In this third installment of the Final Destination series, a student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself which seeks out those who escaped their fate.
Mary Elizabeth Winstead,
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry's murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to ... See full summary »
Darren Lynn Bousman
Following Jigsaw's grisly demise, Mark Hoffman, the final apprentice to the serial killer is deigned a hero. Meanwhile, Agent Strahm continues to track Hoffman while another group of strangers are put through a series of gruesome traps.
Jigsaw locks a few unlucky people in a booby trapped shelter and they must find a way out before they inhale too much of a lethal nerve gas and die. But they must watch out, for the traps Jigsaw has set in the shelter lead to death also.
Darren Lynn Bousman
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
In a car race in McKinley Speedway, twenty-something Nick has a premonition of a deadly car crash with many casualties in the audience and convinces his girlfriend Lori and his friends Hunt and Janet to leave the place. They are followed by the security guard; a racist guy; a mother with her children and a mechanic, that are saved from death. When the racist guy and the mother die in mysterious and creepy incidents, Nick and Lori research and find many similar cases in Internet. They try to lure The Ripper to break the chain of deadly events and survive, but destiny does not help them. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the hospital scene when the bath is overflowing, there is a massive amount of water pouring out of the bath, but only a small stream going into it from the tap. It would be impossible for more water to be coming out of the bath than going in. See more »
[kisses his lucky coin and then points it to Janet]
Go ahead, Janet. Kiss it.
[flashes a disgusted look at Hunt]
It's your choice, heads or tails, but you know I like head.
See more »
Opening credits run over a "greatest hits" of the kills in earlier installments, presented as 3D CGI X-rays. See more »
If you're a fan of the franchise, you'd know the drill by now, and can probably mentally run through all the cliché moments you'll be expected to see being played out on screen once again. Start with a spectacular death-defying escape from certain demise, and because Death cannot accept those who cheated on him, hence begins that hunter-prey game where the Death's invisible hand starts to design some elaborate life-ending sequence for its victims, sometimes with some wickedly black humour thrown in.
Seriously though, Death has turned hip in the series, allowing a select group of survivors led by a prophetic messenger, if anything just to challenge himself to pick them off one by one through the simple rule of elimination in order of the premonition, dangling the carrot that whosoever can break any of his death traps, will be worthy of a second chance in life, not. One thing's for sure, an audience is not going to just walk in and expect great acting or high drama. All we want, simply and crudely put, is to see how brutal or comical death can result from sometimes the most ridiculous of set ups.
To top its predecessors, this installment had its introductory big scene set in stock car racing, which is the perfect avenue for 101 things to go wrong, and when they do, have thousands of potential victims to pick off from. While the very first movie had a spectacular, and some say too realistic for good taste in having witness from within a plane break up and explode upon take-off, this one had an adrenaline pumping race that got enhanced thanks to the latest gimmick in town, 3D.
And while some films are presented in 3D format without exploiting its 3D elements to the maximum, The Final Destination milked every single sequence that it could. From the get go you have objects darting around and flying toward you, be it huge tyres or mashed body insides, everything got hurled toward you from the screen, which I have to admit made me duck a couple of times, having deliberately chosen to sit up front so that the screen totally enveloped my field of vision. But there were still some sequences that looked quite cheaply done though, akin to the quality of those made for television movies due to a smaller budget devoted to effects. But for what it's worth as a 3D film, this is one of the better contemporary live action ones out there now.
One does not expect Oscar winning material in its storyline or acting, though the eye-candy cast made sitting through this film palatable, even if they're acting range comes with vast rooms for improvement. The film's relatively short, clocking under 90 minutes, and had enough cheat sheet deja-vu moments (which included the opening credits priming you on what to excpect) to repeat itself for the sole purpose of bloating the runtime. It also ran out of steam in its final act, leading to a very convenient and rushed conclusion which was just probably director David R. Ellis' way of saying "I do not know how to end this".
Will there be another Final Destination? Sure, if the writers can dream up of another shocker of an opening sequence to set the stage for more deathly carnage to happen. It's no brainer, and if box office results this opening weekend prove to be stellar, then we should expect this franchise to develop some legs to keep going on. And on. But if that happens, this will be viewed in 3D, or naught.
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