| Videos (see all 5) |
| Stephen Eric McIntyre | ... | Bug | |
| Timothy Olyphant | ... | Dick | |
| Joe Anderson | ... | Donnie | |
| Rossif Sutherland | ... | Billy | |
| Jon Ted Wynne | ... | Strung Out Doctor | |
| Steve Ratzlaff | ... | Prison Guard | |
| Mark McKinney | ... | Jeremy | |
| Ernesto Griffith | ... | Ken | |
| Kelly Wolfman | ... | Lynn | |
| Turk Scatliff | ... | Jamie | |
| Leigh Enns | ... | Addict #1 | |
| Will Woytowich | ... | Addict #2 | |
| Susan Kelso | ... | Addict #3 | |
| Harry Nelken | ... | Addict #4 | |
| Tracy Beemer | ... | Nurse (as Tracy McMahon) | |
| Ross McMillan | ... | Black Manager | |
| Mike Bell | ... | Moondog | |
| Brittany Scobie | ... | Alma | |
| Sarah Constible | ... | Alex | |
| Aaron Hughes | ... | Auto Mechanic #1 - Lloyd | |
| Erik Fjeldsted | ... | Auto Mechanic #2 | |
| Doreen Brownstone | ... | Cheesecake Woman | |
| Joy Lazo | ... | Woman in Store | |
| rest of cast listed alphabetically: | |||
| Marjorie Roden | ... | Knitter at meeting (uncredited) | |
| Gordon Tanner | ... | Addict #4 (uncredited) | |
Directed by | |||
| Gary Yates | |||
Writing credits(in alphabetical order) | ||
| Lee MacDougall | play | |
| Lee MacDougall | written by | |
| Gary Yates | writer | |
Produced by | |||
| Robin Cass | .... | producer | |
| Avi Federgreen | .... | co-producer | |
| Elizabeth Jarvis | .... | co-producer (as Liz Jarvis) | |
| Morris Ruskin | .... | executive producer | |
| Anna Stratton | .... | executive producer | |
| Gary Yates | .... | producer | |
Original Music by | |||
| Jonathan Goldsmith | |||
Cinematography by | |||
| Michael Marshall | |||
Film Editing by | |||
| Jeff Warren | |||
Casting by | |||
| Heidi Levitt | |||
Production Design by | |||
| Deanne Rohde | |||
Art Direction by | |||
| Larry Spittle | |||
Set Decoration by | |||
| Owen Bird | |||
Costume Design by | |||
| Maureen Petkau | |||
Makeup Department | |||
| Amanda Kuryk | .... | first assistant makeup artist | |
| Jennifer Machnee | .... | daily makeup artist | |
| Doug Morrow | .... | makeup department head | |
| Brenda Rocchio | .... | assistant hair stylist | |
| Forest Sala | .... | key hair stylist | |
Production Management | |||
| Jan Dutton | .... | post-production supervisor | |
| Avi Federgreen | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David Antoniuk | .... | first assistant director | |
| Richard Duffy | .... | second assistant director | |
| Markian Saray | .... | third assistant director | |
| Amanda Wowryk | .... | trainee assistant director | |
Art Department | |||
| Gary Barringer | .... | graphic artist | |
| Lindsey Bart | .... | set decoration buyer | |
| Nick Burns | .... | storyboard artist | |
| Greg Gardner | .... | graphic artist | |
| Alexis Labra | .... | set dresser | |
| Robert K. Laurie | .... | set dresser (as Robert Laurie) | |
| Jeffrey Lesage | .... | set dresser (as Jeff Lesage) | |
| Robb Paraskevopoulos | .... | leadman | |
| Chris Roznowsky | .... | assistant property master | |
| Mark Stratton | .... | property master | |
| Khali Wenaus | .... | art department coordinator | |
Sound Department | |||
| David Caporale | .... | assistant sound editor | |
| Paul Capuano | .... | consultant: Dolby Sound | |
| Steph Carrier | .... | sound re-recording mixer | |
| Sue Conley | .... | dialogue editor | |
| Erik Culp | .... | foley recordist | |
| John Elliot | .... | foley assistant | |
| Steve Hammond | .... | foley artist | |
| Leon Johnson | .... | production sound mixer | |
| Kirk Lynds | .... | sound re-recording mixer | |
| Stan Mak | .... | boom operator | |
| Joe Morrow | .... | sound re-recording assistant | |
| Robert Warchol | .... | sound effects editor | |
Special Effects by | |||
| Jimi Campbell | .... | special effects assistant | |
| Mark Gebel | .... | special effects coordinator | |
| Lawrence Van Went | .... | special effects first assistant | |
Stunts | |||
| Lori MacKay | .... | utility stunts | |
| Garth Merkeley | .... | stunt double | |
| Chuck Robinson | .... | stunt performer | |
| Sam Robinson | .... | stunt performer | |
| Dan Skene | .... | stunt performer | |
| Rick Skene | .... | stunt coordinator | |
| Sean Skene | .... | stunt coordinator | |
| Dwayne Wiley | .... | stunt double | |
Camera and Electrical Department | |||
| Mark Chow | .... | camera operator | |
