A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
Kids show host Rainbow Randolph is fired in disgrace while his replacement, Sheldon Mopes, aka Smoochy the Rhino, finds himself a rising star. Unfortunately for Sheldon, the kid's TV business isn't all child's play.
We see two stories told over four time lines, which wind down to a devastating ground zero collision, as we watch a double tragedy unfold in a small Oklahoma town. The two stories are told ... See full summary »
Tim Blake Nelson
Mary Kay Place,
The lives of two identical twins, one an Ivy League philosophy professor, the other a small-time and brilliant marijuana grower, intertwine when the professor is lured back to his Oklahoma hometown for a doomed scheme against a local drug lord. Written by
Brady's TVZ tattoo is a reference to musician Townes Van Zandt. See more »
When Brady goes to sleep in the waterbed with the black light on he is fully dressed. When he wakes up, he's in a t-shirt and boxer shorts. See more »
Now, one curious aspect of this case is that the swastikas were drawn backward, indicating either haste or a lack of familiarity with this most infamous of anti-semetic emblems, or perhaps rather more implausibly... that Hindus were involved.
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I never saw this one coming... Set in contemporary Oklahoma, "Leaves of Grass" is a safe bet for finest film in Oklahoma history. Edward Norton delivers an outstanding performance, guided by a superb screenplay from director Tim Blake Nelson. Richard Dreyfuss and Keri Russell bolster a strong supporting cast. The script is noteworthy for its verisimilitude on a wild range of subjects from Socrates to hydroponic marijuana production. "Leaves of Grass" is a profoundly intelligent film made with genuine philosophical insight and laser sharp wit. If you go into this film expecting a stereotypical pot comedy, you're in for a shock. The pacing of the film is excellent, tightening the screws until you're on the edge of your seat. In fact, it's spectacularly tough to write a spoiler-free review of "Leaves of Grass". Ultimately, Norton and Nelson deliver a film that would make the Coen Brothers proud.
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