The White Ribbon (2009)
For those among us, “Happy End” delivers one of the most enjoyably twisted movies of Haneke’s career. The story of a dysfunctional bourgeois family where self-loathing and suicidal thoughts loom large, it’s a profoundly cynical work so incisive that it renewed a once-familiar element in Haneke’s career trajectory: divisiveness. Following the filmmaker’s back-to-back Palme d’Or wins for “Amour” and “The White Ribbon,
The post Birthday wins Best Short Film at Monster Fest 2017! first appeared on Hnn | Horrornews.net 2018 - Official Horror News Site
There are a number of reasons to be nervous about interviewing Michael Haneke. The 75-year-old Oscar-winner has carved out a career filled with severity, from the cold-blooded torture of Funny Games to the sadomasochistic psychology of The Piano Teacher, to the bleak account of fascism in The White Ribbon. The Austrian’s off-screen persona has often been similarly austere: he’s painted as evasive, difficult and uncooperative.
But there was an added reason for my trepidation. In 2012, I launched a parody Twitter account in Haneke’s name. It was an extended joke that reimagined the director as a tween-talking, cat-loving, remarkably petty figure, who spent his time insulting Terrence Malick and
Read More:‘Happy End’ Review: In This Quasi-Sequel to ‘Amour,’ Michael Haneke is a Master of Bourgeois Despair
Here’s the synopsis, courtesy of AFI Fest: “The Laurent family has issues. Georges (Jean-Louis Trintignant), the aging patriarch of the wealthy Callais clan, is more interested in exiting this world than enjoying it. Anne (Isabelle Huppert) has a repellent adult son to deal with, and Thomas (Mathieu Kassovitz) is having a graphic online affair. The match to this tinderbox of dysfunction is adolescent Eve, who moves in after her mother’s apparent suicide attempt, and in
What is Michael Haneke’s vision in this film? We have seen his take on the young Adonises in Funny Games, the most devastating picture of modern sociopathology I have ever seen. And his view of the pathological origin of fascism in The White Ribbon, of the political scandal of the police mass murder and civilians turning a blind eye to the plight of Algerians in France in Cache, on sexual pathology run amock in The Piano Teacher.
Happy Ending features the best actors of a generation and of Haneke’s films, Isabelle Huppert (The Piano Teacher), Jean-Louis Trintignant who played the same character in Amour, is now shown from another angle,
It’s not an inexplicable bias, of course, when you weigh up the number of developed national film industries among continents — after all, European countries account for well over a third of this year’s 92 foreign-language submissions, dwarfing the combined number of entries from Africa, for example. Either way, it’s a dominance that is likely to continue this year, with Europe holding a number of the most hotly fancied contenders in what remains a wide-open race.
Unsurprisingly, France holds the record for scoring the most nominations in the category’s history, with 37. It
Heather Stewart, creative director at the British Film Institute, and cinematographers Christian Berger (“The White Ribbon”), Stuart Dryburgh (“The Piano”), Stephen Goldblatt (“Lethal Weapon”), Karl Walter Lindenlaub (“Independence Day”) and Anastas N. Michos (“Man on the Moon”) will also serve, evaluating the best in world cinematography Nov. 11-18 in Bydgoszcz, Poland.
Director-producer Brad Silberling (“City of Angels”) will lead the Polish films competition jury, alongside cinematographers Andrew Dunn (“The Bodyguard”), Denis Lenoir (“Demonlover”), Claudio Miranda (“The Curious Case of Benjamin Button”) and VFX supervisor Mark H. Weingartner (“Inception”).
Last year’s docu prize achievement winner Jay Rosenblatt (“Human Remains”) will preside over the docu features jury, serving with writer-producer-director Sheila Curran Bernard (“Slavery by Another Name”), Dp John Davey (“La danse”), producer Karen Konicek (Zipporah Films) and director-producer Kristine Samuelson (“Arthur and Lillie
Deutsche Telekom on Friday unveiled its first-ever original fiction commission, greenlighting a 10-episode order of Germanized, a half-hour comedy series, for its streaming platform EntertainTV.
The culture clash comedy, in which 200 Germans “invade” a picturesque but bankrupt Basque village, features Christoph Maria Herbst, star of Stromberg, the German version of The Office, and French actress Roxane Duran (Riveria, The White Ribbon).
Germanized is a co-production between Germany's Bavaria Fernsehproduktion and France's Telfrance (Newen Group) and was developed and co-written by Franck Magnier and Alexandre Charlot, co-writers on hit French...
The post Birthday Selected for 55th New York Film Festival! first appeared on Hnn | Horrornews.net 2017 - Official Horror News Site
The post ‘Happy End’ Review: A Bleak and Twisted Comedy From Michael Haneke [Tiff] appeared first on /Film.
