| Michael Brown | ... | Himself (archive footage) | |
| George W. Bush | ... | Himself (archive footage) | |
| Julie Chen | ... | Herself - Reporter (archive footage) | |
| Ray Nagin | ... | Himself (archive footage) | |
| Brian Nobles | ... | Himself | |
| Wink Rivers | ... | Himself | |
| Kimberly Rivers Roberts | ... | Herself | |
| Scott Roberts | ... | Himself | |
| Larry Sims | ... | Himself - Resident | |
| Shepard Smith | ... | Himself (voice) (archive sound) | |
| Harry Smith | ... | Himself (archive footage) (uncredited) |
Directed by | |||
| Carl Deal | |||
| Tia Lessin | |||
Produced by | |||
| David Alcaro | .... | executive producer | |
| Amir Bar-Lev | .... | co-producer | |
| Joslyn Barnes | .... | executive producer | |
| Lisa Cohen | .... | imaging producer | |
| Carl Deal | .... | producer | |
| Jannat Gargi | .... | imaging producer | |
| Danny Glover | .... | executive producer | |
| Tia Lessin | .... | producer | |
| Harold Moss | .... | consulting producer | |
| Todd Olson | .... | executive producer | |
| Todd Woody Richman | .... | co-producer | |
| Maya Sanbar | .... | associate producer | |
Original Music by | |||
| Neil Davidge | |||
| Robert del Naja | |||
Cinematography by | |||
| PJ Raval | |||
| Kimberly Rivers Roberts | |||
Film Editing by | |||
| Todd Woody Richman | |||
Sound Department | |||
| Chris Keyland | .... | sound recordist | |
| Andrew Kris | .... | sound re-recording mixer | |
| Sylvia Menno | .... | dialogue editor | |
| Glenfield Payne | .... | supervising sound editor | |
| Carlos Valladares | .... | additional sound recordist | |
| Eric Vierhaus | .... | sound consultant | |
| Damian Volpe | .... | sound editor | |
Camera and Electrical Department | |||
| Carl Deal | .... | additional camera | |
| Nadia Hallgren | .... | photographer: second unit | |
| George Ingmire | .... | additional camera | |
| Francis James | .... | additional camera | |
| Mikey Reyes | .... | assistant camera | |
| Wes Turner | .... | camera assistant | |
Editorial Department | |||
| Ron Brower | .... | colorist | |
| Marc Brown | .... | film output: digital intermediate | |
| Jamal El-Amin | .... | assistant editor | |
| Craig Gordon | .... | on-line editor | |
| Luis Ortiz Guillen | .... | assistant editor | |
| Mary Lampson | .... | additional editor | |
| Bill Scott | .... | senior color timer | |
| Teresa Torchiano | .... | first assistant editor | |
Music Department | |||
| Barry Cole | .... | music supervisor | |
| Chris Robertson | .... | music clearance | |
Other crew | |||
| James L. Bills | .... | footage provider | |
| Marc Brown | .... | digital services | |
| Victoria S. Cook | .... | production coordinator | |
| Gabriella Anais Deal-Marquez | .... | production intern | |
| Heather Duthie | .... | production intern | |
| Derek Fludzinski | .... | production assistant | |
| Alex Footman | .... | production intern | |
| Ranko Gak | .... | high definition conversions | |
| Shawn Hoagland | .... | titles | |
| Britain Hopkins | .... | production intern | |
| Alex Knust | .... | production intern | |
| Lauren Kritzer | .... | production assistant | |
| David Magdael | .... | publicist | |
| Orlando Martinez | .... | production assistant | |
| Sarisa Middleton | .... | accountant | |
| Julia Morgan | .... | production associate | |
| Sarah Nolan | .... | production assistant | |
| Dana O'Keefe | .... | sales agent | |
| Brian Papish | .... | post production assistant | |
| Steve Sikora | .... | titles | |
| Anne Stulz | .... | publicist | |
| Logan Susnick | .... | high definition conversions | |
| Teresa Torchard | .... | office coordinator | |
Thanks | |||
| Roger Kass | .... | thanks | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
That this could happen in America is a crime of such a magnitude that no words coming from the Bush administration could ever erase the shame. An amateur rented a camera and her video is supplemented by profession work in this Oscar nominated and Sundance award winning film.
The fact that we had rapid response to the storms that hit Texas afterwards does not negate what happened in Louisiana. This short film brings home the crime that was committed upon this city and it's residents.
Navy personnel aiming M-16s at a crowd of survivors just looking for a warm and dry place to sleep is indicative of the lack of care the government displayed in the aftermath of Katrina. "Get off our property or we're gonna start shooting." Excellent film about some people got their lives together on their own.