| Photos (See all 74 | slideshow) | Videos (see all 14) |
| Bobby Campo | ... | Nick | |
| Shantel VanSanten | ... | Lori | |
| Nick Zano | ... | Hunt | |
| Haley Webb | ... | Janet | |
| Mykelti Williamson | ... | George | |
| Krista Allen | ... | MILF / Samantha | |
| Andrew Fiscella | ... | Mechanic | |
| Justin Welborn | ... | Racist | |
| Stephanie Honore | ... | Mechanic's Girlfriend (as Stephanie Honoré) | |
| Lara Grice | ... | Racist's Wife | |
| Jackson Walker | ... | Cowboy | |
| Phil Austin | ... | MILF's Husband | |
| William Aguillard | ... | Kid #1 | |
| Brendan Aguillard | ... | Kid #2 | |
| Juan Kincaid | ... | Newscaster | |
| Monique Detraz | ... | Anchorwoman | |
| Chris Fry | ... | Greensman | |
| Tina Parker | ... | Cheyenne | |
| Cecile Monteyne | ... | Dee Dee | |
| Stacey Dizon | ... | Pedicurist | |
| Dane Rhodes | ... | Grandstate Manager | |
| Gabrielle Chapin | ... | Girl on Top | |
| Harold Evans | ... | Homeless Man (as Harold X. Evans) | |
| Camille E. Bourgeois III | ... | Water Gun Brat | |
| Curtis E. Akin | ... | Golfer | |
| Eric Paulsen | ... | Anchorman | |
| Belford Carver | ... | Mr. Suby | |
| Dennis Nguyen | ... | Chinese Orderly | |
| Jedda Jones | ... | Nurse | |
| Joseph T. Ridolfo | ... | Toy Helicopter Operator | |
| Chris Langlois | ... | Toy Car Operator | |
| Trey Burvant | ... | Theater Manager | |
| Larry E. Lundy Jr. | ... | Usher | |
| Courtney James | ... | Scaffolder | |
| rest of cast listed alphabetically: | |||
| Dewayne Bateman | ... | Movie Patron (uncredited) | |
| Brett Beoubay | ... | Country Club Patron / Viper Passenger (uncredited) | |
| Dane Brown | ... | Theater Casualty (uncredited) | |
| Jenna Craig | ... | Kid with Bolt (uncredited) | |
| Richard Cravens | ... | Mechanic (uncredited) | |
| Kevin Crawford | ... | WQDT Channel 12 news reporter (uncredited) | |
| Joshua Davis | ... | Boy in Pool (uncredited) | |
| Rolexis Delaney | ... | Hot Race Track Girl (uncredited) | |
| Lauren Denham | ... | Race Fan (uncredited) | |
| Joanna Doherty | ... | Mourner - Race Track Memorial (uncredited) | |
| Brandon Duracher | ... | Civilian (uncredited) | |
| Ashley-Rebekah Faulkner | ... | Hot Race Car Fan (uncredited) | |
| Kyrt Gates | ... | Race Fan (uncredited) | |
| Wanda Gates | ... | Race fan (uncredited) | |
| Dayton Gray | ... | Race Fan (uncredited) | |
| Russell M. Haeuser | ... | Race Fan (uncredited) | |
| Emily D. Haley | ... | Mall Shopper (uncredited) | |
| Rodney Hebert | ... | Race Fan (uncredited) | |
| Joshua Hinson | ... | Movie Goer With Feet on Seat (uncredited) | |
| Alan Wyn Hughes | ... | Race Fan (uncredited) | |
| Amanda Japp | ... | (uncredited) | |
| Judy Kern | ... | Pool Club Member / Race Fan (uncredited) | |
| Randi Krasny | ... | Movie Patron (uncredited) | |
| Ali Larter | ... | Clear Rivers (archive footage) (uncredited) | |
| Cynthia LeBlanc | ... | Race Fan / Shopper (uncredited) | |
| Elton LeBlanc | ... | Race Fan / Shopper (uncredited) | |
| Laurie Lee | ... | Upscale Country Club Member / Pool Club Member / Race Fan (uncredited) | |
| Douglas Lopez | ... | Race Fan (uncredited) | |
| Avon Maser | ... | Mall Patron (uncredited) | |
| Krystle McMullan | ... | Extra - Coffee Shop Reading Magazine (uncredited) | |
| Eric Mentis | ... | Race Fan (uncredited) | |
| Deanna Meske | ... | Mother (uncredited) | |
| Jake Moran | ... | Theatre Victim (uncredited) | |
| Rebecca Newman | ... | Hottie (uncredited) | |
| Jeremy Palko | ... | Construction Worker (uncredited) | |
| Tony Pallo | ... | Mall Shopper / Race Fan (uncredited) | |
| Jennie Parrish | ... | Race Fan (uncredited) | |
| Jolene Perez | ... | Death By Caffeine Patron (uncredited) | |
| Lyssa Prine | ... | Mall Shopper (uncredited) | |
| Karen Pritchett | ... | Racetrack Fan (uncredited) | |
