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Directed by | |||
| Tomas Alfredson | |||
Writing credits | ||
| John Ajvide Lindqvist | (screenplay) | |
| John Ajvide Lindqvist | (novel) | |
Produced by | |||
| Frida Asp | .... | line producer | |
| Gunnar Carlsson | .... | co-producer | |
| Ricard Constantinou | .... | co-producer | |
| Suzanne Hamilton | .... | post-production producer | |
| Henric Larsson | .... | post-production producer | |
| Carl Molinder | .... | producer | |
| John Nordling | .... | producer | |
| Lena Rehnberg | .... | co-producer | |
| Per-Erik Svensson | .... | co-producer | |
Original Music by | |||
| Johan Söderqvist | |||
Cinematography by | |||
| Hoyte Van Hoytema | |||
Film Editing by | |||
| Tomas Alfredson | |||
| Dino Jonsäter | |||
Casting by | |||
| Anna Zackrisson | (as Anna Zakrisson) | ||
Production Design by | |||
| Eva Norén | |||
Costume Design by | |||
| Maria Strid | |||
Makeup Department | |||
| Maria Strid | .... | makeup designer | |
Production Management | |||
| Katharina Berggren | .... | pre-production manager | |
| Mia Eriksson-Degerlund | .... | production manager | |
| Suzanne Hamilton | .... | pre-production manager | |
| Sofia Lindberg | .... | unit manager | |
| Emi Löfgren | .... | assistant production manager | |
| Anna Nilsson | .... | assistant production manager | |
| Fredrik Sidevärn | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Anna Zackrisson | .... | first assistant director (as Anna Zakrisson) | |
Art Department | |||
| Henrik Andersson | .... | props | |
| Mårten Backman | .... | carpenter | |
| Magnus Berglind | .... | carpenter | |
| Lena P. Cederlund | .... | props (as Lena Pettersson Cederlund) | |
| Emil Eriksson | .... | stand-by props | |
| Cecilia Iversen | .... | painter (as Sissi Iversen) | |
| Magnus Jonason | .... | storyboard artist | |
| Jenny Klingwall | .... | painter | |
| Anna Lindqvist | .... | graphic designer | |
| Emma Madsen | .... | props (as Emma Dahl Madsen) | |
| Jens Munter | .... | construction coordinator | |
| Josef Norén | .... | concept designer | |
| Anna Paulson | .... | assistant art director | |
| Eva Lo Rahmberg | .... | painter (as Eva Lo Ramberg) | |
| Britta Rehn | .... | stand-by props | |
| Lars Smedinge | .... | set dresser | |
| Yvonne Swahn | .... | set dresser | |
| Dan Wedergren | .... | carpenter (as Dan Wedegren) | |
Sound Department | |||
| Mikael Brodin | .... | sound | |
| Anders Degerberg | .... | sound mastering | |
| Christoffer Demby | .... | sound | |
| Petter Fladeby | .... | sound re-recording mixer | |
| Jonas Jansson | .... | sound editor | |
| Fredrik Jonsäter | .... | additional sound | |
| Maths Källqvist | .... | sound | |
| Richard Löthner | .... | foley artist | |
| Ulf Olausson | .... | foley artist | |
| Patrik Strömdahl | .... | sound editor | |
| Per Sundström | .... | sound re-recording mixer | |
| Per Sundström | .... | supervising sound editor | |
Special Effects by | |||
| Mattias Berg | .... | special effects makeup | |
| Love Bergström | .... | special effects makeup (as Love Berg) | |
| Robin Blick | .... | special effects technician | |
| Thomas Feuk | .... | special effects makeup | |
| Karl-Johan Fröjd | .... | special effects technician | |
| Hans Harnesk | .... | special effects | |
| Johan Harnesk | .... | pyrotechnician | |
| Oskar Hejll | .... | puppeteer | |
| Niklas Hermansson | .... | special effects makeup | |
| Karin Hässler | .... | special effects makeup | |
| Nina Lagnefeldt | .... | special effects makeup | |
| Love Larson | .... | special effects makeup | |
| Esteban Mendoza | .... | special effects makeup | |
| Jens Mårtensson | .... | special effects coordinator (as Jens 'Jempa' Mårtensson) | |
| Victor Nilsson | .... | special effects technician | |
| Hanna Pettersson | .... | special effects makeup | |
| Emma Prieto | .... | special effects makeup | |
| Kalle Schröder | .... | special effects coordinator | |
| Kaj Steveman | .... | special effects makeup | |
| Madelene Söderblom | .... | special effects makeup | |
| Mattias Tobiasson | .... | special effects makeup | |
| Oskar Wallroth | .... | special effects makeup | |
Visual Effects by | |||
| Peter Aversten | .... | animator | |
| Peter Aversten | .... | digital effects artist: Fido Film | |
