A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Kate and John Coleman are rebuilding their troubled marriage. Kate had a drinking problem, but is in therapy and is doing well. She has been sober for one year. The couple decide to adopt a child. When they meet the nine-year-old Russian girl, Esther, at the St. Marina Orphanage, they immediately fall in love with the well-educated orphan. Their young son, Daniel, is hostile to his new sister; but their deaf daughter, little Max, is enchanted with her - at first. Eventually, Kate begins to feel that Esther is manipulative and possibly even psychologically disturbed. John refuses to listen to his wife's misgivings, and the wounds in their marriage reopen. Kate calls Sister Abigail at the orphanage, and the nun informs her that Esther has a troubled and mysterious history. Kate delves further into Esther's past and discovers she is not all she pretends to be. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Isabelle Fuhrman auditioned for the part of Esther while wearing an old-fashioned dress and ribbons around her wrists and neck. See more »
The Smith & Wesson m-36 holds 5 rounds, as clearly shown when she removes it from the safe and opens the cylinder. Esther fires five rounds when chasing Kate through the house. When Max picks it up by the pond, she fires a "magical" sixth round. See more »
At both the beginning and end of the movie, the title briefly changes to a scratchier, more sinister font, surrounded by fluorescent paint. This effect also occurs with many of the names shown in the end title sequence. See more »
Remarkably well-acted, darkly humorous, and effectively disturbing
Dark, edgy, twisted, effective, clever, intense, and blackly comic - one of the best "evil child" films I've seen. It's brilliantly cast - Vera Farmiga and Peter Sarsgaard are top-notch as usual, but what really stood out where the natural performances director Jaume Collet- Serra was able to get from the child actors. Usually child actors are painful to watch, but 12- year-old Isabelle Fuhrman gives a terrifying, chilling performance that is worthy of praise. Aryana Engineer in her screen debut as the deaf little sister Max is adorable and almost steals the show in every scene. The stylish cinematography, editing, and sound are fantastic as well.
I saw Orphan at a packed advance screening and the audience had a blast. Collet-Serra knows how to pull the strings and engage the audience, as they were screaming and laughing at all the right moments. There are plenty of fun and playful tension-relieving scenes, and several cathartic moments when the audience erupted into cheers. When the credits rolled the audience even applauded.
The second showing I went to was just as receptive - the audience went nuts. They were collectively screaming, cheering, yelling at the screen, cringing, applauding, and enthusiastically welcoming the comic relief. One guy commented afterwards: "I never get scared by movies but that was the scariest movie I've ever seen." Audience participation for both screenings I went to were very high.
The film improves upon second viewing, with the knowledge of the twist. I was able to focus more on details and clues, and the anticipation of my favorite scenes made for a much more rewarding experience. It's even more chilling and cathartic the second time around.
It's far from perfect though - there are way too many predictable jump/false scares, with the soundtrack blaring to try to startle the viewer. The last part of the movie becomes a slasher flick replete with clichés and a one-liner. There is a talky scene where Esther reveals herself to her adoptive mother that is totally unneeded, as well as a crucial line regarding Danny, the older son, which really should've been cut. It's also a bit long at 2 hours - for an exploitative "B" movie this is unusual, although time is devoted to character development. Esther is multi-dimensional and even sympathetic at times
I would love to see a prequel based on her character.
Orphan is definitely not for kids - aside from the "anti-adoption" angle, there is plenty of dangerous imitable behavior. The violence committed by and toward children is shocking, realistic, and brutal. This is a ballsy film that throws kids into horrific ordeals.
It may be a "B" movie, but it's a damn good one that knows its audience. The basic idea is nothing new (except for the unexpected twist), but you knew that from the trailer and synopsis. If you were still interested or if you're a horror fan that is able to look past some clichés and logical jumps in exchange for horrific chills, you'll have a fun time. The phenomenal child performances alone are enough to recommend Orphan.
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