Assayas’ films have been comedic at times, sometimes ironic. But, par for a director whose 17 features range from coming-of-age dramas, such as “Late August, Early September,” to “Demonlover,” set in a world of 3D manga pornography, or “Carlos,” a frenetic true-fact-based political thriller, or “Personal Shopper,” a ghost story, “E-book” once more explores new territory as a more full-blown comedy, here set in a Parisian publishing world. Charles Gilibert, Assayas’ regular producer, produces “E-book” for CG Cinema.
“‘Clouds of Sils Maria’ was a kind of comedy. This is a step further in that direction,” Assayas said at Locarno, ready for jury duty. The film will also be “very much actor and dialogue-driven, part
Hosted by Variety, Artisans in Focus will launch with a panel discussion at 2:30 p.m. July 2, moderated by Peter Caranicas, Variety’s managing editor, features. At the session, four renowned department heads whose work has had a major impact on the art of filmmaking will discuss their collaborations with producers, directors, actors – and with each other.
“While legendary film stars and great auteurs of global cinema are regularly celebrated, less heralded are the geniuses behind the camera,” says Variety VP and executive editor Steven Gaydos. “In a historic new event at this year’s Karlovy Vary Intl. Film Festival, Artisans in Focus will spotlight the brilliant individuals who create the images and sounds that form the magic of movies.”
The session will also survey the future of filmmaking as the digital revolution, including Vr, transforms the industry.
The Participants Are:
Annell Brodeur, a costume designer, known for her work on “Ain’t Them Bodies Saints” (2013), “Pete’s Dragon” (2016) and “6 Years” (2015). She’s now working on David Lowery’s “Old Man and the Gun,” starring Elisabeth Moss and Casey Affleck.
Ondrej Nekvasil, a Czech production designer who worked on “The Illusionist” (2006), “Snowpiercer” (2013) and “Underworld: Blood Wars” (2016); he has also designed for several TV series, including “Knightfall.”
Monika Willi, a film editor from Austria, best known for her collaborations with director Michael Haneke; she cut “Amour” (2012), “The White Ribbon” (2009) and “The Piano Teacher” (2001). Her next work is Wolfgang Fischer’s “Styx.”
Wojciech Staron, a Polish cinematographer who lensed “Saviour Square” (2006), “Mur” (2015), “Ausma” (2015), “Refugiado” (2014) and “The Prize” (2011); his next film is Diego Lerman’s “Una especie de familia.”
Artisans in Focus is produced in partnership with Barrandov Studio and Czech Anglo Prods.
Based in Prague, Barrandov Studio is the largest film and TV studio in the Czech Republic and one of the largest in Europe. Czech Anglo Productions, also in Prague, is a full service film production and co-production company.
Pictured above: “Pete’s Dragon,” on which costume designer Annelle Brodeur worked as a costume assistant.
Related storiesKarlovy Vary Film Festival Honors Talent Working in Front of and Behind the CameraFuture Frames Showcase at Karlovy Vary Casts the Spotlight on Promising Creative TalentKarlovy Vary International Film Festival Celebrates Critics Choice Movies
Thurman will receive the president’s prize on the festival’s opening night in the historic Bohemian spa town, while Renner, who will screen his wilderness-set thriller “Wind River,” will receive the same prize at the closing gala July 8.
Maven Pictures’ Trudie Styler will screen her debut gay teen comedy “Freak Show” during the festival. Italian actress Jasmine Trinca is set to present drama “Fortunata,” for which she won an acting prize at this year’s Un Certain Regard in Cannes. Thurman headed the Un Certain Regard jury.
Belorussia’s Sergei Loznitsa will screen Holocaust tourism study “Austerlitz,” and Northern Ireland’s Mark Cousins will present the latest installment in his cities series, “Stockholm, My Love.”
The festival announced that German actress-scribe Anna Bruggemann will serve on the main Crystal Globe jury,
Read More: Sofia Coppola Has No Interest in Making a Blockbuster or a Sequel
The newspaper reached out to the likes of Coppola, Denis Villeneuve, Antoine Fuqua, Alex Gibney and more to pick their brains on what is the best cinema has been over the last 17 years, and their answers are as expected (of course “No Country for Old Men” and “There Will Be Blood” have a
Read More: First Clip from Michael Haneke’s ‘Happy End’ Features a Very Unhappy Dinner Party — Watch
For all of the complexity of Haneke’s films and their refusal to dictate moral clarity, his worldview is consistent and straightforward. In Haneke’s world, society’s crimes and atrocities are not regretful footnotes of history
Continue reading Michael Haneke Talks Making ‘Happy End’ But Won’t Explain The Film For You [Cannes] at The Playlist.
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.