| Croix Provence | ... | Extra (uncredited) | |
| Yalonda Lisa Reeves | ... | Mother of Pool Boy with Mask (uncredited) | |
| Scott Schlueter | ... | Race Track Fan (uncredited) | |
| Corlandos Scott | ... | Mall Shopper (uncredited) | |
| Andy Sims | ... | Country Club Patron (uncredited) | |
| Billy Slaughter | ... | Frankie (uncredited) | |
| Chaz Smith | ... | Race Fan (uncredited) | |
| Logan Douglas Smith | ... | Detective (uncredited) | |
| Terry Lee Smith | ... | Mall Patron (uncredited) | |
| Louis St. Romain | ... | Race Fan (uncredited) | |
| Jill St. Williams | ... | Extra - Racetrack Scene (uncredited) | |
| Corey Stewart | ... | Man with Apple (uncredited) | |
| Preston Strother | ... | Pool Boy with Mask (uncredited) | |
| Shonda Thurman | ... | Race track Patron (uncredited) | |
| Elizabeth Tranchant | ... | Featured Race Car Fan (uncredited) | |
| Colleen Trusler | ... | Movie Patron (uncredited) | |
| Andy Ussach | ... | Coffee Shop Customer (uncredited) | |
| M. Jearl Vinot | ... | Race Fan (uncredited) | |
| Roy Williams Jr. | ... | Race Fan (uncredited) | |
Directed by | |||
| David R. Ellis | |||
Writing credits(WGA) | ||
| Eric Bress | (written by) | |
| Jeffrey Reddick | (characters) | |
Produced by | |||
| Richard Brener | .... | executive producer | |
| Tawny Ellis | .... | associate producer (as Tawny Ellis-Lehman) | |
| Walter Hamada | .... | executive producer | |
| Sheila Hanahan | .... | executive producer (as Sheila Hanahan Taylor) | |
| Craig Perry | .... | producer | |
| Art Schaefer | .... | co-producer | |
| Warren Zide | .... | producer | |
Original Music by | |||
| Brian Tyler | |||
Cinematography by | |||
| Glen MacPherson | |||
Film Editing by | |||
| Mark Stevens | |||
Casting by | |||
| Lindsey Hayes Kroeger | |||
| David Rapaport | |||
Production Design by | |||
| Jaymes Hinkle | |||
Art Direction by | |||
| Scott Plauche | |||
Set Decoration by | |||
| Raymond Pumilia | |||
Costume Design by | |||
| Claire Breaux | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects artist | |
| Nikki I Brown | .... | additional makeup artist | |
| Deborah Brozovich | .... | assistant hair stylist: Florida | |
| Samantha M. Capps | .... | key makeup artist (as Samantha Capps) | |
| Gino Crognale | .... | on-set makeup artist | |
| Alex Diaz | .... | on-set makeup artist | |
| Marcos Gonzales | .... | hair stylist | |
| Lee Grimes | .... | key makeup artist: Florida unit | |
| Jane Hassinger | .... | key hair stylist: Florida | |
| Carey Jones | .... | on-set makeup artist | |
| Krystal Kershaw | .... | makeup artist | |
| Tami Lane | .... | prosthetic make up artist | |
| Robin Mathews | .... | makeup department head | |
| Mike McCarty | .... | makeup effects on-set project supervisor | |
| Paul Anthony Morris | .... | hair department head | |
| Gregory Nicotero | .... | special makeup effects artist (as Greg Nicotero) | |
| Remi Savva | .... | makeup artist | |
| Kevin Wasner | .... | on-set makeup artist | |
| Amy Wood | .... | key hair stylist | |
| Christine Wostak | .... | makeup artist | |
| Andrea Young | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Jeffrey J. Dashnaw | .... | second unit director (as Jeff Dashnaw) | |
| Frank Falvey | .... | first assistant director: second unit, Florida | |
| Michael Finn | .... | assistant director: reshoots | |
| Michael Finn | .... | second assistant director: Florida | |
| James Giovannetti Jr. | .... | first assistant director | |
| Mark Helfrich | .... | second unit director: Florida | |
| Meaghan F. McLaughlin | .... | second assistant director: reshoots | |
| Meaghan F. McLaughlin | .... | second second assistant director: second unit, Florida (as Meaghan McLaughlin) | |
| Eric A. Pot | .... | second assistant director | |
| James Roque | .... | first assistant director: second unit (as James Roque Jr.) | |
