Two babies are switched at birth. When the mistake is discovered 12 years later, it leads to complications in the lives of both families. One family is affluent, with dutiful and (... See full summary »
Mathias, aboard a ship with his wife, sees a boy with a striking resemblance to himself and is called - Mathias. He then tracks him to a town north of France to discover that the boys ... See full summary »
Auntie Danielle, supposedly in ailing health but in reality just a nasty old bitch, lives with a paid housekeeper who she regularly abuses. When the housekeeper dies falling off a ladder, ... See full summary »
Antoine Méliot is around 40 years old and has everything he needs to be happy: a beautiful wife, two adorable children, friends he can count on, a pretty house in the Yvelines and money. ... See full summary »
When a truck trafficking children is intercepted in the desert by the army, one of the traffickers is captured. Interpol agent Frank Salek comes to the police station with his partner to ... See full summary »
Didier Travolta (Franck Dubosc) is a 40-year-old disco music fan who has no job, lives with his mother, and has a son he hasn't seen for a while in Britain. The mother of his son refuses to... See full summary »
Muriel Bayen, a divorced beautician and mother of two, loves to tell stories. She is a huge fan of this singer Vincent Lacroix, in fact she is a dedicated fan. One day Vincent knocks on her door and asks for her help.
Albert Spaggiari, the infamous man responsible for one of the biggest bank heists of the last century, is at the center of this story. Although the actual robbery is seen briefly, it made the man famous for stealing from an institution not likely to have been robbed.
We come to the story as Vincent Goumard, a free lance journalist makes contact with Spaggiari's men under the pretext of an interview with the notorious bandit, now living in a South American country, not unlike Brazil, but not identified by name. Unknown to Spaggiari, or his associates, Goumard was acting with the police and the idea was to kidnap him and return him to France for justice.
The problem with the film, directed by Jean-Paul Rouve, is that it never makes up its mind whether to be a comedy, or a thriller. Mr. Rouve makes the mistake of other actors in trying to act and direct. Perhaps a better film would have resulted with another man in charge. As an actor, Mr. Rouve does not convince. When all is set and done, nothing new comes out about the caper.
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