| Bjarne Henriksen | ... | Tom Jensen |
Directed by | |||
| Matt Palmer | |||
Writing credits(in alphabetical order) | ||
| Simon Grohe | ||
| Matt Palmer | ||
Cinematography by | |||
| Bo Bilstrup | |||
Film Editing by | |||
| Edd Maggs | |||
Production Design by | |||
| Jess Alexander | |||
Makeup Department | |||
| Niamh Morrison | .... | makeup designer | |
Production Management | |||
| Simon Grohe | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jonathan Farmer | .... | first assistant director | |
| Zoe Smith | .... | third assistant director | |
Art Department | |||
| Shona Paton | .... | assistant art director | |
Sound Department | |||
| Tim Barker | .... | sound recordist | |
| Jack Coghill | .... | sound editor | |
| Nick Cox | .... | sound editor | |
| Zane Hayward | .... | sound editor | |
| Matt Palmer | .... | sound editor | |
| Martin Thomson | .... | foley editor | |
Camera and Electrical Department | |||
| Paul Benson | .... | gaffer | |
| Anne Binckebanck | .... | still photographer | |
| Freddie Bonfanti | .... | electrician (as Federico Bonfanti) | |
| Chris Carson | .... | electrician | |
| Paul McKay | .... | focus puller | |
| Grant McPhee | .... | clapper loader: pick ups | |
| Mark Morley | .... | key grip | |
| Loren Slater | .... | camera operator | |
Editorial Department | |||
| Steve Knight | .... | digital intermediate technician | |
| Andy Richards | .... | senior digital intermediate technician | |
Other crew | |||
| Kieran Hannigan | .... | production assistant | |
| Claire Hewitt | .... | script supervisor | |
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| The Wicker Man | Survival Island | Island of Torture | Attack of the Crab Monsters | Dawn of the Friend |
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| Full cast and crew | Company credits | IMDb Short section |
| IMDb UK section |
A warden of a private island off the coast of Scotland finds an abandoned boat off the shore. He heads to the island to investigate and finds a fire burning and begins looking for who is on the private property. His search continues as darkness falls and his knowledge of not being alone becomes more than just a matter of trespass.
Island is a simple film that is entirely built on one premise that man needs to see what is around him and does not function well when it is dark. I do believe that a fear of the dark is one of those perhaps unreasonable things that we still have hardwired into us and this film is specifically drawing on this. It sets this up well with an empty island and lots of emptiness in surroundings and also the audio and then lets the darkness comes in. From here we get a lot of shots from the man's point of view as he looks where his torch is pointing and this worked well the whole way to the conclusion. The final short is a necessary conclusion to the film and I thought was suitable and quite clever, fitting the empty mysterious feel of the rest of the film, but the majority of the film is about the darkness.
This is shot really well, making good use of the torch. The sense of blackness is maintained while we are also able to see what is going on not an easy feat to achieve. But it is achieved and it works for what it is. Those perhaps not accustom to short films might have a bit of a moan about how the film doesn't explain much or doesn't have much beyond atmosphere but they are missing the point. Here it is all about the dark and the sense of not being able to see what may or may not be in the darkness. In this regard the film is on the money and has a solid ending to top it off. Not perfect by any means but most of the problems come with the short film territory and it does what it does well.