| Sherman Shelton Jr. | .... | second second assistant director second unit | |
| Paul Uddo | .... | second second assistant director | |
| Jimi Woods | .... | second assistant director: second unit | |
Visual Effects by | |||
| Santo Alex M. | .... | software developer: production pipeline tools | |
| Melissa Almeida | .... | textures & lighting: Hybride | |
| Steve Arguello | .... | digital artist: CafeFX | |
| Ronald Arredondo | .... | lighting rigger | |
| Marc Aubry | .... | animator: Hybride | |
| Ian T. Barbella | .... | visual effects | |
| Jeff Barnes | .... | production executive: CafeFX | |
| Pharoah Barrett | .... | 3D artist: Entity FX (as Mike 'Pharoah' Barrett) | |
| Michel Barrière | .... | visual effects supervisor: Hybride | |
| Miguel Bautista | .... | compositor | |
| Miguel Bautista | .... | visual effects: animator | |
| Olivier Beaulieu | .... | digital compositor: Hybride | |
| Mat Beck | .... | senior visual effects supervisor: Entity FX | |
| Daniel Belair | .... | technical director: Hybride | |
| Michaël Bentitou | .... | textures & lighting: Hybride | |
| Didier Bertrand | .... | digital compositor: Hybride | |
| Louise Bertrand | .... | bidding producer: Hybride | |
| Isabelle Bismuth | .... | visual effects coordinator: Hybride | |
| Pierre Blain | .... | digital compositor: Hybride | |
| Raphaele Blanchard | .... | tracking artist: Hybride | |
| Jason Bohbot | .... | technical support: Hybride | |
| Cédric Bonnaffoux | .... | digital compositor: Hybride | |
| Maryse Bouchard | .... | textures & lighting: Hybride | |
| Kristen Branan | .... | head of production: Zoic Studios | |
| Ben Bullock | .... | animator: PIC | |
| Ben Bullock | .... | visual effects designer: PIC | |
| Stephan Burle | .... | visual effects designer: PIC | |
| Caroline Bélisle | .... | administration: Hybride | |
| Marc-Andre Carbonneau | .... | visual effects animator: Hybride | |
| Christina Castellan | .... | visual effects production manager: Cafe FX | |
| Pierre Cataford | .... | matchmover: Hybride | |
| François Chancrin | .... | lead animator: Hybride | |
| Vincent Clemencon | .... | visual effects animator: Hybride | |
| Leslie Conover | .... | 3D artist: Entity FX | |
| Raonull Conover | .... | visual effects animator: Hybride | |
| Mélanie Cotton | .... | technical support: Hybride | |
| Joanie Croteau | .... | production assistant: Hybride | |
| Glenn Curry | .... | technical director: CafeFX | |
| Christophe Damiano | .... | textures & lighting: Hybride | |
| Olivier Debert | .... | digital compositor: Hybride | |
| Thierry Delattre | .... | visual effects supervisor: Hybride | |
| Steve Dellerson | .... | visual effects | |
| Philippe Desiront | .... | digital compositor: Hybride | |
| Luc Desmarais | .... | technical support: Hybride | |
| Anouk Deveault-Moreau | .... | visual effects coordinator: Hybride | |
| Hugo Codinach Domenech | .... | 3D animator: PIC | |
| Hugo Codinach Domenech | .... | visual effects designer: PIC | |
| Mark Doney | .... | digital compositor: Hybride | |
| Sebastien Dostie | .... | visual effects supervisor: Hybride | |
| Roy L. Downey | .... | pyrotechnics supervisor: Cinema Production Services, Inc. | |
| Mathieu Dufresne | .... | visual effects animator: Hybride | |
| Lafleche Dumais | .... | computer graphics supervisor: Hybride | |
| Lafleche Dumais | .... | visual effects supervisor: Hybride | |
| Mathieu Dupuis | .... | digital compositor: Hybride | |
| Yves Désilets | .... | digital compositor: Hybride | |
| Leif Einarsson | .... | digital compositor | |
| Dwayne Lance Elahie | .... | technical director: Hybride | |
| Daniel Elophe | .... | digital compositor: Hybride | |
| Felipe Fenton | .... | flame artist | |
| Michael Fessenden | .... | previs artist: Baked Goods | |
