When Madea catches sixteen-year-old Jennifer and her two younger brothers looting her home, she decides to take matters into her own hands and delivers the young delinquents to the only ... See full summary »
Taraji P. Henson,
Shirley has important news for her family, but she has five grown children with different lifestyles and finds it difficult to get them and the kids all together. So in steps Madea, the ... See full summary »
Tyler Perry's gun-toting, irreverent granny Madea, played by Perry himself, has been entertaining theater audiences with plays like Diary of a Mad Black Woman and Madea's Family Reunion. ... See full summary »
Chantell D. Christopher
When a family meets for Christmas at their posh Cape Cod estate, family arguments and secrets cause a stir. It takes a real down-to-earth family - like Aunt Bam and the almighty Madea - to save this holiday.
Just as Madea buries her sister, she must get ready for her granddaughter, Lisa, coming to get married at the house. It's a bundle of laughs and drama and great music and lessons of ... See full summary »
Madea and her driver are in a van, having just been cut off by a guy in a car. They're "chasing" the car but it's clear that the gear lever in the van they're driving is in the 'Park' position. See more »
You're in here going on about what your daddy did to you. Your daddy is out there enjoying his life while you're in prison. You're here because of what YOU did.
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This narrative can't make it's mind up. The director (who also writes it) gets confused between whether he has written a comedy, or a melodrama.
The scenes containing what we believe to be the main protagonist 'Madea' are an attempt at comedy that rely on spectacle and stereotype. The gags aren't executed very well at all (yet you can't blame the actors and actresses with this script) and I get the feeling that this has all been done before, recently in fact and better I might add.
Scenes containing Candi are melodramatic and actually not that bad. There is some good acting and the plot is well contrived. Some of these scenes question American class division and have a purpose.
So, bring these two elements together and you get a confused audience. The two stories have no relevance to each other until the end of the film when they 'collide'. I use collide loosely because this doesn't even happen. The characters meet and nothing much happens. I think they spoke together in about three shots.
The story itself lets the director down as well. It's easy to second guess (yet you wish you'd be proved wrong) and you wonder whether you are watching two different movies playing at once. The character of Madea is badly constructed. There is no development what-so-ever. Without giving too much away; Madea's involvement in the ending is complete nonsense. People who have seen this film will probably agree that she has no real reason to be there.
To sum up, this is the worst film I have seen in years. The director should have picked one of the stories instead of merging them in some sort of Nutty Professor meets Pretty Woman side show. Utterly ridiculous.
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