In the Summer of 1969 a young man is filled with the life of the idyllic old pearling port Broome - fishing, hanging out with his mates and his girl. However his mother returns him to the ... See full summary »
Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
Robin de Jesus
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after he breaks parole, agrees to care for factory worker Fantine's daughter, Cosette. The fateful decision changes their lives forever.
British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways.
In the Summer of 1969 a young man is filled with the life of the idyllic old pearling port Broome - fishing, hanging out with his mates and his girl. However his mother returns him to the religious mission for further schooling. After being punished for an act of youthful rebellion, he runs away from the mission on a journey that ultimately leads him back home. Written by
I watched this film with little knowledge of its content apart from a vague recollection that there was a play by the same name from many years ago. I was pleasantly surprised by the movie and thoroughly enjoyed its humour and wackiness. I am northern European heritage but even I wanted to be an Aborigine for a day (watch the movie and you will know what I am talking about). Given the Indigenous population in Darwin where I live and the proximity of us to Broome there was always going to be some forgiveness for the inherent weaknesses in the movie. Hell, even though I haven't met Jess Mauboy personally, I know some people who were/are important in her life. I also have met and enjoyed a bit of time many years ago with Uncle Tadpole, Ernie Dingo. So I suppose you could say that I am more inclined to be supportive of this movie than not. That being said, I was in a cinema 80 per cent full and there was standing applause at the end by some. My 17 year old daughter who I thought would seriously savage the movie came out saying she really enjoyed it. Clearly, Geoffrey Rush is a standout, as with anything he delivers on screen. But this is not a movie about standouts. It delivers in the true Indigenous philosophy of a collaborative effort. The sum of the collaborative efforts is far greater than the individual parts. Go see it with no preconceptions and enjoy. I reckon the reason this quirky movie is so interesting is that it defies genre, unlike another poster that didn't seem to enjoy it because it didn't seem to fit a pre-defined mould.
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