| Eduardo Figueiroa Salas | .... | senior digital compositor | |
| Mike Fischer | .... | digital artist | |
| Patrick Flanagan | .... | digital compositor | |
| Jean-Pierre Flayeux | .... | visual effects supervisor: Hybride | |
| Brandon Flyte | .... | compositor: Entity FX | |
| Michael Sean Foley | .... | cg supervisor | |
| Vincent Fortin | .... | visual effects animator: Hybride | |
| Xavier Fourmond | .... | digital compositor | |
| David E. Franks | .... | stereoscopic compositor: Entity FX | |
| Yanick Gaudreau | .... | textures & lighting: Hybride | |
| Audrey Geoffroy | .... | animator: Hybride | |
| Stephan Gervais | .... | technical support: Hybride | |
| Patrick Gosselin | .... | visual effects animator: Hybride | |
| Antony Graf | .... | digital compositor: Hybride | |
| Robin Scott Graham | .... | digital compositor: CafeFX | |
| Rich Grande | .... | digital compositor | |
| Pamela B. Green | .... | producer of visions | |
| Veronique Guay | .... | production assistant: Hybride | |
| Myléne Guérin | .... | visual effects coordinator: Hybride | |
| Steven Hansen | .... | lead matchmove artist: Cafe FX | |
| Brian Harding | .... | visual effects supervisor: Entity FX | |
| Gary Hebert | .... | 3D animator: PIC | |
| Brad Heiner | .... | key grip | |
| Gwen Heliou | .... | visual effects supervisor: Hybride | |
| Pierre-Simon Henri | .... | effects animator: Hybride | |
| Erik Henry | .... | visual effects supervisor | |
| Andress Hester | .... | 3D artist: Entity FX | |
| Junji Hirano | .... | 3D artist: Entity FX | |
| Junji Hirano | .... | visual effects artist | |
| Hai Ho | .... | 3D animator: PIC | |
| David Hochstadter | .... | digital compositor: Amalgamated Pixels | |
| Andrew Hoevler | .... | 3D animator: PIC | |
| Nadine Homier | .... | digital compositor: Hybride | |
| Andrew Honacker | .... | digital artist | |
| Jean-Francois Houde | .... | digital compositor: Hybride | |
| Wendy Hulbert | .... | visual effects coordinator | |
| Steve Hutchins | .... | roto/paint artist | |
| Jan Huybrechs | .... | 3D scanning: Eyetronics | |
| Christopher Johnson | .... | visual effects: Cinema Production Services, Inc. | |
| John Joyce | .... | visual effects coordinator: Cinema Production Services, Inc. | |
| Michael Joyce | .... | visual effects supervisor: Cinema Production Services, Inc. | |
| Bonnie Kanner | .... | visual effects executive producer: Amalgamated Pixels | |
| Joseph Kasparian | .... | lead textures & lighting: Hybride | |
| Ara Khanikian | .... | digital compositor: Hybride | |
| Anne Kim | .... | digital compositor: Hybride (as Anne Ui-Hyun Kim) | |
| Garrett Kinsley | .... | 3D animator: PIC | |
| Richard Kratt | .... | digital compositor | |
| Anouk L'Heureux | .... | visual effects coordinator: Hybride | |
| Alain Lacroix | .... | lead layout artist: Hybride | |
| Mathieu Lalonde | .... | modeler: Hybride | |
| Vassilios Lanaris | .... | textures & lighting: Hybride | |
| Paul Lavoie | .... | DI supervisor | |
| Mathieu Leclaire | .... | technical director: Hybride | |
| Daniel Leduc | .... | visual effects producer: Hybride | |
| Francois Leduc | .... | digital compositor: Hybride | |
| Winston Lee | .... | inferno artist | |
| Benoit Lefebvre | .... | tracking artist: Hybride | |
| Aaron N. Leichter | .... | data I/O: Entity FX | |
| Samuel Lepage-Bedard | .... | production assistant: Hybride | |
| Danny Levesque | .... | effects animator: Hybride | |
| Ellyn Lewis | .... | general manager: Entity FX | |
| Jack Lilburn | .... | associate visual effects producer: Entity FX | |
| Jack Lilburn | .... | visual effects coordinator: Entity FX | |
| Martine Losier | .... | visual effects coordinator: Hybride | |
| George Loucas | .... | previsualization supervisor: Baked Goods | |
| David Louis | .... | effects animator: Hybride | |
