English archaeology professor 'Dolly' Parton's team handles high-profile (notably relic) finds. Often those prove relevant in the present, as such and/or as symbol for a cause. So the team ... See full summary »
An adaptation of Flora Thompson's autobiographical novel "Lark Rise To Candleford", set in 19 century Oxfordshire, in which a young girl moves to the local market town to begin an apprenticeship as a postmistress.
A 35 year old woman, Kate, awakes from an eighteen year coma following a tragic accident to an unfamiliar world. As she tries to make sense of what has happened her family and old school friends are reluctant to dig up the past.
English archaeology professor 'Dolly' Parton's team handles high-profile (notably relic) finds. Often those prove relevant in the present, as such and/or as symbol for a cause. So the team runs personal danger, on top of their messy love - and other personal lives. Usually the story of the object is mainly told in an opening gambit and the episode's final. Written by
The series was poorly received by critics and viewers. The BBC was prepared to commission a second series, but the writers declined, feeling that they had taken a risk with the show but that it had not paid off. See more »
Okay, I'm a professional and not an academic, but even so. I've managed to avoid this series up until now, but last night featured the Roman Baths Museum and I had to watch it for the background. Pity the actors got in the way..... Not going to comment on the archaeology side (yeah I know it's fiction) but the whole thing was just nuts. And not in a good way either. I could have assembled a better plot from an Ikea flat-pack and the dialogue sounded like they'd shredded the script and picked up random lines off the floor. And the big surprise at the end?
anyone not get it before the programme was half over? And in answer
to cake-26, I know of a few black archaeologists and worked with people from various ethnicities when doing work with the public, so the presence of Adrian Lester and Gugu Mbatha-Raw is valid but they are so under-drawn as characters as to be 2-dimensional. Hugh Bonneville played his part as if he was half-cut and I really wished I was too.
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