| Gabriel Daniels | .... | best boy grip | |
| Terence Fuller | .... | grip | |
| Marlin Greyeyes | .... | daily electrician | |
| Casey Harrison | .... | second assistant camera | |
| Ronald Hodgson | .... | lead electrician | |
| Jonathan Kennedy | .... | lamp operator | |
| Lainie Knox | .... | first assistant camera | |
| Steve Madden | .... | key grip | |
| Aaron Mallin | .... | second assistant camera: 'b' camera | |
| Laurence Mardon | .... | gaffer | |
| Conor McGoey | .... | daily grip | |
| Jim McNulty | .... | genny operator | |
| Reil Munro | .... | dolly grip | |
| Ryan Roberts | .... | second assistant camera | |
| Chris Roy | .... | grip | |
| Rebecca Sandulak | .... | gallery photographer | |
| Ben Stouffer | .... | best boy electric | |
| Paul Suderman | .... | camera operator: 'b' camera | |
| Shauna Townley | .... | first assistant camera: 'b' camera | |
| Brian Tuesday | .... | daily grip | |
| Terry Wowchuk | .... | still photographer | |
Casting Department | |||
| Sara Kay | .... | casting: Toronto | |
| Patricia Kress | .... | extras casting assistant | |
| Jenny Lewis | .... | casting: Toronto | |
| Lori Stefaniuk | .... | background casting | |
Costume and Wardrobe Department | |||
| Michelle Boulet | .... | key costumer | |
| Meg McMillan | .... | daily costumer | |
| Sandra Soke | .... | costume assistant (as Sandy Soke) | |
| Amy Sztulwark | .... | assistant costume designer | |
| Angela Wells | .... | costume truck supervisor | |
Editorial Department | |||
| Louis Casado | .... | color timer | |
| Jim Fleming | .... | digital film colorist | |
| Will Hearn | .... | on-line editor | |
| Chris Mayo | .... | on-line editor | |
| Michelle Szemberg | .... | assistant editor | |
Music Department | |||
| Michael Banton-Jones | .... | score mixer | |
| Yuri Gorbachow | .... | music editor | |
| Michael Perlmutter | .... | music supervisor | |
Transportation Department | |||
| John Mysyk | .... | transportation coordinator | |
Other crew | |||
| Lindsay Affleck | .... | assistant production coordinator | |
| Neal Baksh | .... | location manager | |
| Dave Brown | .... | firearms safety coordinator | |
| Denys Curle | .... | craft service | |
| Claude Forest | .... | insurance broker | |
| Andrew Gallinger | .... | assistant location manager | |
| Sara Holmes | .... | post production accountant | |
| Cathie Hutfluss | .... | medical consultant | |
| Ross Ikeda | .... | production accountant consultant | |
| Patricia Jagger | .... | script supervisor | |
| Michelle Angela King | .... | production assistant | |
| Alf Kollinger | .... | stand-in | |
| Judy Penner | .... | first assistant accountant | |
| Marguerite Pigott | .... | story editor | |
| RoseAnna Schick | .... | unit publicist | |
| Jayson Schimnowski | .... | production assistant | |
| Andrew Schulz | .... | locations key | |
| Hanna Tower | .... | production coordinator | |
| Brian Turley | .... | production accountant | |
| Matt Webber | .... | stand-in | |
| Dwayne Wiley | .... | horse coordinator | |
| Adam Wojtowicz | .... | executive assistant | |
| Ryan Wuckert | .... | location scout | |
Thanks | |||
| Sam Eigen | .... | special thanks | |
| Brandon Paine | .... | special thanks | |
| Kevin Pollak | .... | special thanks | |
| Carrie Paupst Shaughnessy | .... | thanks | |
| Brian Sweet | .... | special thanks | |
| Jane Tattersall | .... | special thanks | |
| Keith Tomasek | .... | special thanks | |
| Paul Vella | .... | thanks | |
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| Takers | The A-Team | The Salton Sea | Lone Star State of Mind | The Fugitive |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Canada section |
This is low down fun. It has a very well-scripted, plotted, and thought through feel to it and there really are worse ways to send your time.
It reminded us a lot of Australian cinema, where losers just keep on losing but just more and more outrageously, and it is a film that makes you laugh mostly 'cos it ain't you.
All the characters are exactly that, characters, and all of them are nicely done. Everything from the get go just works and the take on the 80s is pitch perfect - no Reaganomics and Wall Street here, this is 70s hangover time to perfection.
A fun little movie with heart, drugs, and great, great incompetence...