Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
After World War II, a small French village struggles to put the war behind as the controlling Communist Party tries to flush out Petain loyalists. The local bar owner, a simple man who ... See full summary »
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
From July, 1913 to the outbreak of World War I, a series of incidents take place in a German village. A horse trips on a wire and throws the rider; a woman falls to her death through rotted planks; the local baron's son is hung upside down in a mill; parents slap and bully their children; a man is cruel to his long-suffering lover; another sexually abuses his daughter. People disappear. A callow teacher, who courts a nanny in the baron's household, narrates the story and tries to investigate the connections among these accidents and crimes. What is foreshadowed? Are the children holy innocents? God may be in His heaven, but all is not right with the world; the center cannot hold. Written by
In an interview with the French newspaper "Le Monde" on 10/20/09, published on 10/21/09, Michael Haneke has explicitly and unequivocally declared his intentions in making the movie "The White Ribbon":
He intended to make a movie about the roots of evil. He said that he believed that the environment of extreme, punitive and sexually repressive protestantism in Germany, has laid the groundwork for Fascism and Nazism. He also said that he saw the same patterns developing in fundamentalist Muslim societies today, and that it is those societies that today were spawning terrorists and suicide bombers. Finally, he expressed the sentiment that "The White Ribbon" is a movie against ALL extremisms.
Michael Haneke has directed his vision in a very masterful and artful way: the cinematography, the acting, and the script are all superb.
The only problem I have is with the vision itself: The environment certainly plays a role, but to explain evil exclusively as the product of one's environment is simplistic and goes against common sense observation: The majority of people on this earth have grown up under repressive regimes and yet have NOT turned out to become murderers, mass murderers, terrorists or suicide bombers. Something is missing in the equation.
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