| Shawn Lovette | .... | lead previsualization artist | |
| Tran Ma | .... | model, texture artist: CafeFX | |
| Jocelyn Maher | .... | digital compositor: Hybride | |
| Stephane Mailet | .... | technical support: Hybride | |
| Stephane Mailet | .... | tracking artist: Hybride | |
| Paul Makowski | .... | visual effects coordinator: PIC | |
| Richard Ivan Mann | .... | visual effects producer: CafeFX (as Richard Mann) | |
| Richard Martin | .... | visual effects supervisor: Hybride | |
| Brandon McNaughton | .... | digital compositor | |
| Frederic Medioni | .... | tracking artist: Hybride | |
| Francois Metivier | .... | digital compositor: Hybride | |
| Michael Miller | .... | compositor: CafeFX | |
| Ryan Mitre | .... | previs artist: Baked Goods | |
| Roger Mocenigo | .... | compositor: Amalgamated Pixels | |
| Young Joon Mok | .... | digital compositor | |
| Benoit Morin | .... | matchmover: Hybride | |
| Christian Morin | .... | digital compositor: Hybride | |
| Martin Mousseau | .... | animator: Hybride | |
| Andrew Mumford | .... | digital compositor | |
| Rémi Munier | .... | technical director: Hybride | |
| Michel Murdock | .... | visual effects financial controller: Hybride | |
| Michel Murdock | .... | visual effects producer: Hybride | |
| C. Michael Neely | .... | previz animator | |
| Viet Nguyen | .... | systems engineer: Entity FX | |
| Jeremy Nicolaides | .... | stereoscopic compositing supervisor: Zoic Studios | |
| Ian Noe | .... | visual effects producer | |
| Nicolas-Alexandre Noel | .... | computer graphics supervisor: Hybride | |
| Nicolas-Alexandre Noel | .... | visual effects supervisor: Hybride | |
| Sean O'Connor | .... | production assistant: Hybride | |
| Jeremy Oddo | .... | visual effects | |
| Luke Olson | .... | visual effects technical director: CafeFX | |
| Desi Ortiz | .... | visual effects managing editor: CafeFX | |
| Marie-Josée Ouellet | .... | visual effects coordinator: Hybride | |
| Robert Owen | .... | best boy grip | |
| Olivier Painchaud | .... | technical support: Hybride | |
| Rik Panero | .... | stereoscopic lead: Entity FX | |
| Patrick Parenteau | .... | visual effects animator: Hybride | |
| Reid Paul | .... | visual effects producer: Amalgamated Pixels | |
| Steve Pelchat | .... | layout artist: Hybride | |
| Patrick Piche | .... | lead technical director: Hybride | |
| John Pierce | .... | stereoscopic compositor | |
| Sonia Pronovost | .... | animator: Hybride | |
| Sebastien Racine | .... | visual effects supervisor: Hybride | |
| Pierre Raymond | .... | visual effects producer: Hybride | |
| Rob Reinhart | .... | lead compositor: Entity FX | |
| Jeremy Renteria | .... | compositor: Entity FX | |
| Florent Revel | .... | final layout artist | |
| Florent Revel | .... | matchmove artist | |
| Sébastien Rioux | .... | digital compositor: Hybride | |
| Ruben Rodas | .... | compositor: CafeFX | |
| Lauren Rodriguez | .... | visual effects assistant | |
| Robin Roepstorff | .... | 3D animator: PIC | |
| Dan Rucinski | .... | executive visual effects supervisor: Entity FX | |
| Dan Rucinski | .... | visual effects executive producer: Entity FX (as Daniel Rucinski) | |
| Guillaume Ruegg | .... | texture-lighting artist: hybride | |
| Eduardo Sallas | .... | digital compositor | |
| Christian Sanchez | .... | model/texture artist: CafeFx | |
| Katy Savoie | .... | digital compositor: Hybride | |
| Michael Saz | .... | digital compositor: Hybride | |
| Andrea Shear | .... | 3D artist: Entity FX | |
| Mychal Simka | .... | vfx consultant: Cinema Production Services | |
| Joao Sita | .... | digital compositor: Hybride | |
| Nate Smalley | .... | data I/O: Entity FX | |
| Trent Smith | .... | creative visual effects producer: Entity FX (as Trent H. Smith) | |
| Mark G. Soper | .... | visual effects producer | |