| Andreas Cronström | .... | compositor: Fido Film | |
| Thomas Deutschmann | .... | visual effects producer | |
| Claes Dietmann | .... | visual effects producer | |
| Magnus Eriksson | .... | animator | |
| Magnus Eriksson | .... | lighting technical director: Fido film | |
| Mattias Forsström | .... | animator | |
| Mattias Forsström | .... | lighting technical director: Fido film | |
| Johan Gabrielsson | .... | animator | |
| Johan Gabrielsson | .... | lighting technical director: Fido film | |
| Hemn Habib | .... | digital effects artist | |
| Linus Hoglin | .... | digital effects artist (as Linus Höglin) | |
| Mats Holmgren | .... | digital colourist | |
| Fredrik Höglin | .... | digital effects artist | |
| Jonas Jangvad | .... | optical printing: ARRI | |
| Andreas Bravin Karlsson | .... | compositor | |
| Staffan Linder | .... | animation supervisor: Fido film | |
| Staffan Linder | .... | animator | |
| Martin Malm | .... | compositor: Fido Film | |
| Fredrik Nord | .... | digital effects artist | |
| Daniel Norlund | .... | compositor: Fido Film | |
| Kenneth Nyman | .... | animator | |
| Kenneth Nyman | .... | modeler: Fido film | |
| Cameron Scott | .... | animator | |
| Kaj Steveman | .... | visual effects supervisor | |
| David Strindberg | .... | digital effects artist | |
| Janak Thakker | .... | animator | |
| Janak Thakker | .... | previs artist: Fido film | |
| Fredrik Zander | .... | visual effects producer | |
| Linda Öhlund | .... | vfx editor: Fido Film | |
| Martin Borell | .... | compositor: Fido Film (uncredited) | |
Stunts | |||
| Per Dunder | .... | stunts | |
| Lars Hjelm | .... | stunts | |
| Esmeralda Nikolajeff | .... | stunt double | |
| Pernilla Ribeiro Novais | .... | stunts | |
| Kimmo Rajala | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Kristian Bergström | .... | electrician | |
| Jonas Björne | .... | electrician | |
| Benny Broström | .... | grip | |
| Peter Brännström | .... | electrician | |
| Per Byrén | .... | gaffer | |
| Eric Börjeson | .... | underwater cinematographer (as Eric Börjesson) | |
| Joakim George | .... | electrician | |
| Halldór Gunnarsson | .... | assistant gaffer | |
| Johan Hannu | .... | electrician | |
| Oscar Hansson | .... | grip | |
| Adrian Harkins-Wester | .... | grip (as Adrian Harkins Wester) | |
| Pontus Hellberg | .... | electrician | |
| Stefan Hencz | .... | grip | |
| Niklas Johansson | .... | electrician | |
| Kidd Johnson | .... | assistant gaffer | |
| Kidd Johnson | .... | electrician | |
| Daniel Kask | .... | first assistant camera | |
| Kobie Kentkuran | .... | grip (as Kobi Kentkuran) | |
| Jan Pehrson | .... | first assistant camera | |
| Carl P. Rasmussen | .... | first assistant camera (as Calle Rasmussen) | |
| Carl P. Rasmussen | .... | second assistant camera (as Calle Rasmussen) | |
| Hoyte Van Hoytema | .... | still photographer | |
| Johan Wallin | .... | grip | |
| Tor-Ulf Öhman | .... | electrician (as Tor Ulf Öman) | |
| Jörgen Öhrström | .... | electrician | |
Casting Department | |||
| Sara Alström | .... | casting assistant | |
| Jenny Berglund | .... | casting assistant | |
| Moa Gammel | .... | casting assistant | |
| Maya Hansson-Bergqvist | .... | casting assistant (as Maja Hansson Bergqvist) | |
| Evalotta Helmerson | .... | casting assistant | |
| Frida Sandberg | .... | casting assistant | |
| Sanna Söderberg | .... | casting assistant | |
| Maggie Widstrand | .... | casting director: children | |
Costume and Wardrobe Department | |||
| Jessica Fridén | .... | costume assistant | |
Editorial Department | |||
| Louise Brattberg | .... | editing advisor | |
| Thomas Lee | .... | assistant editor | |
| Claudio Salas | .... | on-line editor | |
| Linda Öhlund | .... | on-line editor | |
Music Department | |||
| Mats Bergström | .... | musician: guitar | |
| Hans Ek | .... | conductor | |
| Hans Ek | .... | orchestrator | |
| Peter Fuchs | .... | scoring mixer | |
| Uno Helmersson | .... | assistant composer | |
| Uno Helmersson | .... | musician: baritone guitar | |
| Jonas Holst | .... | music clearance | |
| Anette Hökengren | .... | music clearance | |
| Emma Kihlberg | .... | music advisor | |
| Erik Nilsson | .... | musician: drums | |
| Per Sundström | .... | music scoring mixer | |
| Johan Söderqvist | .... | musician: piano | |
