A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
Kate and John Coleman are rebuilding their troubled marriage. Kate had a drinking problem, but is in therapy and is doing well. She has been sober for one year. The couple decide to adopt a child. When they meet the nine-year-old Russian girl, Esther, at the St. Marina Orphanage, they immediately fall in love with the well-educated orphan. Their young son, Daniel, is hostile to his new sister; but their deaf daughter, little Max, is enchanted with her - at first. Eventually, Kate begins to feel that Esther is manipulative and possibly even psychologically disturbed. John refuses to listen to his wife's misgivings, and the wounds in their marriage reopen. Kate calls Sister Abigail at the orphanage, and the nun informs her that Esther has a troubled and mysterious history. Kate delves further into Esther's past and discovers she is not all she pretends to be. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to the original script, it was strongly implied that Esther enjoyed harming and torturing animals. A minor subplot with Esther killing and dismembering the Coleman family's pet hamster was written, but never filmed. See more »
When Esther attempts to suffocate Daniel in the hospital, when she removes the pillow his eyes are wide open. When the doctors come into the room to revive him they are now closed. See more »
At both the beginning and end of the movie, the title briefly changes to a scratchier, more sinister font, surrounded by fluorescent paint. This effect also occurs with many of the names shown in the end title sequence. See more »
Finally, a horror film about adults. Adults with complex issues and children that act like children and not hyper precocious sex models. The reason to see this film isn't to find out the over advertised " Esther's secret" of the film (a MAJOR misstep in marketing. Too many people now enter the film trying to figure out the "secret" before they normally would have been surprised), but rather to see a well-acted (extremely well acted by Vera F.)slow-building suspense story with excellent direction and cinematography. John Ottman's score also serves the film well, without becoming overpowering in signaling this is a "creepy" film. The actress who plays Esther shows a skill in performance that makes one think we may actually have another Jodie Foster to keep an eye on. This film works because we LIKE the characters (Rob Zombie please take note!) and fear for them and their survival. Dark Castle's best film, and it gives one hope that the horror/suspense genre still can be presented with intelligence and depth. Hollywood take note: we don't want a xerox of this film, but we do want more films that share this films strenghts: good script, likable real characters, excellent acting and nice, tension building direction.
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