| John C. Sparks | .... | 3D artist: Entity FX | |
| John C. Sparks | .... | visual effects: entity fx | |
| Nathan Srigley | .... | effects animator: Hybride | |
| Guillaume St-Aubin-Seers | .... | digital compositor: Hybride | |
| Jubinville Steve | .... | modeler: Hybride | |
| John K. Stirber | .... | pyrotechnics supervisor: Cinema Production Services, Inc. | |
| Tammy Sutton | .... | compositor | |
| Josef Sy | .... | animator: Hybride | |
| Sylvie Talbot | .... | communications: Hybride | |
| Philippe Theroux | .... | computer graphics supervisor: Hybride | |
| Philippe Theroux | .... | visual effects supervisor: Hybride | |
| Gaetan Thiffault | .... | lead effects animator: Hybride | |
| Guillaume Tiberghien | .... | matchmover: Hybride | |
| Eric Torres | .... | visual effects coordinator | |
| Peter Toufidis | .... | matte painter: Hybride | |
| Anne Tremblay | .... | administration: Hybride | |
| Marco Tremblay | .... | lead modeler: Hybride | |
| Véronique Tremblay | .... | production assistant: Hybride | |
| Yves Tremblay | .... | digital compositor: Hybride | |
| Jean-René Trudel | .... | visual effects animator: Hybride | |
| Raphael Valle | .... | digital compositor: Hybride | |
| Mathieu Veilette | .... | textures & lighting: Hybride | |
| Celine Velasco | .... | texture-lighting artist: Hybride | |
| Walter Volpatto | .... | digital stereoscopic artist | |
| Paul M. Wagner | .... | visual effects editor | |
| Andre Waller | .... | digital compositor | |
| Sean Wehrli | .... | main title designer & animator: Pic Agency | |
| Conal Wenn | .... | layout artist: Hybride | |
| Fiona Campbell Westgate | .... | visual effects producer: CafeFX | |
| Tom Williamson | .... | visual effects supervisor | |
| Grant Wilson | .... | animator: Hybride | |
| Stephen Wilson | .... | digital compositor | |
| Manny Wong | .... | 3D artist: Entity FX | |
| Dione Wood | .... | visual effects producer: Amalgamated Pixels | |
| David Yabu | .... | animator: Hybride (as Hiroyuki David Yabu) | |
| Kaz Yoshida | .... | 3D artist: Entity FX | |
| Hubert Zapalowicz | .... | digital artist | |
| Mike Bozulich | .... | compositor: CafeFX (uncredited) | |
| James Galen Clark | .... | render wrangler (uncredited) | |
| Carolyn Martin | .... | visual effects coordinator (uncredited) | |
| Tom Piedmont | .... | rotoscoper: PIC Agency (uncredited) | |
| Larry Sauceda | .... | visual effects editor: CafeFX (uncredited) | |
| Joshua Wassung | .... | previsualization artist (uncredited) | |
Animation Department | |||
| Steve Arguello | .... | modeling supervisor | |
Casting Department | |||
| Robin Batherson | .... | location casting | |
| Terri Douglas | .... | adr voice casting | |
| Geraldine Glenn | .... | extras casting assistant | |
| Heather Heinz | .... | principal casting | |
| Katye Kalivoda | .... | casting associate | |
| Jason Landry | .... | casting associate | |
| Samantha Martin | .... | extras casting assistant | |
| Julie Swistak | .... | casting associate | |
| Diane Benz-Langsford | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Patricia Gorman | .... | set costumer | |
| Loretta Harper | .... | seamstress | |
| Amy Lynch | .... | set costumer | |
| Shonta T. McCray | .... | set costumer | |
| Nori Musarra | .... | set costumer | |
| Candace Rice | .... | set costumer: additional photography | |
| Sharlene Ruffino | .... | set costumer | |
| Anthony J. Scarano | .... | costume supervisor | |
| John H. Smith | .... | key costumer | |
| Ann L. Thomas | .... | pattern maker | |
Editorial Department | |||
| Ray Boniker | .... | assistant editor | |
| Regan Copeland | .... | digitial intermediate editor | |
| James Durante | .... | first assistant editor | |
| Chris Jackson | .... | first assistant editor | |