| Johan Söderqvist | .... | musician: waterphone | |
| Mattias Thorell | .... | musician: electric guitar (as Mattias Torell) | |
| Mikael Carlsson | .... | soundtrack producer (uncredited) | |
Other crew | |||
| Svend Abrahamsen | .... | film consultant | |
| Josephine Adams | .... | trainee | |
| Annelie Arrefelt | .... | animal trainer | |
| Tarik Charafi | .... | trainee | |
| Linda Dahlin | .... | postproduction coordination | |
| Malin Edblom | .... | publicist | |
| Linn Ek | .... | trainee | |
| Isabella Eklöf | .... | location assistant | |
| Marta Farkas | .... | trainee | |
| Paul Fischer | .... | script translator | |
| Martin Fuxin | .... | location assistant | |
| Hanna Goding | .... | trainee | |
| Nicole Grängshem | .... | stand-in | |
| Kerim Guner | .... | runner (as Kerim Güner) | |
| Peter Gustafsson | .... | film consultant (as Peter 'Piodor' Gustafsson) | |
| Erik Hahr | .... | trainee | |
| Cilla Holm | .... | production accountant | |
| Åsa Holmlund | .... | trainer | |
| Magdalena Johansson | .... | script supervisor | |
| Mattias Johansson | .... | trainee | |
| Robin Jonsson | .... | trainee | |
| Daniel Larsson | .... | location assistant | |
| Eva Lilja | .... | trainer | |
| Malin Lindvall | .... | runner | |
| Agneta Ljungman | .... | publicist | |
| Andres Lokko | .... | script translator | |
| Hans Lönnerheden | .... | completion bond executive | |
| Hans Lönnerheden | .... | legal services | |
| Dennis Magnusson | .... | script editor | |
| Fred Malmros | .... | location assistant | |
| Daniel Mattisson | .... | production accountant | |
| Maria Mörner | .... | publicist | |
| Pia Norström | .... | publicist | |
| Ricardo Núñez Román | .... | voice director (English version) (as Ricardo Núñez) | |
| Jim Ohlsson | .... | diver | |
| Karina Pettersson | .... | location assistant | |
| Erik Pexer | .... | location assistant | |
| Fredrik Praesto | .... | mental coach | |
| Magnus Rönnevall | .... | production accountant | |
| Per Sandén | .... | publicist | |
| Fredrik Sidevärn | .... | location manager | |
| Poa Strömberg | .... | legal services | |
| Roger Öhman | .... | diver | |
Thanks | |||
| Hans Lönnerheden | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Sweden section |
"Let the Right One In" is, at its heart, a sweet coming-of-age story which is so unique and different that it simply defies categorization. In this Swedish film, adapted from John Ajvide Lindqvist's bestselling book, director Tomas Alfredson dares to mix pleasure and pain in a way that is both horrifying and tender.
"Let the Right One In" has a storyline which, although it reveals some secrets early on, is best left as a surprise. So this will necessarily be one of those rare reviews in which the less said about the plot the better. 12-year-olds Oskar (Kare Hedebrant) and Eli (Lina Leandersson) meet one snowy afternoon at a jungle gym in the courtyard of Oskar's housing complex outside Stockholm. Their young, tender attraction for each other is apparent right from the start and we think we know where their relationship is headed. But there is a deep dark secret to be discovered here and when it's revealed the audience is both repulsed and curiously fascinated at the same time, in a similar fashion as when yellow crime scene tape brings us closer rather than warning us away.
The supporting cast is completely beholden to the narrative as it revolves around the adorable young couple, whose performances rival the best I've ever seen for actors of that age. The innocence and vulnerability of Hedebrant's Oskar is simply a tour-de-force and he admirably carries the film on his little shoulders. Leandersson matches him scene by scene, line by line, and the result literally gave me chills.
Production values are stellar, with all technical aspects -- lighting, original music by Johan Soderqvist, and Hoyte Van Hoytema's cinematography -- combining in perfect synchronization to produce a Hitchockian tale that somehow brings love and light into what could have been the darkest drama imaginable.
"Let the Right One In" was the overwhelming choice for Best Narrative Feature after its North American Premiere here at the 2008 Tribeca Film Festival. It is a truly well-deserved honor. Tomas Alfredson has crafted a brilliant work of art that left me shaking my head with wonder.