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|Index||153 reviews in total|
Making the animation different in a common story was not at all
beneficial but instead it became dull and boring. From the title itself
it is already predictable and Tim was stuck with the same common story
rather than exploring it. Contrary to the story of giving life, the
film looks dead in a grave.
The idea of making a new animation film in an old black & white format was a good one but not for this this kind of story. I would rather see Nightmare Before Christmas in full black and white because of its complex and different storyline.
Great animation comes from great imagination. Tim Burton was indeed among those greats but not in this film of copydog or copycat or copy frankie!
If you had not told me that this was a Tim Burton film, then i might not have known it because the element of surprise is non-existent and the usual bizarre Burtonisms are lacking. This is a remake of an old short film Burton did in the 80's, which also fans the flames of doubt that Tim Burton has run out of ideas. i guess their is one surprise in this film; Johnny Depp is not in it. he basic idea of the story is taken from Mary Shelley's Frankenstein and it never veers from it, which could have make it an enjoying film. Tim Burton should have explored the paranormal or even some of his usual humour could have add to this bland story. Hopefully, he will return with some great great, but even someone as bizarre as Burton grows older and mellows out. Perhaps he will do a rom-com next. Watch the old Frankenstein film and skip this film.
Frankenweenie is a brilliant stop-motion animation. I did not think I
would like this movie better than "The Nightmare Before Christmas" or
"Corpse Bride" but I did. The other two Tim Burton films are
outstanding and I still love those movies - but Frankenweenie quickly
became my favorite Tim Burton animated film (so far). Maybe it's
because the movie is loosely based on one of my favorite classic horror
stories "Frankenstein".... maybe it's just the idea of bringing back to
life someone you love (even a beloved pet)? I can't say for sure why
Frankenweenie is my favorite of the Burton animations - it just is.
This is a great Halloween Holiday film -- and I'm sure it will be a classic. This film would be great to watch along with "The Nightmare Before Christmas", "Corpse Bride", "Hotel Transylvania" or "ParaNorman".
I definitely got what I was expecting with a Tim Burton animated movie
here - dark, moody, and very Gothic. To be honest, though, I never
really found this movie amusing and even my wife - who love's animation
movies - was falling asleep. There were some scenes you chuckled at
i.e. where Sparky was wagging his tail and it came flying off, but as a
whole I found the movie to be pretty boring.
I was hoping for more in this one than what I got with A Nightmare Before Christmas (that one DID send me to sleep), and while it was better, it wasn't by much. I did like that it was an animation based on the classic Frankenstein movie - but with a dog being brought back to life instead of a human. Even little "Egor" was in it as well and a reference to The Bride of Frankenstein.
The animation is excellent, so at least that was something positive about the film. I usually enjoy Tim Burton movies on the whole - Batman and Beetlejuice being just a couple of my favourites - but I think he should stay away from the animated side of movies and stick to his classic dark live action movies.
All in all, this is a pretty disappointing movie and is a bit of a let down.
Tim Burton has had a tough few years with many of his newer films
disappointing his fans and audiences. He returned to something more
personal by turning his first short film, Frankenweenie into a feature
length film. Frankenweenie is a film that Burton was committed to
project, making a homage to Gothic horror films of the 30s,
particularly Frankenstein and The Bride of Frankenstein and mixing it
with the 50s small town Americana of Edward Scissorhands and focusing
on many outsiders. The Elementary School is populated by strange
characters, Victor (Charlie Tahan), an intelligent boy more interested
in science and filmmaking, Elsa (Winona Ryder), a depressed goth girl,
Edgar "E" Gore, a creepy hunchback kid and "Weird Girl" (Catherine
O'Hara), a girl who is obsessed with her cat's psychic visions.
Frankenweenie is a fantastically animated film: Burton brings out a creepy look: the characters are deliberately exaggerated as it tells a story most people can relate to when we have suffered some sort of lost. Burton recreates the look of both old Black and White monster movies and B-Movies from the 50s. But this disadvantageous because Frankenweenie is a bit too much of a love letter to though films. The humour for the most part is mild with the funniest moment being when a Eastern European puts down the parents during a public meeting in the most condescending matter possible.
Frankenweenie is a solid enough film with a running of 80 minutes. But it is essentially what you would think a Tim Burton film would be like.
2012 is the year of animated horror films and this film, Frankenweenie
might just be the best of the bunch. Tim Burton is at his best and is
most effective here and this film gives off Corpse Bride and Edward
Scissorhands vibes and that's a good thing. Filmed in stop-motion
animation, this is a story that is creepy and borderline scary, but
also funny and sometimes emotional.
Burton's film is a story that digs deep. It's about a boy and his dog but there are some underlying themes prevalent such as friendship and tight, life-long bonds. Victor loses his dog, Sparky to an unfortunate accident, so Victor decides to reanimate his dog's corpse and things may not be the same afterwards.
This film doesn't have many recognizable names here, but there are several Burton regulars here such as Catherine O'Hara, Martin Short, Martin Landau, and Winona Ryder. They all do a good job here.
Overall, Frankenweenie is an excellent film and a good spoof of horror classics. I like the use of black and white because it adds to the film and almost make it seem fifty years old. This is a creepy but sometimes funny film. A great animated film for adults, but perhaps a bit too scary for kids. I rate this film 9/10.
Victor Frankenstein is an strange boy from strange world. Written by
Tim Burton (Ed Wood, Sleepy Hollow). Victor's only friend is the dog
named Sparky. Victor's parents are worry because their son is so lonely
and they want that Victor should find a human friends. One day Victor
starts playing baseball with few boys as same ages like him. The first
game became such tragic and suddenly Sparky is gone. Victor is so sad
that he wants bring Sparky back to the life. Then the experiment went
to wrong way and the horror is on the loose. Warning: spoiler alert.