| Paul Lavoie | .... | digital intermediate supervisor | |
| Javier Marcheselli | .... | assistant editor | |
| Harry Muller | .... | color timer | |
| Gregg Schaublin | .... | digital intermediate producer: Technicolor 3D Version | |
| Bill Schultz | .... | digital intermediate executive | |
| Derek Schweickart | .... | 3D technician | |
| Walter Volpatto | .... | digital intermediate colorist | |
| David Roth Weiss | .... | colorist | |
Music Department | |||
| Paul Broucek | .... | executive in charge of music | |
| Robert Elhai | .... | orchestrator | |
| Oliver Hug | .... | assistant music editor | |
| Pakk Hui | .... | music programmer | |
| Pakk Hui | .... | musical score arrangements | |
| Pakk Hui | .... | orchestrator | |
| Charles Martin Inouye | .... | preview music editor | |
| Andrew Kinney | .... | orchestrator | |
| Adam Klemens | .... | conductor | |
| Gary Krause | .... | music editor (as Gary L. Krause) | |
| Tony Morales | .... | music programmer | |
| Tony Morales | .... | musical score arrangements | |
| Dana Niu | .... | orchestrator | |
| Keith Power | .... | music programmer | |
| Keith Power | .... | musical score arrangements | |
| Dana Sano | .... | music supervisor | |
| Erin Scully | .... | music executive: New Line Cinema | |
| Lori Silfen | .... | music business affairs | |
| Eric Stonerook | .... | music preparation | |
| Stuart Michael Thomas | .... | music programmer (as Stuart Thomas) | |
| Stuart Michael Thomas | .... | musical score arrangements (as Stuart Thomas) | |
| Brian Tyler | .... | conductor | |
| Brian Tyler | .... | music arranger | |
| Brian Tyler | .... | music programmer | |
| Brian Tyler | .... | orchestrator | |
| Brian Tyler | .... | score mixer | |
| Brian Tyler | .... | score producer | |
| Libby Umstead | .... | music coordinator | |
| Shirley Walker | .... | composer: original themes | |
| Brad Warnaar | .... | orchestrator | |
Transportation Department | |||
| Donald Burdett | .... | driver | |
| Dawn Cook | .... | driver | |
| Jeff Hooie | .... | transport captain: Florida Unit | |
| Rene Horstmann | .... | driver | |
| A. Welch Lambeth | .... | transportation coordinator (as Welch Lambeth) | |
| Tom Moore | .... | transportation co-captain | |
| Nick W. Pastrano | .... | construction driver | |
| Cindi Randall | .... | transportation captain | |
| Dennis W. Cook Jr. | .... | picture car wrangler (uncredited) | |
| John DeVay | .... | fuel truck driver (uncredited) | |
| C. Benny Dietz | .... | picture car mechanic (uncredited) | |
| Dave Haldeman | .... | transportation captain (uncredited) | |
| Brad Lips | .... | driver (uncredited) | |
| Reggie Louque | .... | driver (uncredited) | |
| Phuong Pham | .... | driver (uncredited) | |
| Rodney Smith | .... | driver (uncredited) | |
| Byron E. Williams | .... | driver (uncredited) | |
| Christy Zeller | .... | transportation office coordinator (uncredited) | |
Thanks | |||
| Eric Brevig | .... | special thanks | |
| Mark Helfrich | .... | special thanks | |
| Josh Wood | .... | thanks | |
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| Machete | Final Destination 2 | Final Destination 3 | Saw 3D: The Final Chapter | The Professional: Golgo 13 |
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I would like to start off by saying I'm a fan of the FINAL DESTINATION series. Even the much maligned third film is starting to grow on me. When it was announced that David Ellis was returning to the director chair (along with screenwriter Eric Bress), I was quite excited, considering that part two is arguably the best in the series. But this one. If I were to describe this film in one word, I would say DISAPPOINTING. In fact, this is one of the most disappointing movies of this year! The fact that the makers of part two has returned just adds on to the frustration.
