When a truck trafficking children is intercepted in the desert by the army, one of the traffickers is captured. Interpol agent Frank Salek comes to the police station with his partner to ... See full summary »
Nobody knows Auguste Maquet, and yet everybody knows "The Three Musketeers", Everybody knows Alexandre Dumas who wrote the swashbuckling masterpiece but who knows that Maquet is his ... See full summary »
Victor and Margot are both lawyers in a major consulting firm and form a solid couple in private. Yet one day they find themselves competing for the same job promotion. How will their relationship stand up to the outcome?
In 17th century France, cardinal Mazarin's death squad kills young Blanche's parents. She grows up to become a thief and steels a substance called Powder of the Devil and a coded letter that were sent to cardinal Mazarin. He is furious.
Antoine de Caunes
Didier Travolta (Franck Dubosc) is a 40-year-old disco music fan who has no job, lives with his mother, and has a son he hasn't seen for a while in Britain. The mother of his son refuses to... See full summary »
Alain Moreau sings for one of the few remaining dance-bands in Clermont-Ferrand. Though something of an idol amongst his female audience he has a melancholic awareness of the slow ... See full summary »
Cécile De France,
Romain, 23, is the watchman of a small Paris hotel. He does not know it yet but he is about to become a novelist... Madeleine is six decades older than him. She is his grandmother. ... See full summary »
Albert Spaggiari, the infamous man responsible for one of the biggest bank heists of the last century, is at the center of this story. Although the actual robbery is seen briefly, it made the man famous for stealing from an institution not likely to have been robbed.
We come to the story as Vincent Goumard, a free lance journalist makes contact with Spaggiari's men under the pretext of an interview with the notorious bandit, now living in a South American country, not unlike Brazil, but not identified by name. Unknown to Spaggiari, or his associates, Goumard was acting with the police and the idea was to kidnap him and return him to France for justice.
The problem with the film, directed by Jean-Paul Rouve, is that it never makes up its mind whether to be a comedy, or a thriller. Mr. Rouve makes the mistake of other actors in trying to act and direct. Perhaps a better film would have resulted with another man in charge. As an actor, Mr. Rouve does not convince. When all is set and done, nothing new comes out about the caper.
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