A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
The lives of two identical twins, one an Ivy League philosophy professor, the other a small-time and brilliant marijuana grower, intertwine when the professor is lured back to his Oklahoma hometown for a doomed scheme against a local drug lord. Written by
(at around 1 min) When the twins are talk talking outside, his grip on the beer bottle keeps shifting between scenes, and also the watch he keeps changing its size and position on the hand. See more »
I was born just a few minutes before my brother, Brady. He lived life on his own terms, indifferent to fear - either his own, or those of others. And, let's be honest, by any normal measure my brother was a criminal and a colossal fuckup.
But, in the years that we were together, when we were growing up, he gave me the happiest freest times that I will ever know. I don't know why it took me so long to realize that. I left Little Dixie because of my own fears. My greatest regret is that...
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I never saw this one coming... Set in contemporary Oklahoma, "Leaves of Grass" is a safe bet for finest film in Oklahoma history. Edward Norton delivers an outstanding performance, guided by a superb screenplay from director Tim Blake Nelson. Richard Dreyfuss and Keri Russell bolster a strong supporting cast. The script is noteworthy for its verisimilitude on a wild range of subjects from Socrates to hydroponic marijuana production. "Leaves of Grass" is a profoundly intelligent film made with genuine philosophical insight and laser sharp wit. If you go into this film expecting a stereotypical pot comedy, you're in for a shock. The pacing of the film is excellent, tightening the screws until you're on the edge of your seat. In fact, it's spectacularly tough to write a spoiler-free review of "Leaves of Grass". Ultimately, Norton and Nelson deliver a film that would make the Coen Brothers proud.
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