Estranged by the degree of corporate influence within the largest U.S. listening station in the world, an aging NSA officer defects and mounts a clandestine counter-listening station high in the Italian alps.
Actor Harry Lloyd hasn't been in the spotlight since he was killed off in Season 1 of HBO's hit series Game of Thrones. In order to regain his crown he turns to social media, where he finds himself followed by the most Supreme Tweeter.
George R.R. Martin,
Young TV actress and household celebrity Chloe Collins has quit the TV show that made her name and is making her stage debut in an offbeat production of Oscar Wilde's Salome. Directed by a ... See full summary »
What do you really want? And how much are you willing to risk/lose/leave behind to get it? 'Desire' is the debut comedy/drama short from Giddy kipper films. Set in North London it tells the... See full summary »
He wants to see the grave of Jim Morrison. She wants to find the tomb of Oscar Wilde. Their Eurostar leaves Paris in two hours. It's the end of their first weekend away together. But will it be their last?
Around here, this series was advertised as a political comedy with BBC insiders laughing at themselves. After all, it follows a group of BBC television reporters chasing stories in a fictional African state where US forces are conducting operations. The political dimensions pretty much dwindle away after the pilot, however, and the episodes concentrate on the group's internal rivalry and desperate quests for big scoops, with some standard asides, like a bit of the old vying between British smugness and American arrogance.
The group's composition is pretty conventional: an egotistical star reporter past his prime; a stressed producer; a put upon rookie desperate for a chance; and a comically emotional chubby veteran. The locals are portrayed largely by the textbook, as more emotionally honest, sensible or just clever compared to the silly Westerners running around their country with little clue and too much currency, though the writers also cannot quite resist exploiting the old clichés about African mysticism. Some of their jokes are surprisingly old-fashioned, too, or perhaps they were too inside for an outsider like me. There is still a lot to enjoy here, particularly the macabre jokes like the minefield scenario in the pilot, and the cast are impeccable.
Perhaps series two might have improved upon things, but it seems that not enough people laughed with the writers. I wonder if they had to face their characters' worst nightmare, getting demoted to radio...
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