The film starts off pretty rushed. In fact, the film is rushed altogether. You feel as if the filmmakers wanted to get through with the film. The laziness is so apparent in here that you're wondering how much the executives offered in their salary. The film is so lazy that there are even glaring plot holes in the hackneyed script! How the hell does a film that is based on something ridiculous have plot holes? The filmbetter yet, the franchise, spends most of its time in setting up rules on the order people are going to die yet this film ignores practically everything and kills people in any order it feels like!
Even the clever foreshadowing from the previous films is quite blatant here. The laziness is also extended to the death scenes. Remember, quality, not quantity. Even though this film has the most death scenes compared to the previous entries, most of them suck and even that word wouldn't give the deaths that much justice. We all have to admit it sooner or later but we see these films for the death scenes. What is the freaking point in watching this film if they turn out to be lazy to an extent that some death scenes are rehashed from previous FD films? Exactly. There is no point.
Another problem about the death scenes is that there is barely any suspense when people are about to get killed. Usually, in the FD films, seeing the set up of the Rube Goldberg-like death scenes IS the suspense, but in here, they feel as if they come out of nowhere because of how rushed everything is. They're surprising, yes, but the surprises wear off very quickly. Google up Alfred Hitchcock's definition of "suspense" to learn the difference between surprise and suspense.
Let's move on to the next problem: CGI. With the 3D technology, it's obvious the filmmakers wanted to add more CGI effects so the images could pop out on the screen. The problem here is that the FINAL DESTINATION series is always known for their practical effects. The premonition sequence in here works well in 3D, sure, but the CGI is terrible! They look so fake that I questioned how this film wasn't released direct to DVD.
You know you have a bad film when a franchise that was supposed to be scary and mysterious now turns into something that pokes fun of itself. It has happened many times before, most notably, the NIGHTMARE ON ELM STREET franchise. It's as if the filmmakers were aware that the franchise is dying and that their last attempt was to add self-aware characters and idiotic, dumb lines in the film with the many problems the film already has.
Even the characters are more like an excuse to kill them off later. It's apparent that this isn't a movie but more of a carnival ride, waiting to see who dies and how they will die. That's how low this film has gone. You'd also be surprised to find out that the most fleshed out character is, in fact, not the protagonist, but a supporting character, played by Mykelti Williamson. He gives a laughable and forced performance but that's nothing compared to Bobby Campo, who is easily the worst premonitionist in the franchise. He can't act to save his life. And the less we say about the others, the better. However, I'm willing to admit the only character I did feel sympathy for was played by Krista Allen, who plays a motherly role with an extremely short running time.
However, there are other few things that I liked about the film (emphasis on the word "few"): There's a sequence in a salon and a car wash that have at least SOME suspense. I don't know if this counts but I also liked the opening credits, which I thought was ingenious, a montage of the previous films' memorable death scenes. And that's about it. Three things. What an accomplishment!
I guess it isn't hard to tell but this is, by far, the weakest in the series because there's nothing new. You'd expect that a mythology so easily expandable would be explored here but no. By the end of the film, you feel underwhelmed. You wished they could have done better. In fact, you KNOW they could have done better. If they were to make a fifth film, they better put some thought into it. If you're thinking about watching this movie only ONCE, you should see it in its intended format in 3D AND in theaters, but I don't see why anyone should waste their money on this film.