |
| Michael Roban | .... | executive producer | |
| Mary Rohlich | .... | segment producer | |
| Chris Romano | .... | producer | |
| Melinda Shopsin | .... | co-producer | |
| Michiko Toyama | .... | associate producer | |
| Chad Troutwine | .... | producer | |
Original Music by | |||
| Paul Brill | |||
| Craig DeLeon | (as Craig Deleon) | ||
| Michael Furjanic | |||
| Human | |||
| Mike MacAllister | |||
| Peter Nashel | |||
| Jon Spurney | |||
| Michael Wandmacher | |||
Cinematography by | |||
| Junji Aoki | |||
| Derek Hallquist | |||
| Tony Hardmon | |||
| Darren Lew | |||
| Daniel Marracino | |||
| Ferne Pearlstein | |||
| Rob VanAlkemade | |||
Film Editing by | |||
| Douglas Blush | |||
| Tova Goodman | |||
| Sloane Klevin | |||
| Luis Lopez | |||
| Nelson Ryland | |||
| Michael Taylor | |||
Art Direction by | |||
| Joe Posner | |||
Makeup Department | |||
| Nicole Khitrik | .... | makeup artist | |
| Mindi Levinson | .... | key makeup artist | |
Production Management | |||
| Alexandra Johnes | .... | post-production supervisor | |
| Shirel Kozak | .... | production manager | |
Sound Department | |||
| Peter Buccellato | .... | sound recordist | |
| Travis Call | .... | audio post coordinator | |
| Bill Chesley | .... | sound designer | |
| Rusty Dunn | .... | sound effects editor | |
| Brian Fish | .... | sound mixer | |
| Matt Geldof | .... | sound recordist | |
| Steve Giammaria | .... | assistant re-recording mixer | |
| Steve Giammaria | .... | sound editor | |
| Lewis Goldstein | .... | sound re-recording mixer | |
| David Hocs | .... | sound recordist | |
| Christopher Koch | .... | sound re-recording mixer | |
| Shuji Kosaki | .... | sound recordist | |
| Cate Montana | .... | dialogue editor | |
| Ryan M. Price | .... | voiceover recordist | |
| Alex Riordan | .... | production sound mixer: Chicago | |
| Tom Ryan | .... | adr recordist | |
| Matt Vogel | .... | sound mixer | |
| Tony Volante | .... | sound re-recording mixer | |
| Elmo Weber | .... | sound re-recording mixer | |
Visual Effects by | |||
| Marie Deleon | .... | di producer | |
| Billy Gabor | .... | DI colorist | |
| Marci Ichimura | .... | visual effects lead | |
| Lewis Kofsky | .... | visual effects and animation producer | |
| Jess Mireau | .... | motion graphics | |
| Brian Oakes | .... | motion graphics producer | |
| Mark Rubbo | .... | visual effects | |
| Clay Tweel | .... | visual effects (as J. Clay Tweel) | |
| Chris Wiseman | .... | conforming hd editor | |
Camera and Electrical Department | |||
| Jillian Arnold | .... | first assistant camera: introductoin and transitional segments | |
| Craig Atkinson | .... | additional cinematogrpher | |
| Ben Bloodwell | .... | additional cinematography | |
| Hisashi Kikuchi | .... | assistant camera | |
| Ronan Killeen | .... | second camera | |
| Philip J. Martinez | .... | additional Steadicam operator | |
| William O'Marra | .... | second camera | |
| Antonio Rossi | .... | additional cinematography | |
Animation Department | |||
| Matthew Foglia | .... | 3D animation supervisor | |
Editorial Department | |||
| Simon Barker | .... | supervising editor | |
| Dan Bowhers | .... | technical assistance | |
| Marc Brown | .... | film output: digital intermediate | |
| Rob Burgos | .... | colorist (segment: Can a Ninth Grader Be Bribed to Succeed?) | |
| Daniel DiMauro | .... | assistant editor | |
| Andrew Doga | .... | assistant editor | |
| Paul Frost | .... | supervising editor | |
| Dan Hacker | .... | assistant editor | |
| Jeff Hedberg | .... | technical assistance | |
| Benjamin Murray | .... | on-line editor | |
| Ben Sozanski | .... | first assistant editor | |
| Clay Tweel | .... | assistant editor (as J. Clay Tweel) | |
Music Department | |||
| Susie Bench | .... | orchestrator | |
| Paul Brill | .... | composer: additional music | |
| Michael Wandmacher | .... | orchestrator: introduction and transitional segments | |
Thanks | |||
| Robert Edwards | .... | thanks | |
| Edward Eglin | .... | special thanks | |
| Aidan Ferreria | .... | special thanks | |
| Christine Ferreria | .... | special thanks | |
| Brian Galvin | .... | special thanks | |
| Nova Jacobs | .... | special thanks | |
| Helen Kay | .... | thanks | |
| Jeremy Rabb | .... | special thanks | |
| Daniel A. West | .... | special thanks | |
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| Spider-Man | Too Much Beef | Liberty Heights | Inside Job | Juno |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
I've read the book, which was indubitably very interesting, even if it some claims seemed a tad far-fetched. The documentary, however, has several problems. Firstly, each chapter of the book can EASILY-- actually, SHOULD-- be a documentary of its own. The data used to back up the claims is fairly poor and weak, which is a shame, because some of the ideas really are interesting to explore. But with so little time devoted to them, they don't seem credible. The problem with this documentary and the book is that it makes no effort to refute any counterarguments-- and there are MANY possible ones. It is incredibly easy to lie with statistics and spin numbers to work for you.
Even in terms of entertainment value, it was mediocre, at best. To be frank, I found Dubner and Levitt's commentary extremely annoying. I felt like they were lecturing first graders. The way information was presented in neat little elementary-school-like "what-we-learned- from-this" packages was another annoyance for me.
The main problem with a documentary that attempts to make an argument is that you have to do it in a way that does not make the viewers feel manipulated, which is very difficult (Michael Moore, for instance, sucks at it). And one such as this does not make a solid case for any of its claims and left me with a huge pile of questions. Even if what they say really is true, I can't buy it, because the evidence is presented in such a slapdash, half-baked kind of way.