The story revolves around the passengers of a yachting trip in the Atlantic Ocean who, when struck by mysterious weather conditions, jump to another ship only to experience greater havoc on the open seas.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Kate and John Coleman are rebuilding their troubled marriage. Kate had a drinking problem, but is in therapy and is doing well. She has been sober for one year. The couple decide to adopt a child. When they meet the nine-year-old Russian girl, Esther, at the St. Marina Orphanage, they immediately fall in love with the well-educated orphan. Their young son, Daniel, is hostile to his new sister; but their deaf daughter, little Max, is enchanted with her - at first. Eventually, Kate begins to feel that Esther is manipulative and possibly even psychologically disturbed. John refuses to listen to his wife's misgivings, and the wounds in their marriage reopen. Kate calls Sister Abigail at the orphanage, and the nun informs her that Esther has a troubled and mysterious history. Kate delves further into Esther's past and discovers she is not all she pretends to be. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Kate is writing and playing music on her piano, she is actually composing a suite for Max and Jessica. This scene was originally longer, and Vera Farmiga, herself a skilled pianist, was reportedly furious at director Jaume Collet-Serra for editing it down. She hoped the full scene would be included on the DVD (it isn't). See more »
After Kate enters "antisocial personality disorder" into an Internet search on her computer, as reflected in her glasses lenses, the screen immediately directs to a synopsis page clearly labeled with a different personality disorder, Borderline Personality Disorder. The two disorders are not synonymous. See more »
After the end title sequence, the rest of the credits are, among other things, smeared and splattered with fluorescent paint, lipstick kisses, and Esther's violent artwork. A small heart is also painted next to "John" (Peter Sarsgaard) in the cast list. See more »
Every once in a while a film seems destined to slip under the radar either by poor promotion or a trailer that makes the viewer go "meh". Orphan is one of those flicks that, while benefiting from a decent studio push, simply didn't impart any compelling reason to check it out based on the trailer, which is too bad because this is actually one tight little thriller.
Directed by Spain's Jaume Collet-Serra (House of Wax), it tells the story of Esther (Isabelle Fuhrman), a 9-year old Russian orphan who is adopted by Kate and John Coleman (Vera Farmiga and Peter Sarsgaard) , a decision motivated in part by the stillborn birth of their third child.
An oddball from the start, Esther at first charms the Colemans with her personality, artistic flair, and independence, however it's apparent that there's more going on with Esther than meets the eye. She quickly forms a bond with Max (Aryana Engineer), the couple's deaf daughter, by learning sign language, but is resented by their son Daniel (Jimmy Bennett) who views her with contempt. All of which forms a basis for familial tension, further compounded by the skeletons of Kate's history of alcoholism and John's past infidelity.
Telling a surprisingly layered story that strays into uncomfortable territory given how it deals with children in peril, the shiniest gem in this entertaining nugget is that of Isabelle Fuhrman, upon whose performance the movie succeeds or fails. While acting is uniformly top notch throughout, Fuhrman spectacularly establishes herself as one of the most remarkable young talents currently working in cinema, and that's a statement not to be taken lightly. This 12-year-old, who had only one prior film credit on her resume, simply blazes her way across the screen in a performance that ranges from sweet to seductive to psychotic. This is her movie and she makes the most of it, and if she doesn't mature into one of Hollywood's premier stars, I'll be most surprised.
Orphan won't win any awards (despite Fuhrman's impressive performance) and might well get passed over by many based on the trailer, all of which is too bad because this is one stray that movie audiences would do well to adopt.
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