A Romanian police officer teams up with a small crew of old friends from the World War II Jewish Resistance to pull off a heist by convincing everyone at the scene of the crime that they are only filming a movie.
The true story of Charmian Brent (née Powell), the rebellious product of a strict 1950s upbringing, and her whirlwind romance with Ronald Biggs leading to a descent into crime, most infamously 1963's Great Train Robbery.
In 1980 young George O'Dowd baffles his parents with his love of frocks and make-up and moves into a squat with kindred spirit Peter,who dresses as Marilyn Monroe and calls himself Marilyn.... See full summary »
In the near future, Frank Grieves is a new breed of police officer working in a city where all recreational drugs are legal. When he is taken off a case involving an unidentified corpse, he discovers that legalization has come at a price.
Young TV actress and household celebrity Chloe Collins has quit the TV show that made her name and is making her stage debut in an offbeat production of Oscar Wilde's Salome. Directed by a ... See full summary »
Around here, this series was advertised as a political comedy with BBC insiders laughing at themselves. After all, it follows a group of BBC television reporters chasing stories in a fictional African state where US forces are conducting operations. The political dimensions pretty much dwindle away after the pilot, however, and the episodes concentrate on the group's internal rivalry and desperate quests for big scoops, with some standard asides, like a bit of the old vying between British smugness and American arrogance.
The group's composition is pretty conventional: an egotistical star reporter past his prime; a stressed producer; a put upon rookie desperate for a chance; and a comically emotional chubby veteran. The locals are portrayed largely by the textbook, as more emotionally honest, sensible or just clever compared to the silly Westerners running around their country with little clue and too much currency, though the writers also cannot quite resist exploiting the old clichés about African mysticism. Some of their jokes are surprisingly old-fashioned, too, or perhaps they were too inside for an outsider like me. There is still a lot to enjoy here, particularly the macabre jokes like the minefield scenario in the pilot, and the cast are impeccable.
Perhaps series two might have improved upon things, but it seems that not enough people laughed with the writers. I wonder if they had to face their characters' worst nightmare, getting demoted to radio...
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