A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
Kids show host Rainbow Randolph is fired in disgrace while his replacement, Sheldon Mopes, aka Smoochy the Rhino, finds himself a rising star. Unfortunately for Sheldon, the kid's TV business isn't all child's play.
The lives of two identical twins, one an Ivy League philosophy professor, the other a small-time and brilliant marijuana grower, intertwine when the professor is lured back to his Oklahoma hometown for a doomed scheme against a local drug lord. Written by
Brady's TVZ tattoo is a reference to musician Townes Van Zandt. See more »
(at around 1 min) When the twins are talk talking outside, his grip on the beer bottle keeps shifting between scenes, and also the watch he keeps changing its size and position on the hand. See more »
I was born just a few minutes before my brother, Brady. He lived life on his own terms, indifferent to fear - either his own, or those of others. And, let's be honest, by any normal measure my brother was a criminal and a colossal fuckup.
But, in the years that we were together, when we were growing up, he gave me the happiest freest times that I will ever know. I don't know why it took me so long to realize that. I left Little Dixie because of my own fears. My greatest regret is that...
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Written by Lowell George
Performed by Little Feat
Published by Naked Snake Music (ASCAP)
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing See more »
A quirky comedy-crime drama morph without the over-the-top acting and scenarios common to Quentin's films.
Everything is understated in this film, so much so that it becomes the one drawback that makes the crimes hard to believe. At the same time, it does create surprises and make the film as a whole funnier and more emotionally moving in a lot of ways.
Norton and the visual effects, editing, and makeup people pull off an absolutely seamless transition between the two roles he plays. If you don't know in advance, as I didn't, you start to wonder if they were up to the same tricks used in Benjamin Button or if they had a look-alike playing the role.
Finally, the film benefits from a lot of great supporting acting, both the big name actors and small, that keeps the film real even when it starts getting surreal.
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