A documentary on the effect of fishing the Nile perch in Tanzania's Lake Victoria. The predatory fish, which has wiped out the native species, is sold in European supermarkets, while starving Tanzanian families have to make do with the leftovers.
Elizabeth 'Eliza' Maganga Nsese,
Raphael Tukiko Wagara,
The epic story of a family forced to emigrate from Laos after the chaos of the secret air war waged by the U.S. during the Vietnam War. Kuras has spent the last 23 years chronicling the ... See full summary »
Special Agent Jennifer Beck is a intrepid FBI agent who is assigned to solve the case of a multimillionaire couple missing daughter. As the clues begin to reveal themselves, Beck, who has a... See full summary »
On the outskirts of Rio de Janiro is Jardim Gramacho, the world's largest landfill, where men and women sift through garbage for a living. Artist Vik Muniz produces portraits of the workers and learns about their lives.
From the dealer to the narcotics officer, the inmate to the federal judge, a penetrating look inside America's criminal justice system, revealing the profound human rights implications of U.S. drug policy.
Mark W. Bennett
The story of the U.S. government's response to hurricane Katrina remains shocking at many levels: the poor quality of the flood defences, the complete inadequacy of plans for evacuation, recovery and regeneration; and above all else, the overwhelming sense that at heart, no-one cared because most of those affected were poor and black. The ground has been covered extensively by Spike Lee in his magisterial film 'When the Levees Broke'; 'Trouble the Water' is a more personal account, a video diary shot by a resident during and after the storm. But it still contains plenty of gruesome insights: the failure to evacuate the hospitals and prisons, and the protection of higher ground from homeless citizens by the armed forces of the U.S. navy, are the most terrible details. The film also depicts the huge burden of trying to rebuild a life that has been completely swept away. As a piece of pure cinema, it's limited; but it's a story that needs to be told and re-told until something is eventually done. Nothing we see gives us confidence that next time, it really will be different, and the citizens of New Orleans will get the first-world treatment that America could surely afford to give them, if only it cared.
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