A lonely hairdresser watches the title sequence of "That Cold Day in the Park" then visits a local park to invite a down-and-out skinhead to his apartment. He draws the silent man a bath ... See full summary »
Reminiscent of Sunset Boulevard, Hustler White transposes the action from the silver screen's old movie backlots to contemporary male prostitution and the porn industry. Said to be an homage to classic Hollywood cinema.
An aging porn star agrees to participate in an "art film" in order to make a clean break from the business, only to discover that he has been drafted into making a pedophilia and necrophilia themed snuff film.
Although deeply in love with her boyfriend - and indeed sleeping in the same bed with him - a schoolteacher cannot handle the almost complete lack of intimacy he will allow. Increasingly ... See full summary »
Locked behind the walls of a convent are an order of beautiful nuns whose vows force them to forget the pleasures of sexual contact. Crazed with lust and desire many of the nuns pleasure ... See full summary »
Take a cliched Horror-story beginning, a remote Gothic mansion, an insane hostess, a group of strangers (four men, three women and a gorilla) and you pretty much begin to see that this is ... See full summary »
The film opens on a shot of the "Los Angeles City Limits" sign. It then cuts to Fred Halsted taking a walk in the forest and coming upon a man sunning himself in the nude. They briefly talk... See full summary »
It takes a certain caliber of film-maker to approach a genre which was intended to horrify its audience and, instead, make it amuse and move them.
I found "Otto; or, Up With Dead People" to be Bruce LaBruce's strongest work to date. The plot was both the most linear and accessible, and at the same time the most convoluted. Even with a lack of chronology, a dizzying metafilm of movie within movie, and multiple points of view and filming techniques, the movie manages to devote more time to standard plot development than previous Bruce LaBruce works.
Perhaps this was necessary to reach out to all the viewers on a more explicit level, and create empathy for a character, who belongs to a group of otherwise reviled monsters. It was quite bizarre to leave the theater relating to characters who had been shown brutally eviscerating each other in graphic detail.
But it is this feeling of commonality with a supposedly terrifying monster that makes the movie powerful and touching. The equivocal metaphor that compares conformist society to zombies is more like a thinly veiled reality: take away the blood and guts and what's the difference between the two?
It goes to show that you don't always need a grandiose and earnest tone to say something significant. Sometimes, the silliest and most ridiculous metaphors are the ones which uncover the most meaningful truth.
14 of 25 people found this review helpful.
Was this review helpful to you?