Frankenweenie is the new version Burton's short story from 80's. But the scales is now bigger and storytelling is more deeper. In visual side the movie looks good and black and white style made the look even better. Burton used same stop-motion technique like what he used for Nightmare Before Christmas (1993) and Corpse Pride (2005). Burton loves horror flicks and Frankenweenie's story is full of classic horror elements and the characters. The script is clever and different characters made movie more interesting.
Somewhere the film can't handle full scales and the crew loosed they ideas and none knew how the movie should have ended. I don't know what kind of ending Burton wrote in first place. It felt that Burton's original idea watered down and he wanted more "kid friendly" ending. Unfortunately ending is typical sappy/Hollywood ending.
For a stop-motion animated film, Frankenweenie has a lot of things
going for it. Comprising of over 200 puppets strung to about 30
individual puppeteers, the result is a top notch, fluid animated
feature that is very realistic to the naked eye. What is surprising is
the fact that it took director Tim Burton two years to literally
animate the story of a boy and his dog and the bond they share - an
incredible feat when considering that a week of filming produces only
five seconds of animation! Entirely shot in black and white, the
setting is perhaps Burton's greatest triumph a throwback to
Hollywood's past while experimenting with the undead. Set during 1970s
in the town of New Holland, it is the story of young Victor
Frankenstein (Charlie Tahan) and his beloved dog Sparky. As is typical
of boys his age, Victor loves his dog and even uses Sparky as the
protagonist in his home-made stop motion animated films. All this
changes the day Sparky is killed in a tragic accident. Inspired by his
science teacher, Victor does the inevitable. Sparky is resurrected (no
surprise, given the title) but soon attracts the curiosity of his
classmates, who are all vying for the ultimate science fair project.
Once they figure out how Victor brings Sparky back to life, clandestine
trips to the pet cemetery results in grotesque consequences for the
sleepy town of New Holland.
With a fascination for the macabre and the morbid, I can't say this is Tim Burton at his best, nor his most original. No doubt, filming a stop motion animation in black and white, and in 3D, is a cinematic first but there are too many similarities to his 2005 animated film Corpse Bride, another stop motion film dealing with, well, the undead. The characters (or puppets) look almost identical with Burton relying on his signature Gothic dark circled eyes. Curiously, Sparky looks almost the same before and after his death. When it comes to originality, there's not much you can expect in terms of the story when the premise itself is an obvious homage to the 1931 classic, itself inspired and titled after Mary Shelley's seminal Frankenstein story. Knowing this, the black and white setting becomes a necessary aspect and a vital component in Burton's grand scheme of things. Another questionable flaw is the film's juvenile PG rating. Given the premise of Victor, his class mates, and their collective morbid curiosity, few children watching the film are going to be entertained. The bigger question is whether children are old enough to be entertained or fascinated when dealing with the subject of death or the possibility of life after death. Although there are funny moments, albeit very few and very dark, the subject shifts to an illustration telling children how to deal with the death of a pet and the ensuing process of letting go. Yet somehow, this does not appear to be the intended message if Sparky is meant to be brought back more than once.
Considering its absolute scope and production value, Frankenweenie can be justified as a painstaking film made with grand ambition. There is also Burton's panache for anything that goes bump in the night with various references to the early days of cinema monstrosities. To this effect, Danny Elfman's score is a perfect consummation further accentuating Burton's moments of intentional homage. And considering the sheer nature of its making, this film is a marvel to watch and recommended for a mature audience but not necessarily for kids. Speaking of which, there used to be a time in modern cinema when children were told not to try at home what they saw at the movies. But going by the last scene, Burton seems to be saying that it's OK for kids to go back home, dig up a dead cat, stick kitty's tail in the wall socket and yell "It's alive, it's alive!!"
I saw Frankenweenie in an open-air cinema, prepared for that purpose in
a city square. That fit well with Frankenweenie, since it references
several old movies that were presumably watched in open-air theaters.
The movie itself is hard to classify. IMDb's description as Animation/Comedy/Family is only halfway there, since the main protagonist is a dog brought back to life by electricity. And apart from the reborn dog, Frankenweenie would have been a true family movie.
But this is what is typical for Tim Burton and what puzzles me the most: Where does his fixation on death and the dead come from? There is nothing bad in that since i guess no one is actually harmed. On the other hand, this leaning toward Gothic fashion and subculture is something you grow out of after a certain age...
I could have written a review sooner. But it is now that I wish to say
a few things. 1. to everyone who complains about a lack of logic: you
obviously don't realize that with animation, especially stop-motion,
you can even be totally metaphoric and logic has no place in it, other
than how to switch on the camera. have you seen Estonian stop motion?
Makes. no. Sense. and does life make sense? does it? Nope. yet
Frankenweenie rings so true about all the things we have lost. that
regret, wishing to bring them back, always remembering them. 2. what
Tim does with stop-motion is a miracle. 3. I actually don't have
anything very reasonable to say, just that this film went straight into
my heart next to Edward Scissorhands. I haven't been so emotionally
invested for a long time.
I am so glad there is a person like Tim who still does real films. yes, he has experimented with that incomprehensible motion capture too, but stop-motion has this tangible quality, that makes you actually feel the touch of a filmmakers hand. you can see what he actually does. I am so glad he has the patience and will to do this. he is an artisan! a deep bow to him and his team.
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