A story about 11 women living in Paris. Each of them has her own problems: career, love life, children. Every woman has her complexes and virtues. They always look elegant, hiding their ... See full summary »
Biography of Camille Claudel. Sister of writer Paul Claudel, her enthusiasm impresses already-famous sculptor Auguste Rodin. He hires her as an assistant, but soon Camille begins to sculpt ... See full summary »
In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She ... See full summary »
A Christmas story. When boy-friend Georges dumps would-be writer and hypochondriac Pénélope, she goes through two days of horrible, self- centered pain: she asks her friend Sophie to help, ... See full summary »
A French psychologist investigates about famous suicidal women. She finds the case of Antonieta Rivas Mercado, a Mexican writer who died inside Paris' Notre Dame in 1931. To follow the ... See full summary »
Ignacio López Tarso
Akash (Rhehan Malliek) and Ishkq (Preity Zinta), two complete strangers, after having met on a train from Rome to Paris, end up spending the evening together in the romantic city.However, ... See full summary »
A strange way of filming a classic, "Figaro" succeeds at least in showing us how people lived back, then, their refinement and idiocy, and how some things remain the same, regardless of age. If you've seen "Cosi fan tutte", this TV film uses the same resource at probably the only really dramatic scene in the whole movie. At least this time women aren't the guilty party. What I found most interesting is how the same people ... change. We see Jacques Weber using Figaro's genie to get Comtesse Almaviva, only to want younger Suzanne 5 years later. And 20 years from now... Figaro's perfect marriage ... The way both couples look, how they do "not communicate" is only funny because if we see it in others, dismay is almost funny. Had we the foresight to see ourselves as we witness these universal characters, what would we do?
Writer and director Weber stands out from this stellar cast (what a voice!), also ethereal Isabelle Adjani and a perfect "Figaro". Suzanne is OK, as is Chérubin, who also did some Christie in his budding career. And happens to be Weber's son!
The epoch, dresses, palace (!) and language are realistic, like only the French can do so naturally.
Watch it with some patience, for after the 2/3rds part of the film, things start to get going.
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