Bertrand Beauvois, a well-known attorney, is in Monte Carlo to defend a businessman's mother who murdered a gigolo with ties to gangsters. The businessman provides a bodyguard, Christophe, ...
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Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only ... See full summary »
She drove me into a corner, then forced me to go beyond my limits. She made me confront the absolute: love, sacrifice, tenderness, abandonment. She dislocated me, transformed me. Why didn't... See full summary »
Agathe lives with her husband and son in a posh apartment in front of the Jardin du Luxembourg. Patrick lives with his son in the back of a van. She is the head of an important contemporary... See full summary »
Baptiste is a solitary type. A teacher in southern France, he never stays more than three weeks in the same job. One Friday, he finds himself in charge of Mathias, one of his pupils, who ... See full summary »
Quatre amis, Etienne, Daniel, Simon et Bouly ont du mal à grandir et, la quarantaine révolue, continuent de se jouer des tours. Etienne, qui est toujours resté fidèle à sa femme, tombe ... See full summary »
Bertrand Beauvois, a well-known attorney, is in Monte Carlo to defend a businessman's mother who murdered a gigolo with ties to gangsters. The businessman provides a bodyguard, Christophe, who is thorough and unsmiling. The middle-aged Beauvois is drawn to Audrey, in her 20s, free spirited, a local TV weather girl who once dated Christophe. Although Christophe warns Beauvois to stay away from Audrey, he's hooked and spends every moment with her he's not in court. What's her angle: is she a plant who'll ruin the case; is Beauvois her toy; is she digging for gold; or, is she genuine? Beauvois loves the wild sex but not her promiscuity. Has Christophe failed to protect him? Written by
My laugh meter was in constant activity throughout this film, one of the most entertaining French comedies of recent years. Anne Fontaine's witty script and assured direction gave me a lot of pleasure. The first scene between Fabrice Luchini and Hélène de Saint-Père--that amorous banter out of Marivaux--set the tone for me. Luchini is at the top of his form now, much stronger than he was in La Discrète or Beaumarchais l'insolent. He portrays the erotic confusion of the middle-aged man so well. Roschdy Zem, so often used as ethnic content in his films, here provides us with the (almost) definitive portrait of the loyal servant with his own agenda (cf. Dirk Bogarde in The Servant). Louise Bourgoin has a great natural comic flair that will serve her well in future roles (she outshines that other comic weather girl Michelle Pfeiffer in Up Close and Personal).
Anne Fontaine has given me so much satisfaction over the last ten years: I think of Nettoyage à sec, Comment J'ai tué mon père, Nathalie... She is a stalwart of the French film industry.
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